Imago: Xenogenesis Series 3

Sticky Fingers' Fortune Teller features wisdom from McKenzie Wark, Octavia E. Butler, Kate Zambreno, bell hooks, Clarice Lispector, Eileen Myles, Kathy Acker, Johanna Hedva, Lou Sullivan, Audre Lorde, June Jordan, and Anne Boyer.⁣

A3, single colour risograph

“Invest in a floating city or gentrify a submerged one.”

Nourhan Maayouf’s I Was Going to Work is a hybrid sci-fi picture book by the Cairo-based artist, in which the proto-cyborg citizens of Happy Land Nation establish new-fashioned diurnal rhythms against the ever-present backdrop of a monorail to nowhere and its pillars, idle and idolatrous.

Across forty-four spreads of what might be thought of as a picture book for adults, Maayouf delves into every aspect of a deeply familiar society in which retrograde devolution is billboarded as reinvention by Orwellian technocrats and speculators.

And yet pockets of the cyborg population continue striving, dreaming, craving, protesting, gleaning, and inventing. For a situation to be bleak, some notion of beauty must remain tenaciously rooted where it matters most.

In the 2090s, Earth is somehow still here. Drones and clones are big business and Henries Ickles, debonair New Los Angeles infoarchitect, wants in on the action. Metaphysical theories are put into practice, invisible art is critiqued, quasicrystals are crafted, yogurt is spilled. From diplomatic misadventures with metallic herds in RealSweden to an underwater rendezvous in the free domes of MiamiVII, Ickles, ad Infinitum is a compendium of the exuberant and the abject, a refracted hologram of the absurdities of cultural production that swerves between incisive ode and knowing lampoon.

Mark von Schlegell has been pushing the envelope with independently-published experimental fiction and theory since the 1990s. He was born in New York, moved to L.A. in 2000, and currently lives in Cologne. His first novel, Venusia (Semiotext(e), 2005) was honor's listed for the Otherwise Award in Science Fiction.

The final book in the Native Tongue Trilogy.

The interstellar Consortium of Planets has forsaken the irredeemably violent Earth, condemning the planet to economic and ecological chaos. As the Consortium prepares to euthanize the planet, women freedom fighters are offered one last chance to correct men’s brutal nature and stop the planet’s annihilation. In the stunning conclusion to the Native Tongue trilogy, female linguists must once again come forward to ensure the survival of humanity.

Suzette Haden Elgin (born Patricia Anne Wilkins; 1936–2015) was an American science fiction author. She founded the Science Fiction Poetry Association, and was considered an important figure in the field of science fiction constructed languages. Elgin was also a linguist; she published non-fiction, of which the best-known is the Gentle Art of Verbal Self-Defense series.

First published in 1987, Nicole Brossard's classic novel returns to Coach House in a new edition. A seminal text in Canadian and feminist literature, Mauve Desert is a must-read for readers and writers alike.

This is both a single novel and three separate novels in one. In the first, Mauve Desert, fifteen-year-old Mélanie drives across the Arizona desert in a white Meteor chasing fear and desire, cutting loose from her mother and her mother's lover, Lorna, in their roadside Mauve Motel. In the second book, Maudes Laures reads Mauve Desert, becomes obsessed with it, and embarks on an extraordinary quest for its mysterious author, characters and meaning. The third book - Mauve, the horizon - is Laures's eventual translation of Mauve Desert. Like all good translations, it is both the same and revealingly different from the original.

Nicole Brossard's writing is agile and inventive; from moment to moment gripping, exhilarating and erotic. Her language drifts and swells like sand dunes in a desert, cresting and accumulating into a landscape that shifts like wind and words; she translates the practice of translation, the pulse of desire.

Who decides what happens after sex? The last decade has seen many significant changes to the laws governing women’s reproductive rights around the world, from liberalisation in Ireland to new restrictions in the USA. After Sex offers personal and political perspectives from the mid-20th century to the present day, setting feminist classics alongside contemporary accounts. These essays, short stories and poems trace the debates and tell the stories; together, they ask us to consider what reproductive justice might look like, and how it could reshape sex.

The writers pay special attention to people — both fictional and real — who have sought control over their sexual lives, and the joy, comedy, difficulties and disappointments that entails. But above all, After Sex testifies to the power of great writing to show us why that freedom is worth pursuing — without shame and without apology.

With contributions from: 
Lauren Berlant, Joanna Biggs, Edna Bonhomme, Gwendolyn Brooks, Beverley Bryan, Stella Dadzie and Suzanne Scafe, Storm Cecile, Lucille Clifton, Rachel Connolly, T.L. Cowan, ’Jane Does’, Maggie Doherty, Nell Dunn, Andrea Dworkin, Anne Enright, Deborah Friedell, Tracy Fuad, Kristen Ghodsee, Vivian Gornick, Donna Haraway, bell hooks, Barbara Johnson, Jayne Kavanagh, Lisa Hallgarten and Angela Poulter, Jamaica Kincaid, Patricia Knight, R.O. Kwon, Ursula K. Le Guin, Natasha Lennard, Sophie Lewis, Audre Lorde, Amelia Loulli, Erin Maglaque, Holly Pester, Adrienne Rich, Denise Riley, Sally Rooney, Loretta J. Ross, Madeleine Schwartz, SisterSong, Sophie Smith, Annabel Sowemimo, Amia Srinivasan, Keeanga-Yamahtta Taylor, Judith Jarvis Thomson, Alice Walker and Bernard Williams.