Skip to main content
rile*books

Search books

Search books by title, author, publisher, keywords...

Cover of Mourn Baby Mourn

Maison Trouble

Mourn Baby Mourn

Katerina Andreou

€12.00

Mourn Baby Mourn explore la question du deuil et de la lamentation, tant intime que collective, à travers les états qu’ils génèrent. En trois actes pulsatoires, l’autrice pose les mots, massifs comme des parpaings ou les expulse, offensifs et spontanés tels des projectiles. Ce monologue parcourt les désordres émotionnels caractéristiques des temps contemporains, marqués par la nostalgie de futurs perdus. Dans ce texte-vortex hanté par les imaginaires et les visions discordantes d’un devenir collectif, l’écriture de soi est une existence agissante, et une résistance. 

Le texte est issu de la pièce chorégraphique éponyme de Katerina Andreou créée en 2022.

Conception graphique : Angeline Ostinelli

Édité avec le soutien de BARK, du CCN-Caen en Normandie dans le cadre du dispositif artiste associé et de Charleroi Danse.

recommendations

Cover of Un Rectangle Quelconque n°5

Les éditions du quelconque

Un Rectangle Quelconque n°5

Tomas Sidoli, Emmanuel Régniez and 1 more

Avec les poèmes et traductions de: Warsan Shire, Sika Fakambi, Anne-Claire Hello, Aurore Dal Mas, Connie Scozzaro, Chloe Chignell, Camille Fresnois, Simon Asencio, Marie De Quatrebarbes.

Aves les images de Aurore Dal Mas.

Édition: Thomas Le Goff, Emmanuel Régniez, Tomas Sidoli.

Les éditions du quelconque se divisent en deux projets, une maison d'édition (à venir) et une revue, Un Rectangle Quelconque. Cette dernière, chaque semestre, propose de découvrir des auteurs de poésie venant de tous horizons géographiques et esthétiques. La maison d'édition, elle, sera l'occasion de présenter aux lecteurs francophones des nouvelles voix de la poésie actuelle.

Cover of David Robilliard Notebooks 1983-1988

Rob Tufnell

David Robilliard Notebooks 1983-1988

David Robilliard

Poetry €32.00

This book follows the first exhibition of Robilliard’s notebooks, ‘Disorganised Writings and Sketches’ with Rob Tufnell in Cologne in April 2019. It was made with support from the Elephant Trust and the book’s designers, A Practice for Everyday Life and with assistance from James Birch, one of David’s gallerists, and Chris Hall, custodian of the estate of Andrew Heard. The book is dedicated to Andrew Heard.

Rob Tufnell presents a new publication of extracts from the notebooks of the poet and artist David Robilliard (b.1952 – d.1988). After his premature death from an AIDS-related illness in 1988, Robilliard left a large number of notebooks in the care of his close friend and fellow artist Andrew Heard. These were obsessively filled with drafts of poems, diary entries, addresses and telephone numbers, blunt observations, quiet reflections, short stories, ideas for paintings, portraits and crude drawings. Robilliard’s superficially simple, pithy prose and verse is riddled with the dichotomies of an era that was both exuberant and miserable. His notebooks reveal his creative process, his interests, ideas, ambitions and then his illness but always embody his often repeated belief that ‘Life’s not good it’s excellent.’ 

Many of the books contain the inscription: ‘If found please return to 12 Fournier Street, London E1. Thank you’ – the home and studio of his patrons, Gilbert & George. In their lament ‘Our David’ (1990) they describe their protégé as: 

“...the sweetest, kindest, most infuriating, artistic, foul-mouthed, witty, sexy, charming, handsome, thoughtful, unhappy, loving and friendly person we ever met... Starting with pockets filled with disorganised writings and sketches, he went on to produce highly original poetry, drawings and paintings.”

The publication exists in two editions: yellow and pink.

Cover of Cough Drop Circus

Self-Published

Cough Drop Circus

Josheph Dunkerley, Holly Miles

Zines €5.00

This collection of 20 poems by young poets Holly Miles and Joseph Dunkerley sheds a glimpse into the bizarre journey of two isolated souls in a time of global crisis. Read along in this 24 page zine as they chart their unique perspectives of the worldwide COVID-19 pandemic!

Cover of The Mirror of Simple Souls

Winter Editions

The Mirror of Simple Souls

Leah Flax Barber

Poetry €20.00

In her first book of poems, Leah Flax Barber revives an actress figure of the commedia dell'arte to consider her own destiny as a soon-to-be historical subject. Taking its title from Marguerite Porete's fourteenth-century Beguine classic, The Mirror of Simple Souls embodies the metaphysical thorniness of the book-as-object through sources as wide-ranging as Renaissance theater, Low German and Old French mystical texts, Kate Bush lyrics, and the melancholy dialectics of Walter Benjamin. In Flax Barber's stark, brutally compressed poems, the performance of writing is charged with the eros and anxiety of coming after: "Will it all be destroyed? / Definitely / I will hear it on my radio / In the 22nd century."

The Mirror of Simple Souls, a series of repeated beginnings and endings, is a form of speech act which, through a Freudian Durcharbeiten, or working through, brings about a new beginning. And, in its movement from this Freudian "working through" to a Hegelian Aufhebung, lets us begin, again, at the beginning, at the end. —CYNTHIA CRUZ

The spare poems of The Mirror of Simple Souls evoke and then draw back into shimmer. Herein, a performance that suffuses the horizon with beautiful absurdity: a shirt sewn with mirrors that reflect a strange and evanescing world-at-large, “an I where the nay was.” Drawing from film, mystical texts, commedia dell'arte, the reader finds that there “is paraphernalia of life / all over.” This paraphernalia is a kind of “segue music” for the endlessly indeterminate. The old adage claims that we can’t step into the same river twice, but Leah Flax Barber creates an evocative, provocative current through which each step is at once past, present, and future. —ELIZABETH ROBINSON

Leah Flax Barber is a daring and brilliant new poet. Her voice is restless and coiled and sprung as we discover "The demonic finalist / Of material culture / Is love / There is paraphernalia of life / All over / A woman.” There is also a take-no-prisoners attitude throughout this startling and powerful book. These poems are vital and necessary and perform “The wounded chance / To think in public.” This book will move you, scare you, and blow you away. —PETER GIZZI

Leah Flax Barber's first book reads like a journey, a kind of anabasis, passing back through the myth and history which are its own antecedents. It manifests, in the encounter, a saturnalian world: ludic, dark and sensuous, strange and vibrant with thought. I was delighted to travel with it. —CLAIRE DeVOOGD

Cover of Firestar

Rotolux Press

Firestar

AD Rose

Poetry €18.00

«Avec Firestar, AD Rose tire une balle dans les jambes de celleux qui regardent leurs pieds» *

Une écriture dont le style évoque le rap, avec ses rimes, sa part de violence, de néologismes et d’égotrip, outil de lutte contre les injustices et l’ordre établi, celui de la langue comme celui de l’inceste. AD a 22 ans lorsqu’il quitte sa famille, écrit Firestar et nous accorde sa confiance pour le publier. Un travail testimonial rare sur les violences intra-familiales à la racine des systèmes de domination, un attentat poétique pour ne pas oublier.Lorsqu’en 2021 sa mémoire traumatique se réveille, AD Rose tente d'obtenir réparation auprès de ses parents, coupables de l'avoir incestué. Face au mur d’omerta auquel il se heurte, il trouve pouvoir dans l’écriture. Comme un réflexe de survie pour crier, sans demander la permission, libéré de la honte et des secrets. Un mouvement sans concession pour reprendre sa vie.

* Le texte est accompagné d’une préface de Victoria Xardel.

AD Rose est un poète français né en 1999. Il grandit dans le Tarn et le Tarn-et-Garonne, entre Vénès et Loze.

Victoria Xardel est une poète française née en 1987. Elle grandit en Alsace-Lorraine, entre Metz et Strasbourg.