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Cover of Hack 'N' Slash

La Mousse Éditions

Hack 'N' Slash

Kamil Bouzoubaa-Grivel

€25.00

Kamil Bouzoubaa-Grivel réalise au printemps 2020 la série de dessins Hack’n’slash.

Ces collages sont faits à partir d’aplats de couleur autocollants Letrafilm Color/Tint Overlay, que l’on pourrait traduire par Couleur/Teinte Superposition, permettant ainsi de nommer l’importance des jeux de profondeur qui s’y trouvent. 

L’artiste se calque là-dessus et joue alors avec la confrontation entre le hack: détournement et réemploi d’outils techniques (trames numériques, encres d’imprimante, dessin manuel) – et le slash: le fait de trancher/juxtaposer les formes venant de différentes dimensions pour composer ses dessins.

Chaque édition a une couverture unique sérigraphiée sur du papier Pantone Letraset par l’Atelier PPP et un texte critique-fiction de Mia Brion.

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Cover of Solidaires!!!

La Mousse Éditions

Solidaires!!!

Anaïs Enjalbert

Solidaires est un syndicat de lutte et de transformation sociale qui défend les travailleuses et travailleurs de France.

Cet ouvrage réunit une sélection de plus de 70 visuels créés par la graphiste Anaïs Enjalbert et des militant·e·s pour l'Union syndicale Solidaires.
Ce livre est une archive sélective de visuels dont les slogans accompagnent des valeurs et des pratiques émancipatrices allant du féminisme à l’antiracisme, de l’internationalisme à l’anti fascisme, de la lutte contre les lgbtphobies à celle contre le validisme. Ils soutiennent la lutte contre le capitalisme et pour les services publics.

Format 14 x 19,5 cm
Conception graphique: Magali Brueder

Cover of Working Through Objects

Bricks from the Kiln

Working Through Objects

Susan Hiller

The text by Hiller navigates the boundaries between art, anthropology and psychoanalysis in relation to her installation at the Freud Museum in 1994 titled At the Freud Museum. Accompanying images included throughout from Book Works UK archive, the commissioner of the artwork and talks that this text is edited from.

Cover of The Premise of a Better Life

After 8 Books

The Premise of a Better Life

Sam Pulitzer

An artist's book by New York-based author and artist Sam Pulitzer (born 1984), The Premise of a Better Life combines photographs with ethical and existential questions addressed to the viewer, in an allegory of the contemporary condition. These photographs of everyday things, ambiguous details, nondescript landscapes and cityscapes were mostly taken in New York, although the city appears as the pale reflection of a model city.

Each picture is accompanied by a question: "Can you afford yourself?" "Are you waiting for a moment that just won't come?" "If you knew then what you know now, would it make a difference?" "Do you trust happiness?" The montages offer a complex, personal, at times satirical image of the present age.

An original essay by Pulitzer unfolds the project's philosophical and political issues, notably discussing a key reference for the project, Ernst Bloch's The Principle of Hope.

Cover of DRINK DEEPLY AND DREAM

Killer Dentist

DRINK DEEPLY AND DREAM

Elspeth Walker

Drink Deeply and Dream by Elspeth Walker is an ethereal, offbeat short story about wannabe vampires with a Marxist bent and their search for salvation from capitalism via eternal bloodlust.

Paperback, Staple Bound and Offset Printed

Cover of Sketchbook 1-10

Birthday, Felony & Fuss

Sketchbook 1-10

Antoinette d’Ansembourg

“Sketchbook 1-10” with Antoinette d’Ansembourg bundles a complete collection of pocket sketches created between 2020 and 2023, stretched across ten different notebooks. These sketches, despite their two-dimensionality, form the mainstay of her sculptural output, offering a glimpse into the intimate process behind her stately installations.

Cover of Aftershow

Sternberg Press

Aftershow

Pauline Boudry/ Renate Lorenz

A monograph / artists' book that engages with the recent film installations of Pauline Boudry / Renate Lorenz. Installation shots, research material, scripts, and film stills give an insight into the artists' investigation of performance in film and their dense net of references to experimental film, the history of photography, sound, and underground (drag) performances.

The book's title alludes to an interest in opaque events that are belated, left backstage or off-screen. A number of (fictitious) letters to friends and collaborators such as Sharon Hayes, Yvonne Rainer, Ginger Brooks-Takahashi, and Jack Smith place the work of Boudry & Lorenz in a context of debates around temporalities, activism, the archival, decolonizing practices, and queer histories. Published following the exhibition “Patriarchal Poetry” at the Badischer Kunstverein, September 27– November 24, 2013.