Énergies

Published in collaboration with Harun Farocki Institut, this book unpacks About Narration [Erzählen], a 1975 essay film directed by Ingemo Engström and Harun Farocki.

Edited and introduced by Sezgin Boynik and Tom Holert, this book focuses on About Narration [Erzählen] directed by Ingemo Engström and Harun Farocki.
It includes the film's script alongside the historical documents related to its making and Farocki's previously unpublished theoretical and programmatic essay on the film. The publication also includes a retrospective essay by Ingemo Engström on the film's political and artistic background.

Volker Pantenburg's detailed elaboration of the conditions of its making, alongside Boynik and Holert's concluding remarks, further contextualizes the film. The interview with Cathy Porter on Larisa Reisner, a heroine of About Narration, gives an overview of the life of a militant writer who inspired Engström and Farocki.

Edited and introduced by Sezgin Boynik and Tom Holert.

Jack Smith presented his performance Irrational Landlordism of Bagdad as part of the Cologne Art Fair fringe in the summer of 1977. Many other events were documented photographically and can now be found in the Cologne Art Fair archives - not so Smith's performance.

This book shows him in his fair stall and during his performance for the first time. The pictures are perfect documents of a completely eccentric transaction by this pioneering director and performance artist.

Peter Downsbrough (New Jersey, US, 1940) lives and works in Brussels (Belgium). Associated with major international art movements such as minimal art, conceptual art, and visual poetry, his work spans across various mediums including sculpture, wall pieces and room pieces, books, work on paper, photography, film, and video. The work, which has affinities with architecture and typography, explores the traditional use of space and language, while criticizing power structures, e.g. urbanism, that influence social interactions and shape the landscape.

A special edition issue curated, designed and published by AVARIE, Paris and Labor Neunzehn, Berlin. It accompanies KAMERA SERIES, while it is an independent and valuable object to collect.

The central idea that informs and directs the booklets’ montage is the interplay between the concepts of addition and subtraction. This is achieved by unveiling a missing image in the screening or an unreleased second from an artist's film, expanded to 24 pages. Additionally, each booklet contains a piece directly removed from the show.

The editing establishes a dialogue between film frames and performed writings derived from texts, scripts, storyboards, and notes. The KAMERA exhibition is consequently extended into a physical space—the book—allowing for its widespread dissemination, complementing and contrasting with its potential online occurrence.

KAMERA SERIES is a screening program of experimental films, video art works and printed matter taking place in a former GDR building in Berlin. Each event showcases a retrospective of selected films by an artist and a small exhibition of his/her publications or works on paper over a span of 4 days.

REWIND PLAY presents a selection of key works from the first decade of artist's video practice in the UK. From early conceptual experiments exploring the parameters of the medium to works dealing with media culture and television this collection explores the range and diversity of the first years of video as new media.

This three DVD box set including 24 videos by: John Adams, Peter Anderson, Kevin Atherton, Ian Bourn, Ian Breakwell, David Critchley, Peter Donebauer, Catherine Elwes, Judith Goddard, David Hall, Mick Hartney, Brian Hoey/Wendy Brown, Madelon Hooykaas/ Elsa Stansfield, Tina Keane, Tamara Krikorian, Mike Leggett, Stephen Littman, Stuart Marshall, Chris Meigh-Andrews/ Gabrielle Bown, Marcelline Mori, Stephen Partridge, Clive Richardson and Tony Sinden. Plus a new essay by Sean Cubitt, Professor of Media and Communications, University of Melbourne.

Total running time: 336 minutes. 3 x DVD 9, PAL, Region 0

Published in collaboration with REWIND| Artists' Video in the 70s and 80s.

Disc 1:
Stories, John Adams (1982, 13 min) Eyebath Peter Anderson (1977, 8 min) In Two Minds (2 screen version) Kevin Atherton (1978, 25 min) Lenny's Documentary Ian Bourn (1978, 45 min) In the Home Ian Breakwell (1980, 10 min)

Disc 2:
Pieces I Never Did (3 screen version), David Critchley (1979, 31 min) Circling, Peter Donebauer (1975, 12 min) Kensington Gore, Catherine Elwes (1981, 15 min) Time Spent, Judith Goddard (1981, 12 min) TV Interruptions (7 TV Pieces), David Hall (1971, 23 min) State of Division, Mick Hartney (1978, 5 min) The Extent of Three Bells, Steve Hawley (1981, 5 min) Flow, Brian Hoey/Wendy Brown (1977, 17 min)

Disc 3:
Split Seconds, Madelon Hooykaas/ Elsa Stansfield (1979, 11 min) Clapping Songs, Tina Keane (1979, 6 min) Vanitas, Tamara Krikorian (1977, 8 min) The Heart Cycle, Mike Leggett (1973, 9 min) Mirror, Stephen Littman (1979, 5 min) Go thru the Motions, Stuart Marshall (1975, 8 min) Continuum, Chris Meigh Andrews/Gabrielle Bown (1977 5 min) 2nd and 3rd Identity, Marcelline Mori (1978, 10 min) Monitor, Stephen Partridge (1975, 6 min) Video Sketches, Clive Richardson (1972, 22 min) Drift Guitars, Tony Sinden (1975 21 min)

Published in conjunction with the exhibition For a Time Light Must Be Called Darkness. Lina Selander in collaboration with Oscar Mangione held at Argos, Centre for Art & Media, Brussels, 24.09.2017 - 17.12.2017.

About the exhibition:
For a Time Light Must Be Called Darkness features six video installations, most of them made in collaboration with Oscar Mangione. These works take us to Bredäng (a suburb in south-west Stockholm), Berlin, the West Bank, Pripyat and Chernobyl. All of these places are the occasion and the starting point for broader reflections about our present in relation to historical facts. Selander visits these sites and like an archaeologist digs in their past, their monuments, museums and archives. She looks for visual documents, focuses on details and analytically sketches new hypothesis. In this way, she tries to retrace hidden links between distant imageries, correspondences and analogies, in order to create new narratives. In her essayistic approach, Selander combines her own texts and footage along with still images, quotes and archive material. In this way a constant tension springs within these multiple-layered audiovisual works and reminds us that seeing is never an innocent act.

Centré sur la mise en jeu du corps filmé et du corps filmant dans leurs pratiques cinématographiques respectives, la Conversation de Laure Cottin Stefanelli et Peter Snowdon a commencé par une présentation croisée de leurs films à Bozar en discussion avec Septembre Tiberghien et s'est cloturée par une exposition intitulée INNER SENSE - Bodies At Work, à la galerie de l'ERG de décembre 2018 à janvier 2019.