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Cover of SCUM Manifesto

Phoenix Press

SCUM Manifesto

Valerie Solanas

€10.00

1991 reprint of Solanas' manifesto.

First circulated on the streets of Greenwich Village in 1967, the SCUM Manifesto is a searing indictment of patriarchal culture in all its forms. Shifting fluidly between the worlds of satire and straightforward critique, this classic is a call to action—a radical feminist vision for a different world.

“Life in this society being, at best, an utter bore and no aspect of society being at all relevant to women, there remains to civic-minded, responsible, thrill-seeking females only to overthrow the government, eliminate the money system, institute complete automation, and destroy the male sex.”

recommendations

Cover of Up Your Ass

Sternberg Press

Up Your Ass

Valerie Solanas

Fiction €12.00

Valerie Solanas's rarely published, legendary play, Up Your Ass, explodes social and sexual mores and the hypocritical, patriarchal culture that produces them through her signature irreverence and wit, incisiveness and camp.

The play, whose full title is Up Your Ass Or From the Cradle to the Boat Or The Big Suck Or Up from the Slime, marches out a cast of screwy stereotypes: the unknowing john, the frothy career girl, the boring male narcissist, two catty drag queens, the sex-depraved housewife, and a pair of racialized pickup artists, among others. At the center is protagonist Bongi Perez—a thinly veiled Solanas—a sardonic, gender-bending hustler who escorts us through the back alleys of her street life. The fictionalized predecessor to SCUM Manifesto, the play shares the same grand, subversive, implicative language, equally spitting and winking, embracing the margins, the scum, and selling a trick along the way.

Valerie Solanas (1936-1988) is an American radical feminist intellectual, known for her SCUM Manifesto—a pamphlet with which she declares the power of women and imagines a political future through the margin—, and for having tried to assassinate Andy Warhol.

Edited by Leah Whitman-Salkin.
With a contribution by Paul B. Preciado.
Graphic design: Roxanne Maillet.

Cover of Natural Enemies Of Books: A Messy History Of Women In Printing And Typography

Occasional Papers

Natural Enemies Of Books: A Messy History Of Women In Printing And Typography

Sara Kaaman, Maryam Fanni and 1 more

Natural Enemies of Books is a response to the groundbreaking 1937 publication 'Bookmaking on the Distaff Side', which brought together contributions by women printers, illustrators, authors, typographers, and typesetters, highlighting the print industry’s inequalities and proposing a takeover of the history of the book. Edited by feminist graphic design collective MMS, the publication includes newly commissioned essays and poems, conversations with former typesetters Inger Humlesjö, Ingegärd Waaranperä, Gail Cartmail, and Megan Downey, and reprints of the original book and other publications.

Cover of Girls Like Us #6 - Secrets

Girls Like Us

Girls Like Us #6 - Secrets

Jessica Geysel, Sara Kaaman and 2 more

A secret can be a private space for self-creation – or a shared site of pleasure.

We explore secrets in a plethora of forms and contexts. From layered accounts of mediaeval ecstasy to the unexplored sensory experience of smell. From camouflaged play to queer readings of astrological charts and the hidden history of house music. From a very analog point of view to the outskirts of the internet.

Cover of MsHeresies 6 — A Manager

Rietlanden Women's Office

MsHeresies 6 — A Manager

Caren Beilin

Fiction €20.00

MsHeresies 6 publishes an edited chapter from Caren Beilin’s forthcoming novel Sea, Poison (New Directions, 2025). It is typeset together with reworked material from the archive of the Neapolitan feminist artist collective Le Nemesiache, active between 1969 and 1995.

Cover of Cunt Coloring Book

Last Gasp

Cunt Coloring Book

Tee A. Corinne

Over three dozen c**ts of every size and description for you to color. Originally used for a sex-education class. Crayons not included. First published in 1975 by lesbian activist and artist Tee Corinne.

"In 1973 I set out to do drawings of women’s genitals for use in sex education groups. I wanted the drawings to be lovely and informative, to give pleasure and affirmation. I organized the drawings into a coloring book because a major way we learn to understand the world, as children, is by coloring. As adults many of us still need to learn about our external sexual anatomy." —Tee Corinne

Tee Corinne was born November 3rd, 1943 and grew up in St. Petersburg, Florida. Her mother, also an artist, introduced her to the creative principles and techniques that would serve her all her life. She received a B.A. in printmaking and painting from the University of South Florida, then went on to get an M.F.A. in drawing and sculpture at Pratt Institute, graduating in 1968. Afterwards she taught for many years, traveled through Europe, and finally became enmeshed in the back-to-the-land movement and communal living. After nearly ten years of marriage to a man she referred to as her "best friend," Corinne came out of the closet amidst severe depression in 1975. The strength to accomplish this difficult effort would later propel her to heights and achievements that would distinguish her as "one of the most visible and accessible lesbian artists in the world." From the mid-1960’s to the day she died Corinne created, published, and exhibited her art and writing around the world. She was a co-facilitator of the Feminist Photography Ovulars and a co-founder of The Blatant Image, A Magazine of Feminist Photography. She was the author of one novel, three collections of short stories, four books of poetry and numerous arts publications. In 1980, she was one of ten selected artists invited to have their work exhibited in the Great American Lesbian Art Show. The world lost Tee Corinne to cancer in 2006.

Cover of Belladonna Chaplets 2018

Belladonna*

Belladonna Chaplets 2018

Various

241. Laura Buccieri: Songbook for a Boy Inside
240. K. Lorraine Graham: from Feed
239. Marta López-Luaces: Reminiscences of Echoes
238. Montana Ray: Mirroring
237. Yumi Dineen Shiroma: A Novel Depicting “The” “Asian” “American” “Experience”
236. Anaïs Duplan: 9 Poems/The Lovers
235. Serena J. Fox: Night Landing
234. Orchid Tierney: Blue Doors
233. Aditi Machado: This Touch
232. Iman Mersal: الصوت في غير مكانه (The Displaced Voice); translated by Lisa White
231. Abdellah Taïa: 99 Names
230. Javier Zamora: Revising into the Right? Form…Hopefully?
229. Aracelis Girmay: MOTHER MOTHER YOU ARE WHO I LOVE
228. Christina Barreiro, Lindsey Hoover, Fatima Lundy, Rupert McCranor, Kayla Park, Chrissy Ramkarran, Asiya Wadud, Rachael Guynn Wilson: Out-Of-Office
227. Baseera Khan: Be Careful What You Wish
226. Maryam Monalisa Gharavi: Alphabet of an Unknown City
225. Göksu Kunak: I thought this would