Monsieur Dubois, dont on fait les flûtes

This publication is a collection of poems written through a method called Transtexting. Transtexting explores the body’s implication in poetic production positioning the body and its movement as a listening aid, acting as a filter; a net capturing words, syntax and sounds.

chop is a collection of poems that center on the life and work of proto-feminist and civil rights activist, Fannie Lou Hamer.

A Mississippi native, Treasure Shields Redmond is a poet, speaker, diversity and inclusion coach, and social justice educator. In 2016 she founded her company, Feminine Pronoun Consultants, LLC. Even though Treasure is completing a PhD in English Literature and Criticism, is a published writer, gifted veteran educator, and has spoken on stages all over the U.S. and in Europe, she uses her humble beginnings in the federal housing projects in Meridian, Mississippi to fuel her passion for helping college-bound families navigate college admissions painlessly and pro tably, and o ering perceptive leaders creative diversity and inclusion facilitation. Additional information on her poetry, writing, and multidimensional practice are available at: www.FemininePronoun.com.

Edition of drawings, paintings and scans by Sophia Hamdouch, wrapped in a vinyl sleeve.

(...) There is no one on the chair, there is no hand on the table, perhaps nobody on the floor. The set up is empty, but some kind of unsettling presence is undeniable. The set up is so obviously fake that there must be something behind it. I am not going to lie: I am going to lie.
If I lie, there is a deliberated stand. I don't have to be "true", to myself, to others. My intention is not to find lying moving, but those who can never lie cannot grow either, cannot discover who they really are. The people, that every day are forced to rip off their personality into fragments, know something about themselves and about life that nobody could teach them. Lying, betraying, is to want to or be able to transform a situation, a fact, an emotion, oneself. The act of lying suddenly un-conceals what has been considered as neutral or as the reference point. The power relations already in place are being revealed, "normality" appears as hegemony. The lie embodies a transgression. It is an attempt to escape normative structures and the refusal to assimilate them. (...)

Includes contributions by Christian Noelle Charles, Andrej Dubravsky, Sandra Golubjevaite, Lewis Hammond, Tarek Lakhrissi, Nils Amadeus Lange, Floriane Michel, Stijn Pommée, Adam Ulbert

Chilli is one of the most popular food ingredients in contemporary China, and symbolic of modernisation. More Than Chilli goes beyond its trendy façade to explore Chongqing, known for its tradition of spicy food. From the perspective as a local, Rossy Liu reflects on her own personal memories associated with chilli. A combination of fragmented scenes, objects, dialogues, movements and sounds are drawn on to unravel the locality of culinary identity. While chilli has become a ubiquitous flavour in today's global society, the book emphasises the hidden intimacy that still exists between Chongqing locals and their unfiltered connection to chilli.

How to Sleep Faster is published as part of the collaborative discussion that form the critical direction of the gallery. and sits alongside the first two exhibitions – Sleep Faster (February), and How to Carve Totem Poles (March). It has been put together as an open ended continuation of this dialogue through which we seek to understand the contradictions / complexities that define and form our experience, existence and participation in a contemporary digital-analogue creative environment.

Arcadia Missa Publications; Rozsa Farkas, Tom Clark, Jammie Nicholas, Laura Farley (eds).

247. Sahar Muradi: A Garden Beyond My Hand
246. Diana Khoi Nguyen: Unless
245. Pamela Sneed: from Black Panther
244. Gail Scott: from Furniture Music
243. Ru (Nina) Puro: I Give You a Feeling, Sweet Jasmine, an Absence
242. Raquel Gutiérrez: There’s a Mother in my Lazy Pompadour

241. Laura Buccieri: Songbook for a Boy Inside
240. K. Lorraine Graham: from Feed
239. Marta López-Luaces: Reminiscences of Echoes
238. Montana Ray: Mirroring
237. Yumi Dineen Shiroma: A Novel Depicting “The” “Asian” “American” “Experience”
236. Anaïs Duplan: 9 Poems/The Lovers
235. Serena J. Fox: Night Landing
234. Orchid Tierney: Blue Doors
233. Aditi Machado: This Touch
232. Iman Mersal: الصوت في غير مكانه (The Displaced Voice); translated by Lisa White
231. Abdellah Taïa: 99 Names
230. Javier Zamora: Revising into the Right? Form…Hopefully?
229. Aracelis Girmay: MOTHER MOTHER YOU ARE WHO I LOVE
228. Christina Barreiro, Lindsey Hoover, Fatima Lundy, Rupert McCranor, Kayla Park, Chrissy Ramkarran, Asiya Wadud, Rachael Guynn Wilson: Out-Of-Office
227. Baseera Khan: Be Careful What You Wish
226. Maryam Monalisa Gharavi: Alphabet of an Unknown City
225. Göksu Kunak: I thought this would