Skip to main content
rile*books

Search books

Search books by title, author, publisher, keywords...

Cover of Safar Issue 9: Protests

Studio Safar

Safar Issue 9: Protests

€25.00

"Journal Safar's 9th issue is Protests. To protest is a fundamental human act against injustice. It takes many forms: the defiant act of existing, the organized resistance of multitudes, armed struggles, and the disruption of systems through speech, action, and refusal in person, in prints and slogans online, or on the streets. Some forms of protest require symbols, flags, and specific attire, while others are carried out through non-verbal communication, secret dissemination, and ideological discipline. Yet all of them need cultural carriers–our bodies, our stories, and our marks to hold what can be remembered and learned from. Whether explicit or invisible, in communities or in solitude, this issue explores why we protest, and how, in the hopes of sparking solace, solidarity, and action. 

In this issue: Maya Saikali sits down with Gérard Paris-Clavel, a co-founder of the pioneering Grapus Collective, to talk political image-making and the life of the image. Gérard delves into his own work and where it survives, “I don’t do exhibitions, I do demonstrations.” An illustrated Toolkit for Actions by Palestine Action makes direct action tactics accessible to anyone ready to confront the international system complicit in the Palestinian genocide. Two conversations by Maya Moumne: with Adbusters Magazine founder Kalle Lasn on the power of artists in revolutions, and with Ahmad Swaid, editor of Dazed MENA and former Editor-in-Chief of GQ Middle East, on censorship, identity, and building new cultural platforms across the region. While Audrey Tseng and Chong Gu write on Red Canary Song, a grassroots collective of Asian and migrant sex workers, massage workers, and allies of the Asian diaspora, that resist policing through notions of homemaking. 

These highlights sit alongside stellar contributions by Alina Lupu, Ahmad Zaghmouri, Muhannad Hariri, Elias Erkan, Bettina Nagler, Rasha Dakkak, Yaa Adae, and Nihal ElAasar. And for the first time: another magazine inside this magazine: Design Drafts #3, a collaboration with Nieuwe Instituut, on protest and design with contributions by Tala Abdalhadi, Myriam Amri, Shruti Hussain, Candice Jensen, and Alice Wan on the theme of protest and design."

Published in 2025 ┊ 244 pages ┊ Language: English, Arabic

recommendations

Cover of OEI #82-83 Art in the Age of Kleptomania

OEI editör

OEI #82-83 Art in the Age of Kleptomania

Jonas J. Magnusson, Cecilia Grönberg and 1 more

Poetry €35.00

Aeron Bergman and Alejandra Salinas, co-editors at INCA Press (along with Irena Borić), are the guest-editors of this issue of OEI: it contains essays, artworks, and archival materials by 21 artists, theorists, writers, and artist-run spaces (mostly from the Americas).

The subject of the issue is art and neoliberalism, and it encompasses essays, images and other works by Dorothée Dupuis, Max Jorge Hindered Cruz, Luciano Concheiro, Yvonne Osei, Diego Bruno, John Riepenhoff, Suhail Malik, Good Weather, The Luminary, Bikini Wax, Beta-Local and more.

Cover of Viscose 02: Clothes

Viscose Journal

Viscose 02: Clothes

Jeppe Ugelvig

Periodicals €35.00

Issue 2 inverts issue 1’s focus on the immaterial notion of style to instead explore the most material of fashion’s building blocks: clothes Clothes are literally everywhere and cite complicated systems of production, distribution, and exchange on their paths around the world. Still, they never fully reveal their journey or destination, and may often signify little else than their own commodity status, the total genericness of the fashion product.

Bringing together a wide range of artists, thinkers, and writers, the issue sets out to explore clothes as a signifier at once empty and over-burdened: as expressions of desires, people and places, as palimpsests for capitalist production cycles and histories of dressed bodies, and even, as nondescript material debris. While not necessarily foregoing an analysis of the fashion system, we hope to develop a form of fashion criticism that begins – and perhaps ends – with the single garment, that takes the everyday use of clothing objects as an intellectual starting point.

What knowledge can we gather from the studying of fashion objects, be they material or immaterial? What is the difference between clothes and fashion? And to which extent is even “fashion” ever successfully signified by things?

with contributions by:
Shanzhai Lyric, David Lieske, Bakri Bakhit, Dena Yago, Matthew Linde, Burke Battelle & Ada O’Higgins, Davide Stucchi, Taylore Scarabelli, Mahoro Seward, Jordan Richman, Giorgi Gago Gagoshidze, Hito Steyerl, & Milos Trakilović, Laura Gardner, Avena Gallagher, Alex Esculapio, Elise by Olsen and Jeppe Ugelvig

Cover of ztscript  29 : Spiegel

ztscript

ztscript 29 : Spiegel

ztscript

This issue uses the font designed for german news magazine Spiegel by amazing Lucas de Groot. The color poster is part of the full print of the series “Les Filles d’Amsterdam” by photographer Jean-Luc Moulène. It is the first time this series is printed in book form and in an exclusive interview the artist tells the story of that work.

Contributors: Lily Wittenburg, Maren Grimm & Jakob Krameritsch, Michael Milano, Assaf-Evron, Sophie Thun, Juliana Huxtable, Interview with Jean-Luc Moulène, poster by Jean-Luc Moulène, Magda Tóthová, Peter Machen on Brenda Fassie, Mariah Garnett, Shady El NoshokatyTommy Støckel

Cover of Civilization #7

Self-Published

Civilization #7

Richard Turley, Lucas Mascatello

Periodicals €15.00

The occasionally-published broadsheet Civilization was founded in New York in 2018 by Richard Turley,  Lucas Mascatello, and Mia Kerin. Its origin was as a response to New York City life, but has now transformed into an art project that gathers language, overheard conversations, secret recordings transcribed by rapid-capture software to produce a dense, rhythmic assemblage of texts from both public and private spaces alike. As a result, Civilization’s design texture has found fans in the fashion world, leading to collaborations with Calvin Klein and Junya Watanabe. 

The publication has also enjoyed contributions from a wide array of artists, writers and personalities including: Aaron Maine, Alis Atwell, Amos Poe, Amalia Ulman, Aria Dean, Alicia Novella Vasquez, Bill Drummond, Biz Sherbert, Babak Radboy, Carly Busta, Darcie Wilder, Echo Wu, Ella Plevin, Eric Johnson, Honor Levy, Iris Luz, Mel Ottenberg, Isabelle Rea, Joey LaBeija, Jordan Barse, Lovefoxx, Maddie Quinn, Patrick McMullan, Rachel Rabbit White, Sybil Prentice, Thom Bettridge, and Zans Brady Krohn.

Cover of The Interjection Calendar 005

Montez Press

The Interjection Calendar 005

Emily Pope, Christiane Blattmann

For the Interjection Calendar each month Montez Press invites an artist, a writer, a poet or a doer of some sorts to say things. All 12 pieces have introspection and reflection in common. They are a subjective overview of writing in the expanded field of contemporary art and writing in the year 2019. This is the Interjection Calendar 2019, the fifth collection in this series. 

With contributions by sabrina soyer, Lisa Robertson, Hatty Nestor, Adrianna Whittingham, Sondria, Claudia Pagès, Laetitia Paviani, Bella Milroy, Georgina Tyson, Son Kit, Alix Jean Vollum, Rene Matic and bleubaglife. 

Find the last 12 PDF's on montezpress.com.