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Cover of Paris la consciencieuse : Paris la guideuse du monde

Éditions Empire

Paris la consciencieuse : Paris la guideuse du monde

Frédéric Bruly Bouabré

€35.00

Frédéric Bruly Bouabré (1923-2014) is an Ivorian artist, poet, “re-searcher”, creator and inventor of the Bété syllabary. In 1989, he was thrust to the front of the international artistic scene during the Magiciens de la terre exhibition (May 18 – August 14, 1989, Centre Georges Pompidou, Grande Halle de La Villette, Paris). Introduced alongside a hundred other artists from all over the world, he would subsequently become world famous for his drawings on maps enhanced with colored pencil.

But in May of that year, Bruly Bouabré still cherished quite a different dream: that of becoming a writer. As he was getting ready to fly to Paris, leaving African soil for the first time, the poet was commissioned by his friends Odile and Georges Courrèges (then director of the French Cultural Center of Abidjan) to write the story of his trip. This is how, a few weeks after his return, Frédéric Bruly Bouabré would submit his “report” of 325 handwritten pages produced in “33 days”, in which he gleefully recounts his journey – at times punctuated by insignificant events  – while questioning the place of Man in Western society.

Until now, this tale of “a blind man in Paris,” as he first was to call it, had remained unpublished. The text – of pleasing findings and enchanting language – is that of an observer seeking to understand a changing world, with his own culture as a starting point. Imbued with such freedom and desire for identification and documentation, which characterize the work of this encyclopedic creator, the book is a very unique testimony to a milestone in the history of contemporary art.

Initiated by Odile and Georges Courrèges, who provided publishers with a copy of the manuscript entrusted to them by the artist, the project for this publication was also made possible thanks to André Magnin, who provided the original manuscript.

Foreword by Jean-Hubert Martin

Language: English

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Cover of Elika Hedayat

Éditions Empire

Elika Hedayat

Elika Hedayat

Monograph €30.00

First monograph of the Franco-Iranian artist.

This monographic catalogue looks back over the first 15 years of work by Iranian artist Elika Hedayat through more than 110 reproductions. Two of these are on a 1:1 scale, and a detailed set offers a comparison of the dimensions of the works in relation to each other.

Françoise Docquiert introduces the issues at stake in her practice with an essay, complemented by an interview with Joana P.R. Neves.

"Elika is a Parisian-Iranian artist. This cultural blend  is  slightly  ironic  though  very  significant, as it nourishes her artistic work and practice. Inspired by her childhood, her life, and the violence in her native country, she makes films, videos, and drawings always filled with beauty, scathing humour and cruelty." - Annette Messager

Born 1979 in Tehran, Elika Hedayat lives and works between Paris and Tehran. Arriving in France in 2004, she was admitted to the École Nationale Supérieure des Beaux-Arts in Paris in Annette Messager's studio, from wich she graduated with the Jury's congratulations in 2008.

For her works, Elika Hedyat often uses testimonies and experimental documentaries stage in a dreamlike and imaginary universe. Her stories are contemporary and her characters are real. All of her works revisits historical references, transferring them to the field of personnal experience, mainly using the various possibilities of her repertoire as a narrative document and memory retrieval tool. Reality, memory and imagination come together in a personal story under different forms : drawing, video, documentary, painting and performance. 

Text by Françoise Docquiert.
Interview with Elika Hedayat by Joana P. R. Neves.

Cover of Jocaste #0 revue de psychanalyse et de discussions

Éditions Empire

Jocaste #0 revue de psychanalyse et de discussions

Thatyana Pitavy

Periodicals €20.00

The inaugural issue of the journal of psychoanalysis and interdisciplinary discussions, around the figure of the fold.

Jocaste, a journal of psychoanalysis and discussion, co-published by the International Lacanian Association and Empire Editions, with graphic design by Syndicat studio, aims to be a place for encounters and exchanges between current advances in psychoanalysis and proposals from various disciplines. This journal welcomes contributions from contemporary artists, essayists, poets, psychoanalysts, and women and men engaged in praxis and in the times in which we live.

Texts by Philippe Azoury, Valérie Batteux, Jean Brini, Guillaume Cassegrain, Alexis Chiari, Julie Everaert, Cristiana Fanelli, Virginia Hasenbalg, Christiane Lacôte-Destribats, Sabine Laran, Marie-Christine Laznik, Colin Lemoine, Federico Leoni, Cyrille Noirjean, Thatyana Pitavy, Massimo Recalcati, Jean-Paul Sauzède, Jean-Claude Silbermann, Gibus de Soultrait, Stéphane Thibierge, Eriko Thibierge-Nasu; conversations with Gautier Deblonde, François Petit, Simon Schubert, Gibus de Soultrait.

Cover of Épopées Célestes / Epopee celesti

Éditions Empire

Épopées Célestes / Epopee celesti

Gustavo Giacosa, Barbara Safarova

A veritable panorama of Art Brut at an international level, through 180 works selected from Bruno Decharme's collection.

Art brut has never ceased to shake up the history of art and nourish minds resistant to norms as it questions classic notions of art and creation as well as those relating to the normal and the pathological. But who are they, these artists of a special kind, witnesses to another world, strangers to stylistic trends and influences? They stay—or are kept—away from the culture of fine art as well as the codes and places that constitute it such as schools, academies, museums, art fairs, etc.

Featuring A.C.M., Noviadi Angkasapura, Anselme Boix-Vives, Marie Bodson, Giovanni Bosco, Gustavo Enrique Buongermini, Aloïse Corbaz, Fleury-Joseph Crépin, Egidio Cuniberti, Henry Darger, Fernand Desmoulin, Janko Domsic, Dong-Hyun Kim, Jaime Fernandes, Eugen Gabritschevsky, Pietro Ghizzardi, Madge Gill, Paul Goesch, Jorge Alberto Hernández Cadi, Paul Humphrey, Zdeněk Košek, Joseph Lambert, Gustave Pierre Marie Le Goarant de Tromelin, Augustin Lesage, Pascal Leyder, Alexander Pavlovitch Lobanov, Ramon Losa, Dwight Mackintosh, Lázaro Antonio Martínez Durán, Mettraux, Edmund Monsiel, John Bunion Murray, Iwona Mysera, Koji Nishioka, Masao Obata, Jean Perdrizet, M. Pierron, Photographies Spirites, Miloslava Ratzingerová, Marco Raugel, Achilles G. Rizzoli, Leopold Strobl, Harald Stoffers, Mose Tolliver, Melvin Way, Scottie Wilson, Adolf Wölfli, Anna Zemánková, Carlo Zinelli, Unica Zürn.

Cover of Emil Lime

Museo Ca2m

Emil Lime

Esther Gatón

Emil Lime collects various materials that nurture and give shape to Esther Gatón’s artistic practice, including collages made with her phone pics, sketches, sporadic notes and drawings, together with the writing of authors that have been influential on the work: Fredy Massad, María Fernanda Ampuero, Darya Diamond and Cory John. 

Cover of David Robilliard Notebooks 1983-1988

Rob Tufnell

David Robilliard Notebooks 1983-1988

David Robilliard

Poetry €32.00

This book follows the first exhibition of Robilliard’s notebooks, ‘Disorganised Writings and Sketches’ with Rob Tufnell in Cologne in April 2019. It was made with support from the Elephant Trust and the book’s designers, A Practice for Everyday Life and with assistance from James Birch, one of David’s gallerists, and Chris Hall, custodian of the estate of Andrew Heard. The book is dedicated to Andrew Heard.

Rob Tufnell presents a new publication of extracts from the notebooks of the poet and artist David Robilliard (b.1952 – d.1988). After his premature death from an AIDS-related illness in 1988, Robilliard left a large number of notebooks in the care of his close friend and fellow artist Andrew Heard. These were obsessively filled with drafts of poems, diary entries, addresses and telephone numbers, blunt observations, quiet reflections, short stories, ideas for paintings, portraits and crude drawings. Robilliard’s superficially simple, pithy prose and verse is riddled with the dichotomies of an era that was both exuberant and miserable. His notebooks reveal his creative process, his interests, ideas, ambitions and then his illness but always embody his often repeated belief that ‘Life’s not good it’s excellent.’ 

Many of the books contain the inscription: ‘If found please return to 12 Fournier Street, London E1. Thank you’ – the home and studio of his patrons, Gilbert & George. In their lament ‘Our David’ (1990) they describe their protégé as: 

“...the sweetest, kindest, most infuriating, artistic, foul-mouthed, witty, sexy, charming, handsome, thoughtful, unhappy, loving and friendly person we ever met... Starting with pockets filled with disorganised writings and sketches, he went on to produce highly original poetry, drawings and paintings.”

The publication exists in two editions: yellow and pink.

Cover of Skies

Varamo Press

Skies

Maria Jerez, Edurne Rubio

Performance €15.00

Skies is a practice that emerged when Edurne Rubio and María Jerez found themselves working in isolation during the creation process of their performance A Nublo in 2020. A dialogue in pictures capturing the skies above Madrid, Brussels and many other places, it is now a book and document of a particular time that invites others to reminisce as they read the clouds and ponder invisible worlds that haunt the aether. It comes with an essay by Augusto Corrieri on theatre and cosmos.

Edurne Rubio is a visual artist. Her work leans towards the documentary and starts out from orality and storytelling. 

María Jerez creates work at the intersection of choreo graphy, film and visual art. With her work, she wants to open up spaces of possibility through the encounter with what is foreign to us.

www.edurnerubio.org
www.mariajerez.com

Published by Varamo Press in the essay series Gestures
First edition October 2022
200 pages, 11 x 16.5 cm, sewn perfect binding
ISBN: 978-82-691492-6-5
Graphic design by Michaël Bussaer

Cover of Elke dag is een tentoonstelling

Infinitif

Elke dag is een tentoonstelling

Pieter De Clercq

Special edition: 100 out of 300 books are reworked by making cutouts in the book.

Cover of Répondeur

Occasional Papers

Répondeur

Slow Reading Club

Performance €25.00

Slow Reading Club (SRC) is a semi-fictional reading group initiated and run by Bryana Fritz and Henry Andersen. Since 2016, in numerous contexts, they have rehearsed alternatives to the kinds of reading they were taught in school, actively suppressing semantic content through strobe lights, strange postures, sociality, and toxins. Operating at the contact zones between reader and text, text and text, reader and reader, they attempt to build a practice from within the unstable space of reading itself.

Répondeur is an extensive account of SRC’s practice in collective reading sessions, exhibitions, and textual bootlegging. Imagined as a scroll, with a rhyme structure and typesetting by Will Holder, the book brings together facsimiles of SRC readers, a wide-ranging interview by Alicja Melzacka, new texts by Joyelle McSweeney and Bill Dietz, and visual work and translations by SRC. These discrete elements are interwoven into a complex, shimmering whole, delighting in the ruptures and elisions of one text’s move into the next.