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Cover of Promiscuous Infrastructures, practicing care

Journal for Aesthetics & Protest Leipzig

Promiscuous Infrastructures, practicing care

The Promiscuous ed. , Renée Turner ed. , Vivian Sky Rehberg ed. , Marc Herbst ed. , Michelle Teran ed.

€25.00

How do we care for each other in our living, learning and working lives? The manual Promiscuous Infrastructures Practicing Care calls for an ethics of care and attentiveness to one another, re-imagines the making and the use of infrastructures, and situates care within a genealogy of artistic and social practice.

Promiscuous Infrastructures brings together more than twenty contributors - art and social practitioners, researchers, and educators - including the twelve core members of the Promiscuous Care Study Group, who have been researching and writing about caring infrastructures and promiscuous care for several years. This project takes seriously the urgent need to imagine diverse infrastructures of care at every scale of planetary existence. The resulting interdisciplinary publication comprises essays, visual schematics and scores, personal letters, recipes, and conversations, which emerge from the work of the study group, situated around the Willem de Kooning Academy in Rotterdam.

In society at large, the adjective “promiscuous” is commonly understood as a derogatory term, but it originally referred to people or things that “mingled confusedly or indiscriminately.”

The promiscuity the title explores is defined by a clear and collective refusal of efficiency, and favors generosity, care, love, and attention. Together, the group and their interlocutors situate their own collective care practice within a genealogy of artistic and general social practice. Adopting the UK-based Care Collective’s understanding of promiscuous, which aims toward multiplying and experimenting with caring practices beyond the shriveled forms that prevail today, Promiscuous Infrastructures addresses the following themes: institutional change, communal responsibility and accountability practices, mental health and collective care, hospitality and hosting, soil, counter-histories, intergenerational learning, joy and collective grief, and the poetics of imagining otherwise. These themes nurture a practice of multiplying and experimenting in diverse and expansive ways.

In this publication being promiscuous means taking agency within and beyond the shared context of structurally dispassionate cultural and educational institutions that require innovation, expediency, and measurable results above all.

Contributors: Carla Arcos, Jacquill Basdew, Selma Bellal, Seecum Cheung, Cooking Something Up, Yoeri Guépin, Marc Herbst, Czar Kristoff P., Pablo Lerma, Judith Leijdekkers, Carmen José, Edwin Mingard, Skye Maule-O’Brien, Lola Olufemi, Laurence Rassel, Vivian Sky Rehberg, Reading Room Rotterdam, Kari Robertson, Yusser al Obaidi, Michelle Teran, Renée Turner, and Julia Wilhelm.

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Cover of L'Écriture de Monique Wittig À La Couleur De Sappho

Éditions de Ixe

L'Écriture de Monique Wittig À La Couleur De Sappho

Catherine Écarnot

Invitation au voyage à travers l’œuvre littéraire de Monique Wittig, ce livre nous embarque dans une passionnante exploration de ses textes de fiction, de L’opponax à Virgile, non. Il rend compte de la lutte amoureuse qu’elle livre au langage – matériau brut qu’elle travaille au corps pour faire advenir dans la réalité ce qui n’y a pas (encore) droit de cité. La convocation malicieuse et grave des grands récits du passé, les nombreux emprunts aux auteurs anciens, la pratique de la citation font des Guérillères une formidable épopée féministe, du Corps lesbien un Évangile selon Sappho, du Voyage sans fin le combat drôle et tragique d’une Quichotte féministe et lesbienne.

En soulignant la cohérence des textes et leur fragmentation, Catherine Écarnot met en évidence la passion poétique qui habite ces livres que Wittig concevait comme des « chevaux de Troie » : des machines de guerre destinées à fissurer la réalité pour y inscrire une subjectivité mouvante, échappée du continent noir de la féminité, rétive aux assignations de genre. Uniques et radicalement disruptives, les fictions ainsi créées ouvrent grands les chemins qui relient littérature et lesbianisme.

Publié pour la première fois en 2002, cet ouvrage, le premier consacré en Europe à l’œuvre witigienne, reparaît dans une nouvelle édition remaniée, actualisée et enrichie de nombreuses références aux études publiées depuis sa parution.

Cover of Enlevés À Bougie

ness books

Enlevés À Bougie

Catherine Thiriau

Non-fiction €12.00

Enlevés à Bougie is a visual archive compiling documents from the kidnapping of a French state employee during the War of Independence, in 1960, Bougie, Algeria.

Cover of Understanding Molecular Typography

Ugly Duckling Presse

Understanding Molecular Typography

H.F. Henderson, Woody Leslie

Non-fiction €24.00

Molecular typography is the study of the chemical and physical underpinnings of letters. All characters are formed from seven basic atomic building blocks, known as typtoms. These typtoms come together in various combinations and configurations to form letters, numbers, and punctuation. Typtoms are not just theoretical tools for exploring the anatomy of type, but actual particles. Letters are molecules.

H.F. Henderson’s work, Understanding Molecular Typography, originally published in 1992, was a seminal work in the field. By condensing information pulled from nearly forty years of publications from the top molecular typographic scientists, Henderson made the science approachable to the everyday American for the first time. Part primer, part field guide, it lays out the basic principles, followed by detailed diagrams of the molecular formation of letters, numbers, and punctuation. A conclusion sums up the field of molecular typography to date, and a comprehensive bibliography provides valuable reference for the reader looking to learn more.

With the demise of the field of molecular typography as a whole in the mid-to-late ‘90s, (perhaps even due to its increased popularity brought on by Henderson’s work), Understanding Molecular Typography ran out of print, and has long since been forgotten. Peculiar as it may be, molecular typography is nevertheless a science worthy of being brought back to mainstream attention, if for no other reason than demonstrating humanity’s frequent scientific misconceptions throughout history. This reprint edition, with a new introduction by Woody Leslie, seeks to do just that.

"Until Henderson's incredible analysis, no one had created a conceptual framework sophisticated enough to do the analytic work in graphical physics that the alphabet required if it was to be fully understood. True, some of the Russian futurists, like Ilia Zdanevich, in their examinations of the properties of language, had begun to grasp the vague outlines of a modern scientific approach to molecular components, to the formation of compounds, and their behavior as chemical substances, within the structure of poetics. But Henderson's research was comprehensive and the results nothing short of astonishing." —Johanna Drucker

Cover of Voices of the Nakba: A Living History of Palestine

Pluto Press

Voices of the Nakba: A Living History of Palestine

Diana Allan

Non-fiction €27.00

First-generation Palestinian refugees recall life before and after the Nakba.

During the 1948 war more than 750,000 Palestinian Arabs fled or were violently expelled from their homes by Zionist militias. The legacy of the Nakba - which translates to 'disaster' or 'catastrophe' - lays bare the violence of the ongoing Palestinian plight.

Voices of the Nakba collects the stories of first-generation Palestinian refugees in Lebanon, documenting a watershed moment in the history of the modern Middle East through the voices of the people who lived through it.

The interviews, with commentary from leading scholars of Palestine and the Middle East, offer a vivid journey into the history, politics and culture of Palestine, defining Palestinian popular memory on its own terms in all its plurality and complexity.

Afterword by Rosemary Sayigh. Winner of an English PEN Award 2021.

Cover of Rifqa

Haymarket Books

Rifqa

Mohammed El-Kurd

Poetry €18.00

Rifqa is Mohammed El-Kurd’s debut collection of poetry, written in the tradition of Ghassan Kanfani’s Palestinian Resistance Literature. The book narrates the author’s own experience of dispossession in Sheikh Jarrah—an infamous neighborhood in Jerusalem, Palestine, whose population of refugees continues to live on the brink of homelessness at the hands of the Israeli government and US-based settler organizations. The book, named after the author’s late grandmother who was forced to flee from Haifa upon the genocidal establishment of Israel, makes the observation that home takeovers and demolitions across historical Palestine are not reminiscent of 1948 Nakba, but are in fact a continuation of it: a legalized, ideologically-driven practice of ethnic cleansing.

Mohammed El-Kurd is a Palestinian writer and poet from Sheikh Jarrah in East Jerusalem. He was pursuing a Master's in the United States before returning to Sheikh Jarrah to protest the ethnic cleansing of his family. He has gained prominence for his description of Israeli occupation as apartheid and settler colonialism.