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Cover of (yet)

Self-Published

(yet)

Elisabeth Molin

€8.00

A collection of short poetry; (yet) is journey through everything in between; transit zones, temporary shelters, weightlessness and virtual spaces.

"I came here with the illusion it could be an island, a place I could retreat to, where I could forget myself and cover all the holes from potential air infiltration. And for a while it was possible to look at the world through a plastic sheet, but it became either suffocating or the plastic was too thin. As if shutting myself off from the world made me want to look at it even more."  

Published August 2020

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Cover of Engagement Arts Zine #1

Self-Published

Engagement Arts Zine #1

Engagement Arts

First edition of the Engagement Arts Zine.

Published May 2019

Cover of Teeth Surrounding a Flower in the Meanings

Self-Published

Teeth Surrounding a Flower in the Meanings

Reinier Vrancken

Poetry €40.00

In ‘Teeth Surrounding a Flower in the Meanings’ a compilation of texts from the critical discourse surrounding his work, written by various authors between 2016 and 2023, serves as source material for a series of erasures.

Through retro- and introspectively reading into the works and the practice at large from poetic angles, these poems investigate the relation between art and its discourse, the words used, and their edges.

Cover of Tot Zines #1

Self-Published

Tot Zines #1

Sarah Mayer

TOT ZINES collaborates with local artists in Antwerp, Belgium. Initiated by Sarah Stone in 2024, who invited digital creator Sarah Mayer to publish her set of paintings zing that she created in 2017. This is the first publication for TOT ZINES, RISO-printed by SO-RI in Antwerp.

Cover of Elizabeth in the Woolds

Self-Published

Elizabeth in the Woolds

Jennifer Brewer

Fiction €22.00

Elizabeth in the Woolds is the product of two superimposed compositional strategies; a thematic aggregate based on notes dating back to 2008 and an epic prose narrative. Elizabeth is the device through which this simultaneous register moves. Screen writing provides a model for multiple voices. In a film script, the narrator can be the camera; there’s a machine at the centre of the story structure which figures a demand for resolution of plot; a contrario, the thematic approach (S, U, N, as electric light) obliterates chronology, and enumerates an atemporal topological figure, or the way the world is built.

(730pp., self-published first edition of 50, Kortrijk, 2021) 

Cover of In Perpetuity

Self-Published

In Perpetuity

Ivey Wawn

Performance €11.00

In Perpetuity is part of Ivey Wawn’s project of the same name. With contributions from those involved in the making of what would have been the live performance, it is an accumulation of thoughts, reflections and associated pieces of work that give some idea of what the work could, would, or may in the future come to be. 

In Perpetuity is an ongoing project that has taken a variety of forms, from publication, through video and into live performance.

Cover of COMFORT 7/32/00

Self-Published

COMFORT 7/32/00

Elisabeth Molin

Poetry €10.00

The title COMFORT 7/32/00 refers to a note I found on the street one day, that became a portal into a state of mind or a particular time, although the time was out of date or imagined, foating in between past, present and future. The book is a journey through this imagined place, where vision oscillates between perception and mechanics, where objects and materials are in permanent state of melting or intersecting.

Published August 2020.

Cover of Fanta For The Ghosts

Self-Published

Fanta For The Ghosts

Elisabeth Molin

fanta for the ghosts by Elisabeth Molin

2021, English
46 pages, 120mm x 210mm
edition of 500

Co-published with OneThousandBooks and Elisabeth Molin

Cover of Love Belongs to Those Who Do the Feeling: New & Selected Poems (1966-2006)

Red Hen Press

Love Belongs to Those Who Do the Feeling: New & Selected Poems (1966-2006)

Judy Grahn

Poetry €22.00

An exciting collection of new and selected poetry by Judy Grahn. The book contains selections from Judy's entire body of poetic work from The Work of a Common Woman, The Queen of Wands and The Queen of Swords, to new poems written between 1997 and 2008.

Judy's poetry is rangy and provocative. It has been written at the heart of so many of the important social movements of the last forty years that the proper word is foundational.