The Geofinancial Lexicon

Entropia (vol. I & II) – written by William Kherbek and edited in collaboration with Jack Clarke – is a publication which seeks to recount and re-examine a decade of artistic curation, production, and critique between London, Berlin, and other urban art centres from 2010 to 2020.

Comprised of two volumes, this publication contains a compendium of over one hundred reviews and interviews with luminaries of contemporary art (Vol I), as well as a speculative attempt to create a newly generated algorithmic art(ificial) critic (Vol II). Together they serve to document, excoriate, and theorise an art world which is simultaneously hegemonic and precarious, complicit and constructive, driven by values, yet fed by extraction, all filtered through Kherbek’s precise, aphoristic, acerbic, lens.

The publications include contextual contributions from both Josie Thaddeus-Johns, writer for the New York Times, The Financial Times, Frieze; and Rozsa Farkas, director of London-based gallery Arcadia Missa.

Faut-il cautionner la prostitution pour soutenir les travailleuses du sexe ? Faut-il pénaliser les clients ? La prostituée est-elle le symbole de l'oppression des femmes ? Juno Mac & Molly Smith posent un regard nouveau sur ces questions souvent conflictuelles. Elles rejettent l'alternative entre condamnation et glorification du travail du sexe, et étendent leur propos à des problématiques plus larges : les frontières, l'exploitation, le sexisme et la suprématie blanche. En délaissant les symboles passionnés et en examinant les effets concrets des différents régimes législatifs, elles démontrent que la lutte des travailleuses du sexe est d'une importance capitale pour le mouvement social.

The cultural and political legacies of the the 1933 and 1934 Arab Exhibitions in Jerusalem.

Resurgent Nahda examines the 1933 and 1934 Arab Exhibitions in Mandate Jerusalem, highlighting the city's role in asserting a regional Arab Nahda and fostering economic, cultural, and artistic exchange amid post-WWI geopolitical fragmentation.

The book emerges from Nadi Abusaada's seven years of research, including an award-winning 2019 essay in the Jerusalem Quarterly and two exhibitions he curated at the Khalil Sakakini Cultural Center in Ramallah (2022–2023) and Darat al-Funun in Amman (2024). Featuring six essays, an interview, and primary materials—archival documents, crafts, and artworks—the book explores Jerusalem's connections with Baghdad, Cairo, Damascus, and Beirut, tracing the journeys of artists, craftspeople, architects, and journalists who shaped this pivotal chapter in modern Arab history.

Nadi Abusaada is a Visiting Assistant Professor at the American University of Beirut. His work focuses on the material histories and visual cultures of the modern Arab world. He holds a PhD in architecture from the University of Cambridge. He has also held various academic fellowships including the ETH Zürich Postdoctoral Fellowship at ETH Zürich and the Aga Khan Postdoctoral Fellowship in Islamic Architecture at MIT. Besides his writings, Nadi Abusaada has also been involved in research-based curatorial work. He has curated and participated in a number of exhibitions around the world including in Ramallah, Amman, Zurich, Venice, Dubai, and Montreal.

Edited by Nadi Abusaada.
Texts by Nadi Abusaada, Nisa Ari, Wesam Al Asali, Samira Badran, Nadine Nour el Din, Kirsten Scheid, Sary Zananiri.

Toby Altman’s Discipline Park documents the demolition of Prentice Women's Hospital in Chicago, a landmark of architectural brutalism designed by Bertrand Goldberg in the 1970s. Altman was born in the building, and years later, was employed by Northwestern University when they tore it down. His personal proximity to the site leads to a wider critical evaluation of the cruelty of a neoliberalism that asks us to draw sustenance from the very institutions that poison and erase our bodies, habitats, and histories. But, as it indicts the present and its claustrophobic, ruinous politics, Discipline Park also recovers or reinvents utopian vistas through an extended engagement with Goldberg's architectural practices.

"Dolto’s Dominique is the only case I’ve found that rivals Freud, and brings us up to date, replete with questions of incestuous trauma, repressed sexualities, autism and cognitive disability, and a profound sense for the contradictions of polite society and histories of colonial and racist violence. I love this child and encountering Dolto’s otherworldly voice as an analyst." — Jamieson Webster

While the child psychoanalyst Françoise Dolto stands alongside Jacques Lacan as a leading light of the Other French School, she has been little translated and remains curiously unknown in the English-speaking world. First published in 1971, Dominique: The Case of an Adolescent is frank and close to the clinical experience. A masterpiece of the genre, it is at once a granular psychological portrait of a troubled adolescent and his familial inheritance, and a historical case study, set in the France of the 1960s, of the of the relationship between subjectivity, nationality, and time and space.

With a foreword by Michael Ryzner-Basiewicz

Translated by Ivan Kats, revised by Lionel and Sharmini Bailly

Cover image by Mike Kelley, Untitled 1975

Françoise Dolto (born 6 November 1908, Paris) was a psychoanalyst and paediatrician. Alongside private practice at her home, where she saw adults and children, Dolto practised in four institutions where she saw only children patients: the Polyclinique Ney, the Centre Claude Bernard, the Hôpital Trousseau and the Centre Etienne Marcel. From 1967 to 1969, Dolto answered adult and child listeners of the French radio station Europe No. 1, live and anonymously under the name ‘Docteur X’. The programme enjoyed excellent ratings, but Dolto found dialogue to be hindered by the demands of live broadcasting and advertising. In 1976, she agreed to return to radio with Lorsque l’enfant paraît on France Inter, on the condition that she replied to listeners’ letters, which enabled her to go into depth. The programme was a huge success, and would make her a household name. In 1978 Dolto retired as an adult psychoanalyst: her fame had become such that it distorted the therapeutic relationship with patients. She now devoted herself to prevention, training of young analysts, group and individual supervision, publications, conferences and radio and television broadcasts. She also continued her work with children in the care of the Aide Sociale à l’Enfance, some of whom she received at her home until the end of her life. In 1979, along with a small team, she founded the Maison Verte, a place for early-years socialisation welcoming children from ages zero to four along with their caregivers, for sessions of play and talk. This model spread throughout France and Europe, to Russia, Armenia and Latin America. Dolto is the author of more than a dozen books, and several essays, interviews and seminars. In English, her books have been translated as Psychoanalysis and Pediatrics (Routeledge, 2013) and The Unconscious Body Image (Routledge, 2022). Françoise Dolto died on 25 August 1988 in Paris.

This book offers a visual and thematic journey through avant-garde, concrete, visual, and experimental poetics as they appeared in ephemeral little magazines and small press publications from the 1960s onward. This book serves as an exhibition catalog for After Words: Visual and Experimental Poetry in Little Magazines and Small Presses, 1960–2025 from April 23rd to July 26, 2025, at The Grolier Club exhibition in New York City.

Small presses include: 7 Flowers Press, Agentzia, Anabasis, Asylum’s Press, Ayizan Press, Beach Books Texts & Documents, Beau Geste Press, blewointmentpress, Burning Press, C Press, Chax Press, Coach House Press, Edition Hansjörg Mayer, Edizioni Geiger, Expanded Media Editions, Fleye Press, Goliard Press, Grabhorn-Hoyem, Granary Books, Druckwerk, Hawk’s Well Press, Heiner Friedrich, The Hermetic Press, Hermetic Gallery, John Martin, Joseph Melzer Verlag, Kickshaws, Kontexts Publications, Letter Edged in Black Press, Luna Bisonte Productions, Membrane Press, Milano: East 128, New Wilderness Foundation, Nietzsche’s Brolly, Nova News, Open Book, Openings Press, PANic Press, Phenomenon Press, Poltroon Press, Renegade Press, Roaring Fork Press, Scorribanda Productions, Seedorn Verlag, Seripress, Siglio Press, Station Hill, Tarasque Press, Tetrad Press, Visual Poetry Workshop National Poetry Society of London, Wild Hawthorn Press, and Xexoxial Editions.

Little magazines include: “before your very eyes!”, A: An Envelope Magazine of Visual Poetry, Abracadabra, Alcheringa, Anti-Isolation, Approches, AQ, Assembling, Blank Tape, Bulletin From Nothing, Cenizas, Diagonal Cero, E pod, Fruit Cup, Ganglia, Geiger, Gnaoua, Industrial Sabotage, Interstate, Journeyman, Kaldron, Klacto 23, Kontakte, Kontexts, Kroklok, L=A=N=G=U=A=G=E, Libellus, Life Begins with Love, Lines, Lost and Found Times, Lost Paper, Mini, New Wilderness Letter, Pages, Poor.Old.Tired.Horse., Rawz, Revue OU, Rhinozeros, Sammelband Futura, Schmuck, Shi Shi: Concrete & Visual Poetry, Signal, Soft Need, Sondern, Spanish Fleye, Stereo Headphones, Taproot Reviews, The Acts: The Shelf Life, The Difficulties, The Improbable, The Insect Trust Gazette, The Marrahwanna Quarterly, The San Francisco Earthquake, The Subtle Journal of Raw Coinage, Toothpick Lisbon & the Orcas Islands, Unarmed: Adventurous Poetry Journal, UNI/vers(;), WhiteWalls, Xerolage, and xtant.