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Cover of Beasts of Burden: Animal and Disability Liberation

The New Press

Beasts of Burden: Animal and Disability Liberation

Sunaura Taylor

€26.00

A beautifully written, deeply provocative inquiry into the intersection of animal and disability liberation, and the debut of an important new social critic.

How much of what we understand of ourselves as "human" depends on our physical and mental abilities, how we move (or cannot move) in and interact with the world? And how much of our definition of "human" depends on its difference from "animal"?  

Drawing on her own experiences as a disabled person, a disability activist, and an animal advocate, author Sunaura Taylor persuades us to think deeply, and sometimes uncomfortably, about what divides the human from the animal, the disabled from the nondisabled, and what it might mean to break down those divisions, to claim the animal and the vulnerable in ourselves, in a process she calls "cripping animal ethics."  

Beasts of Burden suggests that issues of disability and animal justice—which have heretofore primarily been presented in opposition—are in fact deeply entangled. Fusing philosophy, memoir, science, and the radical truths these disciplines can bring, whether about factory farming, disability oppression, or our assumptions of human superiority over animals, Taylor draws attention to new worlds of experience and empathy that can open up important avenues of solidarity across species and ability. Beasts of Burden is a wonderfully engaging and elegantly written work, both philosophical and personal, by a brilliant new voice. 

Published in 2017 ┊ 272 pages ┊ Language: English

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Cover of Sick issue 7

Self-Published

Sick issue 7

Olivia Spring

Writing on navigating the workplace as an ambulatory wheelchair user, how sex work can be a means of survival, re-imagining 'Christina's World', the boundaries of our bodies, an interview with Caren Beilin, poetry, artwork, book recommendations, and much more.

Essays, features, poetry, art, interviews & more from Laura Baliman, Caren Beilin, Amy Berkowitz, Leah M. Bowie, Kaitlin D'Avella, Lindsy Davis, Katherine DeCoste, Yining Fang, Emily Freeman, Maria Gray, Bec Mackenzie, Ariana Martinez, Chloe McGreal, Ryann McKinney, Iyla Owens, Emily Pinkerton, Marin Scarlett, Maya-Gawonii Shabazz-Saleh, Anna Stiles, Maeve Sweeney, & J Min Wang.

SICK is an independent, thoughtful magazine exploring illness and disability, founded & edited by Olivia Spring and designed by Kaiya Waerea. Founded in Norwich, UK in 2019, we are currently based in Maine, USA and London, UK. We typically publish one issue per year.

Cover of Vampyroteuthis Infernalis

Atropos Press

Vampyroteuthis Infernalis

Vilem Flusser

Flusser introduces an infernal creature from the oceanic abysses, who slowly emerges, not from the oceans, but from man's own depths to gaze spitefully into his eyes and reflect back at his own existence.

Originally published only in German in 1987, this version has been edited and translated by Rodrigo Maltez Novaes, Ph.D. candidate at the European Graduate School, Saas-Fee, under the supervision of Prof. Dr. Siegfried Zielinski, from the original, unpublished and extended Brazilian-Portuguese version of the manuscript recently found at the Vilém Flusser Archive at the Universität der Kunst, Berlin. This edition is also accompanied by a selection of previously unpublished excerpts from Flusser's correspondence with Milton Vargas and Dora Ferreira da Silva, with whom he discussed the development of the present text.

Cover of Ethical Portraits: In Search Of Representational Justice

Zero Books

Ethical Portraits: In Search Of Representational Justice

Hatty Nestor

Ethical Portraits investigates the representation of the incarcerated in the U.S. criminal justice system. Through interviews, creative non-fiction, and cultural theory, Hatty Nestor deconstructs a range of different prison portraiture.

Prisons systematically dehumanise the imprisoned. Visualised through mugshots and surveillance recordings, the incarcerated lose control of their own image and identity. The criminal justice system in the United States does not only carry out so-called justice in ways that compound inequality, it also minimises the possibility for empathetic encounters with those who are most marginalised. It is therefore urgent to understand how prisoners are portrayed by the carceral state and how this might be countered or recuperated. How can understanding the visual representation of prisoners help us confront the invisible forms of power in the American prison system? Ethical Portraits investigates the representation of the incarcerated in the United States criminal justice system, and the state's failure to represent those incarcerated humanely.

Through wide-ranging interviews and creative nonfiction, Hatty Nestor deconstructs the different roles of prison portraiture, such as in courtroom sketches, DNA profiling, and the incarceration of Chelsea Manning. Includes a foreword by Jackie Wang.

Hatty Nestor is a cultural critic and writer, published in Frieze, The Times Literary Supplement, The White Review and many other publications. She is currently completing a PhD at Birkbeck, University of London.

Cover of Grammar of the Cage

Les Figues Press

Grammar of the Cage

Pam Ore

Poetry €20.00

What words made this world of captivity and extinction? If written language is a biological adaptation, how can a text reshape the environment? These are the questions at the heart of Grammar of the Cage, a startling first collection of poetry by Pam Ore. The Compulsive Reader calls Ore "a poet of great promise," and poet Eloise Klein Healy says she has found Ore's book "haunting but necessary...a stunning debut collection."

Grammar of the Cage is clean and heartbreaking as a bone, and yet, as poet Ingrid Wendt writes in her Introduction, "[like] Emily Dickinson, Ore's 'business' is 'to sing.' And sing she does."

Cover of Borderlands / La Frontera: The New Mestiza 5th Edition

aunt lute books

Borderlands / La Frontera: The New Mestiza 5th Edition

Gloria Anzaldua

A new edition of Anzaldúa's classic text.

Borderlands/La Frontera: The New Mestiza is a 1987 semi-autobiographical work by Gloria E. Anzaldúa that examines the Chicano and Latino experience through the lens of issues such as gender, identity, race, and colonialism. Borderlands is considered to be Anzaldúa’s most well-known work and a pioneering piece of Chicana literature.

Rooted in Gloria Anzaldúa's experience as a Chicana, a lesbian, an activist, and a writer, the essays and poems in Borderlands/La Frontera: The New Mestiza profoundly challenged, and continue to challenge, how we think about identity. Borderlands/La Frontera remaps our understanding of what a border' is, presenting it not as a simple divide between here and there, us and them, but as a psychic, social, and cultural terrain that we inhabit, and that inhabits all of us.