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Cover of From Work to Frame, or, Is There Life After "The Death of the Author"?

S*I*G

From Work to Frame, or, Is There Life After "The Death of the Author"?

Craig Owens

€10.00

"From Work to Frame" was first published in English and Swedish in 1987 in a catalog of the Moderna Museet in Stockholm for the exhibition "Implosion: A Postmodern Perspective" (October 24, 1987 to January 10, 1988).

As S*I*G #12, the text is published in English and in its first German translation, alongside a preface by Hannes Loichinger, who is editor of this issue.

recommendations

Cover of Family Picture

S*I*G

Family Picture

Tom Humphreys

Essays €6.00

An essay in the form of painting studies - including persons, dogs, a frog, a hoofed animal, fish, hare, trees and plants.

Cover of Hey Maus!

S*I*G

Hey Maus!

Kamilla Bischof

€8.00

Essay #16

Editor: M. Sullivan
Design in collaboration with S. De Bondt

Cover of A Nice Well-Behaved Fucked-Up Person

S*I*G

A Nice Well-Behaved Fucked-Up Person

Jill Johnston

€6.00

In a single seventeen-page paragraph, Jill Johnston describes an odyssey in and out of a not-yet-described identity in this excerpt from her 1973 bestseller, "Lesbian Nation".

Cover of Although

S*I*G

Although

Bernadette Van-Huy

CSV Edition + CSV Edition (Extended Version)

Cover of Forgetful Secretary

Varamo Press

Forgetful Secretary

Austin Gross

Essays €20.00

After diagnosis, the fact was that Austin Gross lived in his home country. He sat on the porch squinting like a potato and it was a comforting thing to imagine: rock-climbing with a blindfold. ‘Can swim, eyes open,’ he jotted and covered his eyes again. Sun, centrifuge, prognosis, bird-listening. The collision shaped genres like tectonic ripples. Windows open, a story while forgetting. ‘I am a memory eater.’
Aras was furloughed from prison that summer. Five years before, she’d missed their movie plan, and the fact was that since then, she lived in her home country. Furlough, Aras wrote, was ‘no-time.’ They investigated the situation together.

Austin Gross is an essayist and collaborator in elliptical orbit. His home discipline is philosophy and language English, on one condition: having left home. Trans-disciplinarity gives us a chance to be hosts and guests.

Cover of Pathemata, Or, the Story of My Mouth

Wave Books

Pathemata, Or, the Story of My Mouth

Maggie Nelson

Essays €25.00

Pathemata, Or, The Story of My Mouth is an experiment in interiority written in the pandemic studio. Something of a companion piece to 2009's Bluets, Pathemata merges a pain diary chronicling a decade of jaw pain with dreams and dailies, eventually blurring the lines between embodied, unconscious, and everyday life.

In scrupulously distilled prose, Pathemata offers a tragicomic portrait of a particularly unnerving and isolating moment in recent history, as well as an abiding account of how it feels to inhabit a mortal body in struggle to connect with others. Formally inspired by Hervé Guibert's The Mausoleum of Lovers, and conceptually guided by Gilles Deleuze's notion of artist as symptomologist, Pathemata is yet another urgent innovation from Maggie Nelson in the art of life-writing.

Cover of The Narco-Imaginary: Essays Under the Influence

Ugly Duckling Presse

The Narco-Imaginary: Essays Under the Influence

Ramsey Scott

Essays €23.00

Written according to its own dictum, "language is the universal inebriant," these epistolary essays, personal narratives, meditations on avant-garde writers, and unorthodox forays into the "narco-imaginary"—the habits and conventions surrounding literary and cultural representations of drug use—attend to the residue of transient impressions that remain, long after the delirium of creative activity subsides.

Ramsey Scott teaches at Brooklyn College, CUNY. His essays, poems, and fiction have appeared in various print and online publications, including the Southwest Review, the Seneca Review, The Massachusetts Review, Shampoo, Tarpaulin Sky, Confrontation, and Mirage #4/Period(ical). The Narco-Imaginary is his first book.

Cover of Pages 10 - Inhale

Pages Magazine

Pages 10 - Inhale

Nasrin Tabatabai, Babak Afrassiabi

Essays €12.00

The theme of this issue of Pages was triggered by the idea of opium smoke as a ‘writing machine.’ Since the early opium trade, there has been writing not only on opium, but also through opium, especially in countries linked to past and present drug networks. In this issue we are tapping into the deeply rooted relationship between writing and drugs, especially beyond the Western literary tradition, and wondering about the current conceptual and material derivatives of intoxication with which we can machinate new extremities in our chemical, historical and technological relations to the world.

With contributions by:

- Jason Bahbak Mohaghegh / Smoke, Drug, Poison: A Philosophy of the Faramoosh-Khaneh (Opium Den)
- Pages / Dissolving, Mixing, Melting, Stirring (the Smoke)
- Hung-Bin Hsu / The Taste of Opium: Science, Monopoly and the Japanese Colonization in Taiwan, 1895—1945
- Saleh Najafi / Hedayat: The Opium of Translation and Creating the Impossible Memory
- Patricia Reed / The Toxicity of Continuity
- Fuko Mineta / A Monster Appears in Qingtian
- Morad Farhadpour / Inside and Outside Addiction
- Mohammad-Ali Rahebi / Of Junk and Time: Trauma, Habit, Capitalism