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Cover of The Virosexuals

PSS Editions

The Virosexuals

Orion J. Facey

€23.00

Manchester, UK. 2080.
It is a subculture whereby people are sexually attracted to the idea of transmitting and receiving STI’s. It started as a counter-culture against computer algorithms that determine every aspect of people’s lives, from careers to romantic interests, where they live, all over the world. The Virosexuals decided to alter their own bodies in order to subvert the algorithm. Now treated as non humans and thus ignored, Virosexuals like Amygdala are left to survive on their own…

Amygdala’s world consists of: her open relationship with Cel, her philosophical musings and drugged-up rants with her best friend Skunk/Winny, as well as her pursuit of all the completely curable (and thus fetishised) meatspace ‘zeases the club scene can offer. She tries to negotiate her body, her sexuality and her desires and find the source of the ‘Petitmort' threat…!

Amygdala’s dealer ran off on her. She’s out of estrogen, and so when Alejandro offers her a bountiful supply of ‘mones if she works for him – doing what? – she’s not super sure… What she does know: ESCHATOS 2.0 is trying to kill her. There’s a rumour buzzing on The Chat. A deadly virus, nicknamed ‘Petitmort’, is going around. It was manufactured by ESCHATOS 2.0, and maybe only those who have installed the latest update of the Treehouse Link are susceptible. Could Alejandro’s mission for Amygdala be connected to this virus sweeping the underground kink and BDSM scene?

Orion J. Facey's The Virosexuals, the author’s first novel, is a science-fantasy you won’t regret plugging into.

The Book Cover is Artwork by Danielle Brathwaite-Shirley
Design and Typeface by Atelier Carvalho Bernau
Editing by Taylor Le Melle
Copy Editing by Natasha Lall
Production by Daniella Valz Gen, Ima-Abasi Okon and Rehana Zaman
Pages: 280
Dimensions: mm × mm
Published: 30 June 2021

Paperback ┊ Language: English

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New Directions Publishing

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In Água Viva Clarice Lispector aims to 'capture the present'. Her direct, confessional and unfiltered meditations on everything from life and time to perfume and sleep are strange and hypnotic in their emotional power and have been a huge influence on many artists and writers, including one Brazilian musician who read it one hundred and eleven times. Despite its apparent spontaneity, this is a masterly work of art, which rearranges language and plays in the gaps between reality and fiction.

Clarice Lispector (December 10, 1920 – December 9, 1977) was a Brazilian writer acclaimed internationally for her innovative novels and short stories. Born to a Jewish family in Podolia in Western Ukraine, as an infant she moved to Brazil with her family, amidst the disasters engulfing her native land following the First World War. 

Cover of Transchool: Volume 2

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Transchool: Volume 2

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Transchool: Volume 2 is an anthology featuring the multifaceted work — poetry, fiction, nonfiction, screenplays, genre-defying writing — by the second class of Transchool creative writers and their mentors, including Amos Mac, Cameron Awkward-Rich, Sylan Oswald, and torrin a. greathouse, with introduction letters from Chase Strangio and Kyle Lasky of @Transanta, Drew Denny, and Ren Heintz. Allies in Arts founded Transchool to empower the voices of trans and nonbinary writers ages 18-25. This volume of the Transchool anthology includes work that was created by these writers in June, 2024.

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Cover of Textdemic: A Retrospective on Jenny Holzer’s Laments

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Textdemic: A Retrospective on Jenny Holzer’s Laments

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Textdemic | A Retrospective on Jenny Holzer’s Laments” Ed. by A.L. Steiner and GenderFail, a publication based on A.L. Steiner + Friends on Jenny Holzer at Dia Chelsea. This book is based on the Artists on Artists Lecture Series when the Dia Art Foundation invited Steiner to curate a public program based on a work of the artist's choice.

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For this publication, Steiner and GenderFail invited Matilde Guidelli-Guidi, Associate Curator at Dia Art Foundation and the organizer of the Artists on Artists Lecture Series, to write an afterword for the book. In this, she states: "Dispensing altogether with the monographic formula that characterizes the institution, for her Lecture A.L. Steiner convened a group of artists, writers, and activists to join her in responding to Jenny Holzer’s 1989 text-based installation, Laments. Holzer identified the thirteen texts that comprise Laments as 'voices of the dead,' a visual choir in response to the raging HIV/AIDS epidemic and government inaction. Over the protracted COVID-19 lockdown, Steiner developed the idea to organize an evening for the voices of the living to lament today's crises.”

Cover of MW Collected Texts (Bootleg)

Self-Published

MW Collected Texts (Bootleg)

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Monique Wittig was a French author and feminist theorist particularly interested in overcoming gender and the heterosexual contract. She published her first novel, L'opoponax, in 1964. Her second novel, Les Guérillères (1969), was a landmark in lesbian feminism.

Cover of Selected Writings of Gertrude Stein

Vintage

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Gertrude Stein

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This collection, a retrospective exhibit of the work of a woman who created a unique place for herself in the world of letters, contains a sample of practically every period and every manner in Gertrude Stein’s career. It includes The Autobiography of Alice B. Toklas in its entirety; selected passages from The Making of Americans; "Melanctha"from Three Lives; portraits of the painters Cezanne, Matisse, and Picasso; Tender Buttons; the opera Four Saints in Three Acts; and poem, plays, lectures, articles, sketches, and a generous portion of her famous book on the Occupation of France, Wars I Have Seen.