How to become a soft corpse recomposed in light fabric ou comment laisser les cadavres saigner de la porte du placard, comment anti-citer comme la reine de chicane les yeux couverts de cuir, comment s’écrit Madame X, comment s’échoïser dans le trou noir de l’identité – qui PARLE quand on parle?
How To Become est une maison d'édition autogérée basée à Paris. Nous publions les textes d'auteuces engagés dans des pratiques féministes et peu diffusés par le réseau des grandes maisons d'édition françaises.
Créée en 2016, elle est composée d'artistes et écrivaires en majorité gouines, HTB publie de la litterature expérimentale née d'influences post-post- sapphiques ainsi qu'un choix de tradu d'auteuices non traduites en langue française. HTB s'articule autour d'ateliers d'écriture: How to Become a Lesbian, et d'une revue annuelle publiant les choses issues de l'atelier.
Le Chauffage (french for “The Heater”) is an artist-run publication based in Brussels. It is conceived as a cross-continental, community oriented platform. Bringing together the work and writing of artists / friends from different cities, Le Chauffage intends to spark discussions and fuel casual forms of critical discourse.
Do we always have to be nice, kind and communicate respectfully? Wouldn't it sometimes be better to change our tone, to use force or even violence? We often want to act in a spirit of “care” and benevolence, but how do we know if we're really being altruistic and sympathetic? Vol.5 asks the question: Nice?
With contributions from :
Muf architecture/art, Mélanie Mazet, Bui Quy Son, Paul-Antoine Lucas, Armelle Breuil, Annabelle Vaillant, Napsugár Trömböczky, Alessandro Di Egidio,
Elsa Muller, Clara Lenoir, Léo Jacqmin, Clem Koren, Pola Noury, Grève cœur and Cassiane C. Pfund
This publication is edited by the Woman Cave collective founded by Leticia Chanliau and Chloé Macary-Carney.
318 black & white pages, brown cover
Micro edition of 700, printed in Aubervilliers by Isiprint.
Guest Editor: Collectif Picha, Lumbumbashi Biennale, City Report Athens, Andrei Molodkin, Maryam Najd, Andrien Lucca, Valérie Mannaerts, Kendell Geers, Gabi Ngcobo, Maja Daniels, Zhang Yunyao, Wim Delvoye, Larissa Sansour, Dome Wood
Dolce Stil Criollo’s fifth issue, "Extraordinarily Apotropaic," aims to rethink reality in its current ordinary form by discovering and creating charms and rituals for changing it into one where there is less harm. The issue features poems in multiple languages; a map of dreams; a video game-turned-manga; a section that functions as a kineograph; a collaboration with the Huni Kuin people; and more. We also curated a collective project, “Cinema of Hope,” which brings together 11 moving image artists in search of the apotropaic moment, caught on film.
The cover of our fifth issue features one of five “santinho” inserts. Designed like prayer cards, they contain a collaged portrait of a musical artist (Pivaratu, Pivete Nobre, Iya, Swatch, Devil Gremory) on the recto and the rap lyrics they wrote in response to our theme on the verso.
Contributors include Andrés-Monzón Aguirre, Aykan Safoğlu, Azul Caballero Adams, Belinda Zhawi, Daniel Machado, Daniel Moura, Devil Gremory, Enorê, Esvin Alarcón Lam, Gabriel Massan, Hick Duarte, Itamar Alves, Iya, Jennifer Pérez, Jesse Cohen, Johan Mijail, Juan Pablo Villegas, Kasra Jallilipour, Kent Chan, Keratuma (Mileidy Domicó), Laura Huertas Millán, Lucía Melií, Lucía Reissig & Bernardo Zabalaga, Maria Thereza Alves, Masha Godovannaya, Mayada Ibrahim, Najlaa Eltom, NIna Djekić, Ophelia S. Chan, Pivaratu, Pivete Nobre, Ricardo Pinheiro (Ganso), Roberto Tejada, Sofía Córdova, Sofía Gallisá Muriente, Swatch, Thales Pessoa, and Thiago Martins de Melo.
Languages: Spanish, Portuguese, English, Japanese and Arabic
Jonas J. Magnusson, Cecilia Grönberg and 1 more
Aeron Bergman and Alejandra Salinas, co-editors at INCA Press (along with Irena Borić), are the guest-editors of this issue of OEI: it contains essays, artworks, and archival materials by 21 artists, theorists, writers, and artist-run spaces (mostly from the Americas).
The subject of the issue is art and neoliberalism, and it encompasses essays, images and other works by Dorothée Dupuis, Max Jorge Hindered Cruz, Luciano Concheiro, Yvonne Osei, Diego Bruno, John Riepenhoff, Suhail Malik, Good Weather, The Luminary, Bikini Wax, Beta-Local and more.