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Cover of Symbiotic Planet: A New Look at Evolution

Basic Books

Symbiotic Planet: A New Look at Evolution

Lynn Margulis

€15.00

Although Charles Darwin's theory of evolution laid the foundations of modern biology, it did not tell the whole story. Most remarkably, The Origin of Species said very little about, of all things, the origins of species. Darwin and his modern successors have shown very convincingly how inherited variations are naturally selected, but they leave unanswered how variant organisms come to be in the first place.

In Symbiotic Planet, renowned scientist Lynn Margulis shows that symbiosis, which simply means members of different species living in physical contact with each other, is crucial to the origins of evolutionary novelty. Ranging from bacteria, the smallest kinds of life, to the largest, the living Earth itself, Margulis explains the symbiotic origins of many of evolution's most important innovations.

The very cells we're made of started as symbiotic unions of different kinds of bacteria. Sex, and its inevitable corollary, death, arose when failed attempts at cannibalism resulted in seasonally repeated mergers of some of our tiniest ancestors. Dry land became forested only after symbioses of algae and fungi evolved into plants. Since all living things are bathed by the same waters and atmosphere, all the inhabitants of Earth belong to a symbiotic union. Gaia, the finely tuned largest ecosystem of the Earth's surface, is just symbiosis as seen from space.

Along the way, Margulis describes her initiation into the world of science and the early steps in the present revolution in evolutionary biology; the importance of species classification for how we think about the living world; and the way academic apartheid can block scientific advancement. Written with enthusiasm and authority, this is a book that could change the way you view our living Earth.

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Cover of Brutalism

Duke University Press

Brutalism

Achille Mbembe

In Brutalism, eminent social and critical theorist Achille Mbembe invokes the architectural aesthetic of brutalism to describe our moment, caught up in the pathos of demolition and production on a planetary scale.

Just as brutalist architecture creates an affect of overwhelming weight and destruction, Mbembe contends that contemporary capitalism crushes and dominates all spheres of existence. In our digital, technologically focused era, capitalism has produced a becoming-artificial of humanity and the becoming-human of machines. This blurring of the natural and artificial presents a planetary existential threat in which contemporary society’s goal is to precipitate the mutation of the human species into a condition that is at once plastic and synthetic.

Mbembe argues that Afro-diasporic thought presents the only solution for breaking the totalizing logic of contemporary capitalism: repairing that which is broken, developing a new planetary consciousness, and reforming a community of humans in solidarity with all living things.

Cover of Qu'est-ce que le sexe ?

Diaphanes

Qu'est-ce que le sexe ?

Alenka Zupančič

La sexualité comme un problème proprement philosophique de la psychanalyse.

La satisfaction de parler contient en soi une clé de la satisfaction sexuelle (et non l'inverse) – une clé de la sexualité et de ses propres contradictions. Alenka Zupančič aborde la question de la sexualité comme un problème proprement philosophique de la psychanalyse – celle de Freud et de Lacan – et non celle des praticiens cliniciens tels que décrits par Lacan « orthopédistes de l'inconscient ». Que se passe-t-il, comme l'affirme Lacan, si nous pouvons obtenir exactement la même satisfaction que le sexe par la parole, l'écriture, la peinture, la prière ou autres activités ? Il ne s'agit pas d'expliquer la satisfaction que procure la parole en indiquant son origine sexuelle, mais bien de souligner que la satisfaction de parler est elle-même sexuelle.

Alenka Zupančič soutient que la sexualité est à la limite d'un « circuit court » entre ontologie et épistémologie. La sexualité et le savoir sont structurés autour d'une négativité fondamentale qui les unit au point de l'inconscient. L'inconscient (en tant que lien avec la sexualité) est le concept d'un lien inhérent entre l'être et la connaissance dans leur négativité même.

Alenka Zupančič est une philosophe lacanienne, spécialiste renommée de Nietzsche, professeure à l'European Graduate School / EGS et à l'Université de Nova Gorica, Slovénie. Elle est également research advisor et professeure à l'Institut de philosophie du Centre de recherche de l'Académie slovène des Sciences et des Arts. Avec Slavoj Žižek et Mladen Dolar, Alenka Zupančič est l'une des figures les plus incontournables de l'Ecole de psychanalyse théorique de Ljubljana dont les travaux s'intéressent aux relations entre sexualité, ontologie et inconscient, à la critique de la théorie du sujet et à l'exploration théorique du concept lacanien du Réel.

Cover of Coming To Power: writings and graphics on lesbian s/m

Alyson Publications

Coming To Power: writings and graphics on lesbian s/m

SAMOIS

[reprint] a founding work of lesbian BDSM originally published in 1981. 

Coming to Power is more than an attempt to put sex back into lesbian politics. It is an attempt to show, through stories, graphics and analysis, just how political lesbian sex really is. It is an attempt to remind all of us that we must continue our fight to define sexual relations in our own terms as something valid and important. And it’s the best thing that has been published on feminist theory/practice in a long, long time. So let’s go for that long-awaited walk on the wild side.

Samois was a lesbian feminist BDSM organization based in San Francisco that existed from 1978 to 1983. It was the first lesbian BDSM group in the United States.[1] It took its name from Samois-sur-Seine, the location of the fictional estate of Anne-Marie, a lesbian dominatrix character in Pauline Réage's erotic novel Story of O, who pierces and brands O. The co-founders were writer Pat Califia, who identified as a lesbian at the time, Gayle Rubin, and sixteen others.

Cover of To Become Two

Archive Books

To Become Two

Alex Martinis Roe

To Become Two: Propositions for Feminist Collective Practice offers a narrative of artist Alex Martinis Roe’s research into a genealogy of feminist political practices in Europe and Australia from the seventies until today.

These practices include those of the Milan Women’s Bookstore co-operative; Psychanalyse et Politique, Paris; Gender Studies (formerly Women’s Studies) at Utrecht University; a network in Sydney including people involved in the Sydney Filmmakers Co-operative, Feminist Film Workers, Working Papers Collective, and the Department of General Philosophy at Sydney University; and Duoda – Women’s Research Centre and Ca la Dona, a women’s documentation centre and encounter space in Barcelona.

Drawing from their practices and experiences, Martinis Roe’s research forms a proposal for a transgenerational approach to feminist politics. This is further developed as a practical handbook of twenty new propositions for feminist collective practice, which were formed in collaboration with a network of contributors through experiments with these historical practices.

Cover of Salvage 8: Comrades, this is madness

Verso Books

Salvage 8: Comrades, this is madness

Salvage Editoral Collective

Periodicals €16.00

The Salvage Editorial Collective on the Covid-19 crisis.

Including: ‘Mothering Against the World' by Sophie Lewis on ‘Momrades’, ‘The Bushes’ a new fiction by China Miéville, ‘Hookers and Other Angels’ photography from Juno Mac, ‘Prepared for the Worst’ by Richard Seymour on Disaster Nationalism, ‘Welfare State Populism and the “Left-Behind Left”’ by Kevin Ochieng Okoth, ‘A Glimmer of a Shell of a Husk’ by Maya Osborne; ‘The Phallic Road to Socialism’ by Sebastian Budgen; A newly translated interview with Daniel Guérin, ‘Nationalism After Coronavirus’ by Sivamohan Valluvan, ‘Striking in Striking Times: Capitalism’s Coronavirus Crisis’ by Gregor Gall, ‘Getting Dressed for a Pandemic’ by Camila Valle, ‘Out of the Iron Lung: A Miasma Theory of Coronavirus’ by Matthew Broomfield.

Poetry by Nisha Ramayya, this issue’s featured poet, and an interview with her conducted by Salvage poetry editor, Caitlín Doherty. Plus the return of the Salvage Editorial Collective perspectives pamphlet, and a postcard.

Salvage is a bi-annual journal of revolutionary arts and letters. Salvage is written by and for the desolated Left, by and for those sick of capitalism and its planetary death-drive, implacably opposed to the fascist reflux and all ‘national’ solutions to our crisis, committed to radical change, guarded against the encroachments of ‘woke’ capitalism and its sadistic dramaphagy, and impatient with the Left’s bad faith and bullshit.

Published June 2020