Human Strike and the Art of Creating Freedom

A restless inquiry into the cultural and psychic sources of insomnia by one of contemporary French literature's most elegant voices.

Plagued by insomnia for twenty years, Marie Darrieussecq turns her attention to the causes, implications, and consequences of sleeplessness: a nocturnal suffering that culminates at 4 a.m. and then defines the next day. “Insomniac mornings are dead mornings,” she observes. Prevented from falling asleep by her dread of exhaustion the next day, Darrieussecq turns to hypnosis, psychoanalysis, alcohol, pills, and meditation. Her entrapment within this spiraling anguish prompts her inspired, ingenious search across literature, geopolitical history, psychoanalysis, and her own experience to better understand where insomnia comes from and what it might mean. There are those, she writes, in Rwanda, whose vivid memories of genocide leave them awake and transfixed by complete horror; there is the insomnia of the unhoused, who have nowhere to put their heads down. The hyperconnection of urban professional life transforms her bedroom from a haven to a dormant electrified node.

Ranging between autobiography, clinical observation, and criticism, Sleepless is a graceful, inventive meditation by one of the most daring, inventive novelists writing today.

An essential document of the Black Panther Party written by three leading thinkers and party activists who were jailed following the FBI’S 1969 mandate to destroy the organization “by any means possible.”

Still Black, Still Strong is partly based upon the 1989 videotape Framing The Panthers by producers Chris Bratton and Annie Goldson. It recounts the stories of Dhoruba Bin Wahad, Mumia Abu-Jamal and Assata Shakur, all of whom were arrested and jailed during the COINTELPRO probe of the Black Panther Party.

Dhoruba Bin Wahad, who organized chapters of the Black Panther Party in New York and along the Estern Seaboard and worked with tenants in Harlem and on drug rehabilitation in the Bronx, was accused of murdering two officers while still in his teens and imprisoned for 19 years. He always maintained his innocence and won his freedom by forcing the FBI to release thousands of classified documents proving that he had been framed. The justice department eventually rescinded Bin Wahad’s conviction and he was released in 1990, seven months after the documentary premiered.

Mumia Abu-Jamal, a journalist who headed the Black Panther free breakfast program for inner-city school children in Philadelphia, was also accused of the murder of an officer and sent on death-row, where he still is today.

Assata Shakur was a college educated social worker in her twenties when she was accused of shooting a cop, then arrested and tortured and denied medical treatment. Her interview was conducted in Cuba where she has been exiled since her escape from a New Jersey women’s prison in 1975.

Bin Wahad, Shakur and Abu-Jamal offer a little-known history and an incisive analysis of the Black Panthers’ original goals, which the U.S. Government has tried to distort and suppress. As one confidential, 1969, memo to J. Edgar Hoover put it, “The Negro youth and moderates must be made to understand that if they succumb to revolutionary teaching, they will be dead revolutionaries.”

Edited by Jim Fletcher, Tanaquil Jones and Sylvère Lotringer

The trailblazing book that influenced a generation of writers, and proves that mature reflection needn't be lacking in attitude.

In the beginning when everything was very sexual we talked about our fantasies. She thought about having a guy for some of it. She thought about having a gun. I had gone through a lot to get away from guys so I admit that the thought of going back to them, even for a little adventure, was surprising and disconcerting …

Ann Rower's first book, If You're a Girl, published by Semiotext(e)'s Native Agents series in 1991 in tandem with Cookie Mueller's Walking Through Clear Water in a Pool Painted Black, cemented her reputation as the Eve Babitz of lower Manhattan.

Rower was fifty-three years old at the time. Her stories—urtexts of female autofiction—had long been circulating within the poetry and postpunk music scenes. They were unlike anyone else's: disarming, embarrassing, psuedoconfessional tales of everyday life dizzily told and laced with dry humor. In If You're a Girl, she recounts her adventures as Timothy Leary's babysitter, her artistic romance with actor Ron Vawter, and her attempts to evade a schizophrenic stalker.

Rower went on to publish two novels: Armed Response (1995) and Lee & Elaine (2002). After the 2002 suicide of her partner, the writer Heather Lewis, Rower stopped writing for almost two decades. And then she picked up where If You're a Girl left off. No longer a girl, she produced dozens of stories from her life in New York as an octogenarian.

This new, expanded edition includes most of the original book, together with selections from both her novels and her recent writings. If You're a Girl is a trailblazing book that manifests Rower's influence on a generation of writers, and proves that mature reflection needn't be lacking in attitude.

Ann Rower is the author of If You're A Girl, Armed Response, and Lee & Elaine. She received a PhD from Columbia University in sixteenth-century English literature in 1974, and has collaborated with the Wooster Group as a writer. Rower taught writing in New York at the School for Visual Arts between 1974 and 2019.

Introduction by Sheila Heti.

The prequel to Love Me Tender, narrating Debré's transformation from affluent career woman to broke single lesbian and writer.

I see all her beauty, I see the beauty of women. I see my own body, new. I tell myself there are so many things that are possible.

First published in France in 2018, Playboy is the first volume of Constance Debré's renowned autobiographical trilogy that describes her decision, at age forty-three, to abandon her marriage, her legal career, and her bourgeois Parisian life to become a lesbian and a writer.

The novel unfolds in a series of short, sharp vignettes. The narrator's descriptions of her first female lovers—a married woman fifteen years older than her, a model ten years her junior—are punctuated by encounters with her ex-husband, her father, and her son.

As Debré recently told Granta: “It was a bit like Saint Augustine and his conversion. In the same week, I had sex with a girl and I had the feeling that I could write. I had this incredible feeling that I could catch things, that life was there to be caught.”

Looking at the world through fresh eyes, the narrator of Playboy questions everything that once lay beneath the surface of her well-managed life. Laconic, aggressive, and radically truthful, she examines gender and marriage, selfishness and sacrifice, money and family, even the privilege inherent in her downward mobility.

Writing her way toward her own liberation, Debré chronicles the process that made her one of the most brilliant, important French writers today.

A classic queer text of trauma, written by one of the most talented novelists of her generation.

Published by Doubleday in 1994, Heather Lewis's chilling debut novel took place on the northeastern equestrian show-riding circuit, to which Lewis herself belonged in her teens. Expelled from boarding school, its fifteen-year-old narrator moves numbly through a world of motel rooms, heroin, dyke love, and doped horses. Kirkus Reviews found it “brutal, sensual, honest, seductive … a powerful debut,” while the New York Times found the book “grating and troublesome … it's difficult to imagine a more passive specimen.”

Almost immediately, Lewis began writing Notice, a novel that moves even further into dark territory. The teenaged narrator Nina begins turning tricks in the parking lot of the train station near the Westchester County home of her absent parents. She soon falls into a sadomasochistic relationship with a couple. Arrested, she's saved by a counselor and admitted to a psychiatric facility. But these soft forms of control turn out to be even worse. Writing in the register of an emotional fugue state, Notice's helpless but all-knowing narrator is as smooth and sharp as a knife.

Rejected by every publisher who read it during Lewis's life, Notice was eventually published by Serpent's Tail in 2004, two years after her death. The book, long out of print, emerged as a classic queer text of trauma, written by one of the most talented novelists of her generation.

Recorded and transcribed throughout the 1960s, Carla Lonzi’s Self-portrait ruptures the narration of post-war modern art in Italy and beyond. Artmaking struck Lonzi as an invitation to be together in a ‘humanly satisfying way’, and this experiment in art-historical writing is a testament to her belief. Lonzi abolishes the role of the critic, her own, seeking change over self-preservation by theorising against the act of theorising.

The life and work of Carla Lonzi (1931–1982) is inseparable from the cultural, political, and social history of Italy in the decades following the Second World War; she occupies a singular position, which today merits reevaluation. A reputed art critic of the 1960s artistic scene, both friend and collaborator of such figures as Carla Accardi, Luciano Fabro, Giulio Paolini, and Jannis Kounellis, she wrote “Autoportrait” in 1969, a “love letter” to the artists and to creation, but also a farewell chorus to art criticism and the art world. The following year she founded Rivolta Femminile, an active feminist collective, thus becoming the central figure of Italian feminism.

Interviews with Carla Accardi, Getulio Alviani, Enrico Castellani, Pietro Consagra, Luciano Fabro, Lucio Fontana, Jannis Kounellis, Mario Nigro, Guilio Paolini, Pino Pascali, Mimmo Rotella, Salvatore Scarpita, Guilio Turcato, Cy Twombly.

Afterword by Claire Fontaine.
Translated by Allison Grimaldi Donahue.

978-1916425088
105 b&w illustrations
21.6 x 13.9 cm
364 p.
Paperback
November 2021

Folio G presents new translations of significant texts by two poles of Italian feminist thought—Leopoldina Fortunati and Carla Lonzi—to examine the “unexpected subject” of women in society and history. These texts are accompanied by contextual essays that explore the reverberation of their thought in contemporary artistic practice, theory, and models of creating freedom for women in everyday life.

New translations of texts by:
Leopoldina Fortunati
Carla Lonzi
Rivolta Femminile

Additional contributions by:
Sara Colantuono
Claire Fontaine
Maya Gonzalez
Matilde Guidelli-Guidi
Jaleh Mansoor
Giovanna Zapperi

The first issue of the magazine made by artists, founded by Donatien Grau and Thomas Lenthal. Contributions by Mathias Augustyniak, Naomi Campbell, Théo Casciani, Michael Chow, Pan Daijing, Es Devlin, Claire Fontaine, Edwin Frank, Theaster Gates, Nicolas Godin, Alejandro Jodorowsky, Hedi El Kholti, Michèle Lamy, Paul McCarthy, Ian McEwan, Eileen Myles, Marc Newson, Hans Ulrich Obrist, Diana Widmaier Picasso, Ariana Reines, Barbara Chase-Riboud, Julian Schnabel & Jason Momoa, Hanna Schygulla, Juergen Teller, Iké Udé, McKenzie Wark, Robert Wilson, Yohji Yamamoto.

Alphabet is the artists' magazine. Here, they run the show. They write, they make images, they select their own works, they interview the figures they admire, they tell us what we did not know about them nor could have ever fathomed about life. This magazine is conceived entirely to put them in the driver's seat, and to enable readers to become part of the unique vision of some of today's greatest luminaries.

It is a manifestation of the creative community, coming together from all fields, from all generations and threads of culture. Writers, musicians, designers, painters, sculptors, poets—artistic figures of every kind converse all the time in their lives, but they did not have a shared space for their editorial projects. This is it.

Everyone who finds their way into Alphabet has made a mark on life, art, and culture, in a way that signals their importance to the present. Some of the contributors may be world famous, others well respected, others on the way to becoming the legends they already are. Their relevance to culture is the same, and that is why they all belong here, in the endeavor of the creative community. There is no hierarchy of status, or domain, or apparent impact. Some of the greatest revolutions happen undercover. Some of the most established voices are still breaking ground. The magazine's premise is simple: the old opposition between pop and underground does not make sense anymore. There are many creative communities, each following its own rules, each inventing its own space. Here, wherever they come from, whatever their community, artists can exist together, with the same intention of changing, and improving, what life is; with the same belief that art matters more than anything else.

None of the contributors is here randomly. They keep life thrilling and exhilarating, challenge the perception of everything and anything. Their role in shaping every aspect of life can hardly be overstated. That is why they needed a place to elaborate their own alphabet, their way of ordering and structuring language, the world, and the fabric of life—a place of freedom, where everything would be done to highlight their visions, where the very design would be a shrine to their magic. Even the distribution of the magazine was conceived with artists—each contributor suggesting sites of their liking.

Alphabet is also the magazine of magazines. Here, readers find essays, fictions, poetry, visual projects, DIY methods, recommendations from those who know, even games and astrology—and an artist's alphabet, articulating an entire universe. Anything that has ever formed a section of a magazine could find its way here. Even the cover is conceived by an artist: it was conceived especially by the legendary Robert Wilson. Artists will rejuvenate what magazines are, and magazines will be kept forever young by and with them.

Founded by Donatien Grau and Thomas Lenthal, Alphabet is a bi-yearly art magazine. Not a magazine about art. It's a magazine made by artists. Each contribution like an œuvre, making it the ultimate collector piece. Each cover is designed, with the word Alphabet, by a different artist, initiating a cult series.