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Cover of Meriem Bennani: Life on the Caps

The Renaissance Society

Meriem Bennani: Life on the Caps

Meriem Bennani

€45.00

Meriem Bennani's Life on the CAPS is the final chapter in her film trilogy of the same name. Set in a supernatural, dystopian future surrounding a fictional island in the middle of the Atlantic Ocean, it is rooted in Bennani’s research and reflections on the histories of island societies, biotechnology, and vernacular music. Layering live-action footage and computer-generated animation, Bennani intuitively adapts editing techniques that evoke documentary film, science fiction, phone footage, music videos, and reality TV. Her one-person exhibition at the Renaissance Society marked the debut of this personal, electric yet melancholic consideration of what it is to live in a state of limbo, and this accompanying book captures the film through a combination of still images and selections from a transcript of the film.

This volume includes essays by Emily LaBarge and Elvia Wilk and transcripts of conversations between Meriem Bennani and: Omar Berrada; Fatima Al Quadiri, Negar Azimi, and Tiffany Malakooti; Amal Benzekri; and Aziz Bouyabrine.

recommendations

Cover of Ka Kualmaku

Florence Loewy

Ka Kualmaku

Marc Buchy

This artist's book is the achievement of the Ka Kualmaku project conducted in 2018 during a residency of Marc Buchy in Colombia, in Lugar A Dudas, during which the artist began to learn Namtrik, said to be a disappearing language. The book restores this learning as a Namtrik-French language guide.

Cover of Tense (Silver Edition)

Kunstverein Amsterdam

Tense (Silver Edition)

Lucy Lippard

Tense is a never-realised publication, written and composed by Lucy Lippard and Jerry Kearns in 1984, that only now has been released in a very limited run on our imprint. The book accompanied the exhibition Top Stories, which took a closer look at the 29 issues of the prose periodical with the same title, founded in the late 1970s by Anne Turyn.

Top Stories was dedicated to fiction by emerging women artists and writers from that time. Tense was originally intended to become part of the series as well, but never made it to print. It was only recently – during the making of the exhibition at Amsterdam’s Kunstverein – that the original mock-up was retrieved from the editor’s archives and finally sent off to the printer.

Cover of The Alphabet Book

Kunstverein Amsterdam

The Alphabet Book

Maxine Kopsa, Ronja Andersen

In 1971, Michael Morris and Vincent Tarsov—founders of the Vancouver-based artist network Image Bank—invited Eric Metcalfe, Gary Lee Nova, Glenn Lewis and Paul Oberst to create their own, unique alphabet. NowForty years later, with the permission of the participating artists and the help of Image Bank, these historic silk-screened alphabets have finally been published together. The Alphabet Book is designed by Marc Hollenstein, who was inspired to reinitiate the alphabet publication project after having a conversation with Glenn Lewis during the opening of Lewis’ retrospective exhibition at Kunstverein back in 2014.

Cover of Catalog issue 19 — Shimmer, Slice, Accretion

Cataloging

Catalog issue 19 — Shimmer, Slice, Accretion

Lieven Lahaye

Catalog is a serial publication about cataloging written by Lieven Lahaye and designed by Ott Metusala. This is Catalog issue 19: Shimmer, Slice, Accretion; it’s part of a sub-series on near invisibility. Formally, each publication is an offset-printed A2 sheet folded into a signature. The series will be compiled into a book. This is done in the trust that the presentations, talks and conversations that stem from one issue's publication will influence the next issue. And the next. And the next.

Cover of Exocet

Self-Published

Exocet

Emilie De L'arbre

ἔξωκοῖτος is a journey through languages, a voyage through time and space. From Latin to Persian, Inuktitut, English, Dutch and French. This project is based on the idea of suppression in language; in particular on the different elements that compose writing systems, their functions and their potential persistance in our daily lives.

The publication gathers at the same time poetic, theoretical, experimental texts and typographic sketches. It is composed of 3 parts and the first one contains 9 chapters. Its title 'ἔξωκοῖτος' - from the ancient Greek, 'who comes out of his abode' and the Latin exōcoetus or 'a fish that sleeps on the shore'. The book is a form of palindrome, which means that it can be read in both directions.