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Cover of GLEAN - Issue 2 (ENG edition)

GLEAN

GLEAN - Issue 2 (ENG edition)

GLEAN ed.

€20.00

Striking a balance between lightness and seriousness, this Winter Issue of GLEAN offers plenty of in-depth reflection as well as a glimpse of what lies around the corner.

Guest Editor: Oscar Murillo
For each issue, GLEAN invites a Guest Editor to curate a section of the magazine. We interview them and ask them to invite three writers or artists who have influenced their practice (or who otherwise deserve our attention) to take up space in our pages. Oscar Murillo (1986, La Paila, Colombia) lives and works between London, La Paila and (since recently) Brussels. On the occasion of his first solo show at WIELS in Brussels, titled ‘Masses’, which opens in February 2024, we asked him to serve as Guest Editor for our Winter Issue. Murillo asked curator and researcher Renan Laru-an and writer and producer Anna T. Pigott to contribute texts. Artist and writer Rene Matic provided a visual contribution.

Studio Visit: Che Go Eun
Finding an affordable and suitable studio space is perhaps one of the greatest challenges a young artist faces. Not only does there seem to be a shortage of adequate infrastructure in densely populated cities such as Antwerp or Brussels, but the rental prices are also very high. Level Five VZW is an artist cooperative managing several studio spaces in Brussels. Tamara Beheydt visited artist Che Go Eun in her shared studio space at Level Five’s location next to WIELS Contemporary Art Centre.

The Artist’s Library
Each issue, Els Roelandt delves into the personal library of an artist for the Artist’s Library – a column celebrating books and their writers, editors, publishers, designers and readers. For this month’s contribution, she visited Olivia Plender in Stockholm on a dark afternoon in November. The two browsed and discussed Plender’s impressive library, which contains many titles related to plants, feminism and books by and on women who are carrying on the struggle to dismantle patriarchal structures.

Hana Miletic
Having transitioned from a kind of street photography to weaving, Hana Miletic embraces the act of reproduction. Her work with textiles has evolved into an embodied and social practice. Miletic contributed the cover images for this Winter Issue, which are also being printed as a limited GLEAN artist’s edition. María Inés Rodríguez, director of the Walter Leblanc Foundation in Brussels, met up with the artist, who is gearing up for a busy season. Miletic’s work is on view in no fewer than four group shows across Europe and her first solo exhibition in the US will open next spring.

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Cover of GLEAN - Issue 5 (ENG edition)

GLEAN

GLEAN - Issue 5 (ENG edition)

GLEAN

Periodicals €20.00

Guest editor: Orla Barry, City Report Brussels: Maxime Fauconnier and Natural Contract Lab, Kasper König, Kendell Geers, Lucy McKenzie, Nástio Mosquito, Lisa Vlaemminck, Paloma Bosquê, Joar Nango, Sandrine Colard, Wu Tsang, Busan Biennale

Cover of GLEAN - Issue 6 (ENG edition)

GLEAN

GLEAN - Issue 6 (ENG edition)

GLEAN

Periodicals €20.00

Guest Editor: Collectif Picha, Lumbumbashi Biennale, City Report Athens, Andrei Molodkin, Maryam Najd, Andrien Lucca, Valérie Mannaerts, Kendell Geers, Gabi Ngcobo, Maja Daniels, Zhang Yunyao, Wim Delvoye, Larissa Sansour, Dome Wood

Cover of GLEAN - Issue 7 (NL edition)

GLEAN

GLEAN - Issue 7 (NL edition)

GLEAN

Periodicals €15.00

Het nieuwe winternummer van GLEAN is er. We gaan in gesprek met Sharon Van Overmeiren, Mostafa Saifi Rahmouni, Willem Oorebeek en Paule Josephe; staan stil bij de indrukwekkende carrière van Luc Deleu, de 'radicaalste urbanistische denker die België ooit heeft voortgebracht'; tippen expo's van Luc Tuymans in Beijing en Pieter Vermeersch in New York; duiken in het archief van Pieter Van Bogaert en een merkwaardige fotoboek van de Nederlandse filmmaker en fotograaf Johan van der Keuken; bezoeken de tentoonstelling 'The Last Place They Thought Of' in Kunsthal Mechelen; en veel meer...

Cover of Glean 7 - Spring 2025

GLEAN

Glean 7 - Spring 2025

Futurefarmers

Periodicals €20.00

Futurefarmers, Berlinde De Bruyckere, City Report Sofia, McKenzie Wark, Koyo Kouoh, Bas Smets, Aglaia Konrad, Hugo Roelandt, Candice Breitz, Otobong Nkanga, Sharjah Biennial, Charlie Porter, Subversive Film, 019, Emmanuel Van der Auwera.

Cover of GLEAN - Issue 4 (ENG edition)

GLEAN

GLEAN - Issue 4 (ENG edition)

GLEAN

Periodicals €20.00

Apparatus 22, Dak’Art, Tarek Atoui, Sirah Foighel Brutmann & Eitan Efrat, Yoko Ono, Pei-Hsuan Wang, Anna Zemánková, Sarah Smolders, Miranda July, Britta Marakatt-Labba, Ignacio Barrios

Cover of The Lip Anthology: An Australian Feminist Arts Journal 1976–1984

Kunstverein Amsterdam

The Lip Anthology: An Australian Feminist Arts Journal 1976–1984

Vivian Ziherl

Lip Magazine was self-published by women in Melbourne from 1976 to 1984 and stood as a lightning rod for Australian feminist artistic practice throughout the Women’s Liberation era. The art and ideas expressed over Lip’s lifetime track groundbreaking moves in performance, ecology, social-engagement and labour politics—all at an intersection with local realities. Collecting and presenting the materials of Lip for the first time since their original appearance, The Lip Anthology, edited by Vivian Ziherl, privileges the range and dynamism of contesting feminisms that comprised the Lip project.

Designed by: Marc Hollenstein

Cover of Alphabet Magazine #01

Self-Published

Alphabet Magazine #01

Thomas Lenthal, Donatien Grau

Photography €28.00

The first issue of the magazine made by artists, founded by Donatien Grau and Thomas Lenthal. Contributions by Mathias Augustyniak, Naomi Campbell, Théo Casciani, Michael Chow, Pan Daijing, Es Devlin, Claire Fontaine, Edwin Frank, Theaster Gates, Nicolas Godin, Alejandro Jodorowsky, Hedi El Kholti, Michèle Lamy, Paul McCarthy, Ian McEwan, Eileen Myles, Marc Newson, Hans Ulrich Obrist, Diana Widmaier Picasso, Ariana Reines, Barbara Chase-Riboud, Julian Schnabel & Jason Momoa, Hanna Schygulla, Juergen Teller, Iké Udé, McKenzie Wark, Robert Wilson, Yohji Yamamoto.

Alphabet is the artists' magazine. Here, they run the show. They write, they make images, they select their own works, they interview the figures they admire, they tell us what we did not know about them nor could have ever fathomed about life. This magazine is conceived entirely to put them in the driver's seat, and to enable readers to become part of the unique vision of some of today's greatest luminaries.

It is a manifestation of the creative community, coming together from all fields, from all generations and threads of culture. Writers, musicians, designers, painters, sculptors, poets—artistic figures of every kind converse all the time in their lives, but they did not have a shared space for their editorial projects. This is it.

Everyone who finds their way into Alphabet has made a mark on life, art, and culture, in a way that signals their importance to the present. Some of the contributors may be world famous, others well respected, others on the way to becoming the legends they already are. Their relevance to culture is the same, and that is why they all belong here, in the endeavor of the creative community. There is no hierarchy of status, or domain, or apparent impact. Some of the greatest revolutions happen undercover. Some of the most established voices are still breaking ground. The magazine's premise is simple: the old opposition between pop and underground does not make sense anymore. There are many creative communities, each following its own rules, each inventing its own space. Here, wherever they come from, whatever their community, artists can exist together, with the same intention of changing, and improving, what life is; with the same belief that art matters more than anything else.

None of the contributors is here randomly. They keep life thrilling and exhilarating, challenge the perception of everything and anything. Their role in shaping every aspect of life can hardly be overstated. That is why they needed a place to elaborate their own alphabet, their way of ordering and structuring language, the world, and the fabric of life—a place of freedom, where everything would be done to highlight their visions, where the very design would be a shrine to their magic. Even the distribution of the magazine was conceived with artists—each contributor suggesting sites of their liking.

Alphabet is also the magazine of magazines. Here, readers find essays, fictions, poetry, visual projects, DIY methods, recommendations from those who know, even games and astrology—and an artist's alphabet, articulating an entire universe. Anything that has ever formed a section of a magazine could find its way here. Even the cover is conceived by an artist: it was conceived especially by the legendary Robert Wilson. Artists will rejuvenate what magazines are, and magazines will be kept forever young by and with them.

Founded by Donatien Grau and Thomas Lenthal, Alphabet is a bi-yearly art magazine. Not a magazine about art. It's a magazine made by artists. Each contribution like an œuvre, making it the ultimate collector piece. Each cover is designed, with the word Alphabet, by a different artist, initiating a cult series.

Cover of GLEAN - Issue 5 (NL edition)

GLEAN

GLEAN - Issue 5 (NL edition)

GLEAN

Periodicals €15.00

De vijde Nederlandstalige GLEAN editie.

Bijdrages over Chantal Akerman, Biënnale van Venetië, Eline de Clercq, Samah Hijawi, Laure Prouvost, Anastasia Bay, Wim Delvoye, Riar Rizaldi, Haegue Yang, Nil Yalter, Anna Maria Mariolino.