Drive Your Plow Over the Bones of the Dead

An old woman enters into a fantastical world of dreams and nightmares in this surrealist classic admired by Björk and Luis Buñuel.

Leonora Carrington, painter, playwright, and novelist, was a surrealist trickster par excellence, and The Hearing Trumpet is the witty, celebratory key to her anarchic and allusive body of work. The novel begins in the bourgeois comfort of a residential corner of a Mexican city and ends with a man-made apocalypse that promises to usher in the earth's rebirth. In between we are swept off to a most curious old-age home run by a self-improvement cult and drawn several centuries back in time with a cross-dressing Abbess who is on a quest to restore the Holy Grail to its rightful owner, the Goddess Venus. Guiding us is one of the most unexpected heroines in twentieth-century literature, a nonagenarian vegetarian named Marian Leatherby, who, as Olga Tokarczuk writes in her afterword, is "hard of hearing" but "full of life."

MsHeresies 6 publishes an edited chapter from Caren Beilin’s forthcoming novel Sea, Poison (New Directions, 2025). It is typeset together with reworked material from the archive of the Neapolitan feminist artist collective Le Nemesiache, active between 1969 and 1995.

Cactus erotica. Dykes taking T erotica. Handmade rope erotica. 
Tangentially alien erotica. Clit long like laffy taffy erotica. Death erotica.

In L.A. Warman's anti-sequel to her award-winning debut Whore Foods, two anonymous lovers traverse the vast and lonely desert which has blighted most of the continent. In their possession is the gift of the Vapors, a mystical substance which allows them to transcend death. Yet as they explore the desert realm and each other, they cannot help but wonder if their entwined destiny resides somewhere beyond transcendence.

LA Warman is a poet, performer, and teacher currently based in New York City. Warman is the author of Whore Foods, an erotic novella which recieved a Lambda Literary Award in 2020. She is the founder of Warman School, a non-accredited and body based learning center. The Warman School has taught over 500 students online and in person. She teaches topics such as erotics, death, depression, and god. Pitchfork named her piece ADMSDP one of the top 100 songs of 2020. She has had performance and installation work in shows at MOCA Cleveland, ICA Philadelphia, Time-Based Art Festival, Poetry Project, and Open Engagement. Warman has presented performative poetics research at Brown University, Hamilton College, Reed College, Hampshire College, and others. She is a founding organizer of the Free Ashley Now survivor defense campaign.

"This book is an instant waypoint on my return to the revelation: if nothing else, my tears have a place where they belong—mixed into the dust of others." — Wilmer Wilson IV

In How to Mend: On Motherhood and its Ghosts, Kayfa ta’s 4th monograph, Iman Mersal navigates a long and winding road, from the only surviving picture of the author has with her mother, to a deep search through what memory, photography, dreams and writing, a search of what is lost between the mainstream and more personal representations of motherhood and its struggles. How to mend the gap between the representation and the real, the photograph and its subject, the self and the other, the mother and her child. 

Iman Mersal is an Egyptian poet and associate professor of Arabic Literature and Middle Eastern Studies in the University of Alberta, Canada.

Text: Iman Mersal
Editors: Maha Maamoun and Ala Younis
Translated from Arabic by Robin Moger
Co-publishers: Kayfa ta and Sternberg Press
Design: Julie Peeters
Size: 9.6 x 14.8 cm
Pages: 168 pages, Soft cover

Compiling works from nearly five decades, Headwaters (and Other Short Fictions) provides the first comprehensive overview of the narrative and experimental writing of Lucy R. Lippard. While she is best known for her pioneering work as an art writer and activist, Lippard’s fiction helps frame her broader impact on contemporary culture.

Headwaters anthologizes over fifty short works, many previously unpublished. These often experimental vignettes showcase the range of her literary voice while also challenging our understanding of her oeuvre. Sometimes speculative or fragmented, yet always compelling, these pieces range from short-form narrative stories and conceptual fiction to visual essays and political prose.

Included are excerpts from two never-released novels, as well as collaborations with artists Robert Barry, Sol LeWitt, and Jerry Kearns.

Lucy Lippard is author of thirty books on contemporary art and cultural criticism. She has curated some fifty exhibitions in the United States, Europe, and Latin America.

Edited by Jeff Khonsary

This book is built of stories and provocations—like the birth of a pearl, it transforms that which irritates, layer by layer.

Through speculative fiction and critical essays, Pear Nuallak explores what happens when messy, desiring bodies collide with the hard edge of power. The world’s neat categories are unmade and rewritten, revealing that racial capitalism’s myths are just as much fantasies as Thai bird princesses and transgender magic.

Moving playfully across folktale, horror, satire and critique, Nuallak examines how different beings are formed politically, bodily and emotionally. We discover interdimensional fungi resisting colonisation, queer monsters living on Hampstead Heath, and a mysterious canal running through the ruins of capitalism into interstitial realms. We test the borders of queer diasporic nationalism and take apart the racially melancholic memoir. In this fiery yet delicate collection, we aren’t bound by truth, but flow with it into new worlds.

Pear Nuallak is a visual artist and writer from London. They run community art workshops and co-organise a queer social hub with the Black Cap Community Benefit Society. Their writing has been published in The Dark and Interfictions. Pearls from Their Mouth is their first book.