« Du fric ou on vous tue ! »

Poets Audre Lorde and Pat Parker first met in 1969; they began exchanging letters regularly five years later. Over the next fifteen years, Lorde and Parker shared ideas, advice, and confidence through the mail. They sent each other handwritten and typewritten letters and postcards often with inserted items including articles, money, and videotapes.

The Letters of Audre Lorde and Pat Parker 1974-1989 gathers this unique correspondence in which Lorde and Parker discuss their work as writers as well as the intimate details of their lives, including periods when each lived with cancer. These letters are a rare opportunity to glimpse inside the minds and friendship of two great twentieth century poets.

Introduction by Mecca Jamilah Sullivan.

The cultural and political legacies of the the 1933 and 1934 Arab Exhibitions in Jerusalem.

Resurgent Nahda examines the 1933 and 1934 Arab Exhibitions in Mandate Jerusalem, highlighting the city's role in asserting a regional Arab Nahda and fostering economic, cultural, and artistic exchange amid post-WWI geopolitical fragmentation.

The book emerges from Nadi Abusaada's seven years of research, including an award-winning 2019 essay in the Jerusalem Quarterly and two exhibitions he curated at the Khalil Sakakini Cultural Center in Ramallah (2022–2023) and Darat al-Funun in Amman (2024). Featuring six essays, an interview, and primary materials—archival documents, crafts, and artworks—the book explores Jerusalem's connections with Baghdad, Cairo, Damascus, and Beirut, tracing the journeys of artists, craftspeople, architects, and journalists who shaped this pivotal chapter in modern Arab history.

Nadi Abusaada is a Visiting Assistant Professor at the American University of Beirut. His work focuses on the material histories and visual cultures of the modern Arab world. He holds a PhD in architecture from the University of Cambridge. He has also held various academic fellowships including the ETH Zürich Postdoctoral Fellowship at ETH Zürich and the Aga Khan Postdoctoral Fellowship in Islamic Architecture at MIT. Besides his writings, Nadi Abusaada has also been involved in research-based curatorial work. He has curated and participated in a number of exhibitions around the world including in Ramallah, Amman, Zurich, Venice, Dubai, and Montreal.

Edited by Nadi Abusaada.
Texts by Nadi Abusaada, Nisa Ari, Wesam Al Asali, Samira Badran, Nadine Nour el Din, Kirsten Scheid, Sary Zananiri.

Five Stars: Selected Amazon Reviews, Volume 4 by Kevin Killian, selected by Ted Rees & David Buuck, with introductory words from Kevin edited by Dodie Bellamy. Curated from the over 2500 reviews that William Hall has lovingly archived, this latest edition showcases Kevin’s incomparable mix of wit and sincerity, pleasure and playfulness, his deep love of popular culture, and his unique critical voice.

In this anthology of essays, twelve artists explore radically self-reflexive research attitudes integrating embodied experiences within the production of theory.

Standpoint Autotheory encompasses a multitude of manifestations of radically self-reflexive research attitudes. It traces research based artistic practices through twelve contributions that propose a performative integration of the personal within the production of theory and explore the entanglements of subjectivity with criticality aimed at social transformation by questioning dominant epistemologies.
The positions assembled in the book are permeated by different modes of thinking and practice such as autoethnography, practices of the self, auto-historia teoría, standpoint theories, strong objectivity and situated knowledge, self-authority, narrativity and storytelling, radical positioning, performative philosophy, autofiction, thinking-feeling, and other methods that, through the interrogation of embodied experiences, illuminate the connections between the personal and the political, as well as the individual and the communal.

Edited by Ana de Almeida and Mariel Rodríguez.
Contributions by Ana de Almeida, andrea ancira, Cana Bilir-Meier, Nina Hoechtl, Olena Khoroshylova, Sanja Lasić, Mai Ling, Stephanie Misa, Lena Ditte Nissen, Mariel Rodríguez, Ruth Sonderegger, Elif Süsler-Rohringer, Verena Melgarejo Weinandt.

Interviews with Claudia Rankine, Vigdis Hjorth, Tama Janowitz, and Walter K. Scott. Essays on Blaxploitation, the Brontë sisters, and Kevin Killian's Amazon reviews. Plus comics, poetry, and The Whitney Review's signature chorus of short-format reviews. 

Contributors include A. S. Hamrah, E. Jane, Bruce LaBruce, Oscar yi Hou, Alex Auder, Olivia Kan-Sperling, Tao Lin, Amber Later, Brad Phillips, Brandon Harris, Nicolaia Rips, Julien Ceccaldi, Linda Simpson, Michael Bullock, Jaakko Pallasvuo, Geoffrey Mak, Joseph Akel, Candystore, Taylor Lewandowski, Max Battle, and many more. 

Abolish Rent, fag/hag, Dear Dickhead, Tweakerworld, and Napalm in the Heart are among the books reviewed. Steven Phillips-Horst skewers c* ns* r*d instagram captions. Max Steele asks can masochism be gentrified? Published biannually, The Whitney Review of New Writing is a bold expansion of literary criticism. The fourth issue is about clowns, sell-outs, loneliness, and fancy.