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Cover of I Should Have Known Better

We Heard You Like Books

I Should Have Known Better

William E. Jones

€13.50

I Should Have Known Better is a sequel to the sleeper hit I'm Open to Anything (2019), expanding the original's scope and ambition.

I Should Have Known Better's first person narrator, while working at a dead-end job in Los Angeles during the mid-1990s, reconnects with his best friend Moira, recently returned from Central America, and makes a new friend, Bernie, who teaches the history of photography. The two of them convince him to pursue a master's degree as a way of escaping the unrewarding life of a video store clerk. Once the narrator is exposed to an academic environment, he takes a dim view of the education that art school has to offer, but is happy to meet a group of talented fellow students who become close friends. He encounters a number of art world figures, ranging from the brilliant to the abject, who disabuse him of his illusions. The narrator has his most instructive experiences off campus, especially a love affair with the handsome and mercurial Temo, an insolent rich kid who leads a double life. Together they explore their sexual limits in scenes of bracing explicitness. I Should Have Known Better bears witness to the last gasp of Los Angeles bohemia at the end of the twentieth century.

The novel paints precise portraits of inspired eccentrics devoted to pursuing their dreams, "shopping artists" who believe in nothing but hedonism, and latter-day leftists who find themselves directionless after the fall of communism. Above all, the book pays tribute to the impulsive experiments and intense friendships of youth.

Published in 2021 ┊ 200 pages ┊ Language: English

recommendations

Cover of The Villain’s Dance

And Other Stories

The Villain’s Dance

Fiston Mwanza Mujila, Roland Glasser

Fiction €19.00

Full of wit, music, and a rollicking cast of characters, The Villain’s Dance shows Fiston Mwanza Mujila is back with a bang.

Zaire. Late nineties. Mobutu’s thirty-year reign is tottering. In Lubumbashi, the stubbornly homeless Sanza has fallen in with a trio of veteran street kids led by the devious Ngungi. A chance encounter with the mysterious Monsieur Guillaume seems to offer a way out . . . Meanwhile in Angola, Molakisi has joined thousands of fellow Zairians hoping to make their fortunes hunting diamonds, while Austrian Franz finds himself roped into writing the memoirs of the charismatic Tshiamuena, the “Madonna of the Cafunfo Mines.” Things are drawing to a head, but at the Mambo de la Fête, they still dance the Villain’s Dance from dusk till dawn.

Cover of Active Reception

Nightboat Books

Active Reception

Noah Ross

Poetry €18.00

A vibrant work of lyric, conceptual, and confessional poetic modes pitched to enact a queer politics of liberation.

Active Reception is a book of bottoming lovers, the world around us, and a history of letters, that thinks through a queer mode of writing from the bottom, a kind of coalition based politics of receptivity and expansion that is open to the world around us, its myriad life forms, its systemic oppressions, its hidden ghosts.

Noah Ross is a bookseller, editor, and poet based in Berkeley, CA. Noah is the author of Swell, and an editor of Baest: a journal of queer forms & affects, and Mo0on/IO with Lindsay Choi.

Cover of touxs mes queers sont des poéte·sses

Self-Published

touxs mes queers sont des poéte·sses

saël teukam tamo

Poetry €8.00

Car archiver nos écrits et nos paroles n'a jamais été aussi important, car il faut rendre compte de nos existences, de ce moment, pour nous et pour les futurs queers en recherche de repères oui, nous avons écrit, donc oui vous pourrez écrire aussi ! oui, nous avons existé, donc oui, vous existerez aussi ! car oui, nous sommes toustes poéte·sses ! car nos vies sont des poèmes et être queer est de la poésie car touxs mes queers sont des poéte·sses! 

Because preserving our writings and our words has never been more important, because we must bear witness to our lives, to this moment, for ourselves and for future queers in search of guidance yes, we have written, so yes, you can write too! yes, we have existed, so yes, you will exist too! because yes, we are all poets! because our lives are poems and being queer is poetry because all my queers are poets!

Cover of Sick issue 6

Self-Published

Sick issue 6

Olivia Spring

Poetry €16.00

Writing on the fragmentation of chronic illness, why ‘full access’ isn’t something arts venues should aim for, the complexities of receiving gender-affirming care while living with chronic illness, the realities of constantly having to ration your energy, an interview with musical artist Dead Gowns, abortion access and bodily autonomy, poetry, artwork, book recommendations, and much more.

Essays, features, poetry, art, interviews & more from Vida Adamczewski, A/Bel Andrade, Amy Berkowitz, Khairani Barokka, Jax Bulstrode, Sarah Courville, Jen Deerinwater , Amy Dickinson, Mizy Judah Clifton, Alton Melvar M Dapanas, Dead Gowns, Sergey Isakov, Theo LeGro, Elias Lowe, Cathleen Luo, Jameisha Prescod, Olivia Spring, Leigh Sugar, Oriele Steiner, Emerson Whitney, Chantal Wnuk, Caroline Wolff, and Emma Yearwood

SICK is an independent, thoughtful magazine exploring illness and disability, founded & edited by Olivia Spring and designed by Kaiya Waerea. Founded in Norwich, UK in 2019, we are currently based in Maine, USA and London, UK. We typically publish one issue per year.

Cover of Jaw Filler

Montez Press

Jaw Filler

Maz Murray, Charlie Markbreiter

Fiction €22.00

'You don't need dysphoria to be trans. You don't need a body at all.’

When Sean Hastings, (the first) transgender private detective, is asked to investigate the disappearance of Character, he enters the First Trans Commune in Sim World, a virtual reality community imagineered by transfluencer Kevin and bankrolled by VSI, a mysterious tech company.

At VSI, representation matters, which is why Taylor, the token QTPOC face, runs their latest project. Haunted by the death of his cis gayguy college bestie and their shared diasporic dilemmas, Taylor sees potential in Kevin’s ability to Release trauma into the virtual world, while Casey, Sean’s ex, seeks Releasing as the latest Long Plague miracle cure. Then femme fatale Mitchelle reappears, and the plot thickens.

A pulpy neo-noir romp through the anxiously assimilated transmasculine id, Jaw Filler asks: who is VSI, and what do they really want? Can you be your own dad? And if Character’s mind is trapped in Sim World, then where is his body?