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Cover of The Against Nature Journal #3

Council

The Against Nature Journal #3

Aimar Arriola ed. , Grégory Castéra ed.

€15.00

This third issue reviews the many ways in which medicine has pathologized non-procreative sexual desire— those bodies that challenge gender binaries or expose different abilities—while imagining other ways of collectively well-being.

"The issue opens with a commissioned work by visual artists CANDICE LIN and P. STAFF that evokes the central concerns of the journal in subtle and unexpected ways. Lambda Literary Award–winner INDRAPRAMIT DAS speculates on other forms of kinship in a new science-fiction story, while a transnational questionnaire offers insights into the continuous fight for reproductive justice.

We republish a chapter from the autobiography of the late South African, trans, traditional healer NKUNZI ZANDILE NKABINDE, which is introduced by RUTH MORGAN.

We continue to honor the power of poetry with works by ROSA CHÁVEZ and STELLA NYANZI, while celebrating the energy of collective action with a piece by WHAT WOULD AN HIV DOULA DO? In anticipation to his new book on queer desire in the Caribbean, scholar ANDIL GOSINE shares a previous article addressing the notion of “against nature,” while our Columns section brings news from Brazil, India, Kenya, Lebanon, Malaysia, Morocco, and the UK during a season of pandemic fatigue, but also care work, organization, and hope." — the editors

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Cover of Saborami

Chain Links

Saborami

Cecilia Vicuña

Poetry €25.00

First published in 1973, two months after the military coup in Chile, Cecilia Vicuña's SABORAMI is a document of the times and the way in which history can change art. It is filled with the urgent hope that art, too, can change history. Put together when Vicuña was just twenty-five years old, the poems, paintings, and objects of SABORAMI enact a complex and multidimensional conversation. The meanings of the works (which were created over a seven year period) shifted radically after the events of September 11, 1973. Their meanings continue to shift and resonate in light of political events today. This recreation of the original SABORAMI is published with a new afterword Vicuña wrote especially for this edition.

Cecilia Vicuña is a poet, visual artist, and filmmaker born in Santiago de Chile. The author of twenty books of poetry, she exhibits and performs widely in Europe, Latin America, and the United States. Her multidimensional works begin as a poem, an image or a line that morphs into a film, a song, a sculpture or a collective performance.

Cover of Gut Feelings – Melodies and Aromas

DUUU

Gut Feelings – Melodies and Aromas

Louise Siffert

With the vinyl recording of a musical, the artist proposes a new chapter in her project on fermentation as a living, palpable theory that blends body, feminism, and community.

Gut Feelings is a musical sung and performed by giant bacteria. It is a reference to lesbian separatist communities and more specifically to their capacity to create other forms and ways of life, outside of unliveable norms. The motif of fermentation here becomes a metaphor for the activity of a micro-organic and ungendered community, both human and non-human, alive, moving and changing form. In the manner of fermentation, this community in constant activity evolves autonomously, feeding itself and the space around it.

Louise Siffert (born 1988 in Strasbourg, lives and works in Paris) is a French performer. The world of work, alienation, the search for well-being, the place of habits: Louise Siffert's performances question and relate these current themes in theatrical and burlesque settings. Anchoring her work in scientific and sociological reflections, she creates characters with exacerbated personalities, overexploiting the codes of language and behavior that are attributed to them.

Cover of Responses to Untitled (eye with comet) By Paul Thek

Pilot Press

Responses to Untitled (eye with comet) By Paul Thek

Richard Porter

Poetry €19.00

Responses to Untitled (eye with comet) (c.1985) by Paul Thek is the sixth and final anthology in a series that gathered responses to works of art made during a period of the ongoing AIDS Crisis, from the identification of the virus in 1981 to the introduction of life-saving drugs in 1996.  

In this sixth iteration, responses were sought to the painting Untitled (eye with comet) by Paul Thek. The work was found in his storage after his death from AIDS in 1988. 

List of contributors in order of appearance:

E.R. De Siqueira
Ben Estes
João Motta Guedes
Lucy Swan
Jon Rainford
Louis Shankar
Amy Evans Bauer
Hattie Morrison
Sammy Paloma
AN Grace
James Horton
Nick Wood
Sophie Paul
Jae Vail
Elizabeth Zvonar
Lars Meijer
Clay AD
Michel Kessler
Pablo Miguel Martínez
Emma Harris
Dylan McNulty-Holmes
Kitya Mark
Katherine Franco
Ainslie Templeton
Alistair McCartney
John Brooks
Jesse Howarth
jimmy cooper
Felix Pilgrim
Nicholas Chittenden Morgan
Murphy O’Neir
Rachel Cattle
Isabel Nolan
Susan Finlay
Ted Simonds
Brooke Palmieri
Kate Morgan
Ashleigh A. Allen
Diogo Gama
JP Seabright
Hugo Hagger
Amanda Kraley
Brendan Cook
Matt Bailey
Charlotte Flint
Rodney Schreiner
Lucy Price
Morgan Melhuish
Jordan Weitzman
Jaakko Pallasvuo
Alex Fiorentino
Harald Smart
Marguerite Carson
loll jung
Richard Porter
Nicholas Kalinoski
Hedi El Kholti
Edmund Francis English
Ted Bonin

Cover of Beauty Kit

a.pass

Beauty Kit

Isabel Burr Raty

Ecology €12.00

BEAUTY KIT – AN ECO-EROGENOUS ART PROJECT by Isabel Burr Raty with contributions by Kristin Rogghe, Elke Van Campenhout, Gosie Vervloessem, Pablo Diartinez and Tim Vets, is an experimental catalog summarizing Isabel Burr Raty’s research on conceptualizing and manufacturing eco-erogenous para-pharmaceutical products. It tells the story of the BKFF, a mobile farm where she and other females harvest their orgasmic juices to produce beauty bio-products, used for treatments in the BK Spa, critically discussed in the BK Focus Group and moving forward into becoming a village, where every-body harvests each other. The catalog comes with contributing text, “Harvesting bodies – The Farm as Paradox” by Elle/Elke Van Campenhout, and other reflections on the project.

Isabel Burr Raty is a Belgian-Chilean artist, filmmaker, and Media Art History teacher in ERG (École de Recherche Graphique), living between Brussels and Amsterdam. She is currently developing her second feature film, about the colonial impact on Easter Island, and creating live art and new media installations that queer production understandings, such as the Beauty Kit Project. Her works have been shown internationally.

Cover of La Société n'existe pas: Images de la guerre civile sous Margaret Thatcher

Même pas l'hiver

La Société n'existe pas: Images de la guerre civile sous Margaret Thatcher

Maxime Boidy

Essays €9.00

« La société n’existe pas » : la formule de l’ancienne Première ministre britannique Margaret Thatcher est restée célèbre. On connaît moins ses ramifications en images, de la guerre civile anglaise du XVIIe siècle jusqu’à l’art contemporain en passant par la culture populaire en Grande-Bretagne. De photographies en affiches, de manuscrits en frontispices, ce livre traverse l’histoire pour cerner les échos visuels du thatchérisme. Son point de départ est une pièce de l’artiste Jeremy Deller : la reconstitution d’une bataille ouvrière entre mineurs grévistes et policiers survenue en 1984. Maxime Boidy en extrait une série de scènes qui sont autant d’infléchissements de l’idée de « corps politique ». Ce faisant, il dessine la discrète et brûlante actualité de ces formes symboliques, à l’heure de la guerre civile qu’a imposé le thatchérisme globalisé.

Maxime Boidy est enseignant-chercheur en études visuelles. Il s’intéresse principalement à l’histoire des savoirs de l’image et à l’iconographie politique sous toutes ses formes.