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Cover of What Should We Do with Our Brain?

Fordham University Press

What Should We Do with Our Brain?

Catherine Malabou

€26.00

Recent neuroscience, in replacing the old model of the brain as a single centralized source of control, has emphasized “plasticity,” the quality by which our brains develop and change throughout the course of our lives. Our brains exist as historical products, developing in interaction with themselves and with their surroundings.

Hence there is a thin line between the organization of the nervous system and the political and social organization that both conditions and is conditioned by human experience. Looking carefully at contemporary neuroscience, it is hard not to notice that the new way of talking about the brain mirrors the management discourse of the neo-liberal capitalist world in which we now live, with its talk of decentralization, networks, and flexibility. Consciously or unconsciously, science cannot but echo the world in which it takes place.

In the neo-liberal world, “plasticity” can be equated with “flexibility”—a term that has become a buzzword in economics and management theory. The plastic brain would thus represent just another style of power, which, although less centralized, is still a means of control.

In this book, Catherine Malabou develops a second, more radical meaning for plasticity. Not only does plasticity allow our brains to adapt to existing circumstances, it opens a margin of freedom to intervene, to change those very circumstances. Such an understanding opens up a newly transformative aspect of the neurosciences.

In insisting on this proximity between the neurosciences and the social sciences, Malabou applies to the brain Marx’s well-known phrase about history: people make their own brains, but they do not know it. This book is a summons to such knowledge.

Published in 2008 ┊ 120 pages ┊ Language: English

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Cover of Stop Thief!: Anarchism and Philosophy

Polity Press

Stop Thief!: Anarchism and Philosophy

Catherine Malabou

Philosophy €28.00

Many contemporary philosophers – including Michel Foucault, Jacques Derrida, and Giorgio Agamben – ascribe an ethical or political value to anarchy, but none ever called themselves an “anarchist.” It is as if anarchism were unmentionable and had to be concealed, even though its critique of domination and of government is poached by the philosophers.

Stop Thief! calls out the plundering of anarchism by philosophy. It’s a call that is all the more resonant today as the planetary demand for an alternative political realm raises a deafening cry. It also alerts us to a new philosophical awakening. Catherine Malabou proposes to answer the cry by re-elaborating a concept of anarchy articulated around a notion of the “non-governable” far beyond an inciting of disobedience or common critiques of capitalism. Anarchism is the only way out, the only pathway that allows us to question the legitimacy of political domination and thereby wfree up the confidence that we need if we are to survive.

Cover of Conspiratorial Design. Information design for the bigger picture

Set Margins'

Conspiratorial Design. Information design for the bigger picture

Carlo Bramanti

This book deals with Design and Conspiracy Theories, two things that are often thought of as opposites. Design is generally perceived as something that simplifies and targets the essence of things; something that should say the Truth. Conspiracy theories instead are far-fetched and create confusion. Design is expected to be able to bypass false rhetorics because its very premise is to deal with how things work in reality. However, what is argued in this book is that design and conspiracy theories mirror each other. They act with similar goals and they adopt comparable representations. They intersect in their practices and in their artifacts because they share a common ground at their fundaments. This common ground is Conspiratorial Design.

Cover of Rage Assassine: Mettre Fin au Racisme

Éditions Divergences

Rage Assassine: Mettre Fin au Racisme

bell hooks

Avant que Black Lives Matter et #MeToo ne viennent secouer l’Amérique et le monde occidental, bell hooks montrait, dans cet essai incisif, que l’abolition du racisme et l’éradication du sexisme vont de pair. Sans le féminisme, la lutte antiraciste reste une affaire d’hommes. Sans l’antiracisme, le féminisme s’expose à servir de courroie aux logiques de domination raciale. L'autrice insiste sur le bien-fondé de la rage qui anime les masses populaires et la jeunesse noire et sur la nécessité d’en faire un moteur de changement social radical. Elle propose une théorie et une pratique révolutionnaires, dont la fin est une communauté solidaire fondée sur l’égalité réelle et la volonté de tou.te.s de travailler au changement.

Traduit de l'anglais par Ségolène Guinard.

GLORIA JEAN WATKINS, connue sous son nom de plume BELL HOOKS, née en 1952, est une intellectuelle, féministe, et militante étasunienne. Elle a publié plus de trente livres et de nombreux articles, et est apparue dans plusieurs films documentaires. Traduits dans de nombreuses langues, ses ouvrages sont considérés parmi les plus importants sur la question aux Etats-Unis et suscitent un réel engouement en France depuis quelques années. Les éditions divergences ont déjà traduit et publié trois de ses ouvrages dont La volonté de changer et A propos d'amour.

Cover of Let Them Rot

Divided Publishing

Let Them Rot

Alenka Zupančič

What is the relation between family misfortune and desire? Why must we bury the dead? What is to come for those unburied? How to distinguish the endless stream of graphic violence from violence that goes straight to the bone? How does language make up not only the law, but also unwritten laws?

In Let Them Rot Alenka Zupančič takes up the ancient figure of Antigone and finds a blueprint for the politics of desire. Not desire as consumption, enjoying what is offered, but desire’s oblivion to what came before. Such politics says: “No, this world must end and I will be the embodiment of that end.” This is not self-satisfied destruction for destruction’s sake; it is existence with consequences beyond the predictable. Zupančič asks: “Why desire?” And this question of desire, which may be the only question, takes the form of a no that is also an “I".

"Zupančič’s ideas are fresh, as if they hailed from some open air beyond the clutter of current theoretical quarrels. This brilliant account of Sophocles’s Antigone breaks new ground for philosophy, psychoanalysis, and political and feminist theory." — Joan Copjec, Brown University

"Writing my book on Antigone, I thought: “There we go, the subject is closed—let’s go to sleep.” And then along came Zupančič with her take and compelled me to rethink everything I did. In other words—and this is difficult for me to say—she is better than me here." — Slavoj Žižek

Alenka Zupančič is a Slovenian philosopher and social theorist. She is a professor of philosophy and psychoanalysis at the European Graduate School and a researcher at the Institute of Philosophy at the Slovene Academy of Sciences and Arts. She is the author of many books, including What Is Sex? (MIT Press, 2017), The Odd One In: On Comedy(MIT Press, 2008), and Ethics of the Real: Kant and Lacan (Verso, 2000).

Cover of In Pursuit of Revolutionary Love: Precarity, Power, Communities

Divided Publishing

In Pursuit of Revolutionary Love: Precarity, Power, Communities

Joy James

Violence is arrayed against us because we’re Black, or female, or queer, or undocumented. There is no rescue team coming for us. With that knowledge, we need a different operational base to recreate the world. It is not going to be a celebrity savior. Never was, never will be. If you’re in a religious tradition that is millennia-old, consider how the last savior went out. It was always going to be bloody. It was always going to be traumatic. But there’s a beauty to facing the reality of our lives. Not our lives as they’re broken apart, written about, and then sold back to us in academic or celebrity discourse. But our lives as we understand them. The most important thing is showing up. Showing up and learning how to live by and with others, learning how to reinvent ourselves in this increasing wasteland. That’s the good life.

Foreword by Da’Shaun L. Harrison.
Afterword by Mumia Abu-Jamal.

"Joy James’s Revolutionary Love is umph-degree love; or love beyond measure. It is anything love. It is love without reckoning. It is love that dares all things, beyond which others may find the spirit-force to survive; to live to fight another day. Such love is also fighting itself, for the sake of ensuring that others may live." — Mumia Abu-Jamal

Cover of Joyful Militancy

AK Press

Joyful Militancy

Nick Montgomery, Carla Bergman

"Absolutely what we need in these days of spreading gloom. A very well argued case for joyful militancy, and against the dead hand of puritanical revolution. Read it, live it!” — John Holloway, author of Crack Capitalism

Why do radical movements and spaces sometimes feel laden with fear, anxiety, suspicion, self-righteousness, and competition? Montgomery and bergman call this phenomenon rigid radicalism: congealed and toxic ways of relating that have seeped into social movements, posing as the “correct” way of being radical. In conversation with organizers and intellectuals from a wide variety of political currents, the authors explore how rigid radicalism smuggles itself into radical spaces, and how it is being undone.

Interviewees include Silvia Federici, adrienne maree brown, Marina Sitrin, Gustavo Esteva, Leanne Betasamosake Simpson, Walidah Imarisha, Margaret Killjoy, Glen Coulthard, Richard Day, and more.