Errare

This publication is presented as an object-book-manifesto of a ‘desespiegles’ way of thinking. It “translates” the trains of thought that architect-artists Anne Philippe and Jolien Naeyaert exchanged via videoletters. The videoletters mainly occurred during the covid period. Questioning the scope of the addressed images, these exchanges revealed a play of symmetries. It shows a series of interrogations, linking the intimate with the collective. The move towards a publication was obvious after conversations with Loes, Phyllis, An and Teresa of nadine. The desire to activate reading in a performative way, mirrors the exchange of videoletters. It continues the process-based methodology that inventively gave birth to a publication through the physical manipulation of the work. The riso-technique proved particularly suitable for this project, as the hands, the gaze and the exchange all played a role during the object-making process.

Dannie.n is an art-zine, published by nadine, about the artistic research, themes, and topics of discussion of the artists involved in nadine. nadine invites an artist or collective to create each new edition.

Dannie.p is a limited-edition artist's book by desespiegles (57 copies). nadine is supported by Vlaamse Gemeenschap, VGC, Brussels Hoofdstedelijk Gewest.

ROT is the catalogue for a community of practices.
ROT is a medicine and a ritual. The prescription for a new therapy.
ROT is a manual without instructions. A map. A party.
ROT touches upon sci-fi doomed scenarios.
ROT works within the ruins of the future.
ROT engages in weird beautification processes.
ROT uses mushrooming as a research method.
ROT hosts essays, stories, poetry, interviews, visuals, recipes, horoscopes and more.
ROT is mouldy.
ROT is glossy and asks to be touched.

With contributions by Adrijana Gvozdenović, Agnese Krivade, Alix Eynaudi, Anne Juren, Asli Hatipoglu, Carolina Mendonça, Cécile Tonizzo, Coline Gautier, Daniele Gasparinetti, Deborah Robbiano, Eleanor Ivory Weber, Elke Van Campenhout, Ēriks Ašmanis, Eve Gabriel Chabanon, Gary Farrelly, Goda Palekaitė, Günbike Erdemir, Jaime Llopis, Jennifer Russo, Jeroen Peeters, Jonas Palekas, Kristin Wiking, Lucia Palladino, Luciano Maggiore, Marko Gutić Mižimakov, Michelle Anay Woods, Muna Mussie, Muslin Brothers, Natasha Papadopoulou, Nina Janela, Norberto Llopis, Paloma Bouhana, Peggy Pierrot, Sandra Muteteri Heremans, Santiago Ribelles Zorita, Sara Manente, Sébastien Tripod, Sina Seifee, Sofie Durnez, Wilson Le Personnic

Sara Manente is a multidisciplinary artist and researcher who promotes collaborative situations in heterogeneous formats. Drawing on the imagery and matter of living cultures and mycelium brought into relation with live arts, her recent projects reflect on the possibility of contamination between pedagogy, research, performance and publication.

Published by Varamo Press
First edition, August 2023
136 pages, 22 x 30 cm, perfect binding
ISBN 978-82-693189-2-0
Graphic design by Deborah Robbiano

The ultimate ambition of this book-tool is to “disappear on the street”. Its pages collect words and stories of people whose right to exist and be visible in public spaces was forced to confront the concepts of “legality” and “justice”.

Considering the assumption that the law is a fluid parameter, which changes depending on where we are in the world, the historical period in which we live and the sort of privileges we enjoy, the law defines what is considered moral, licit, in other words, what is right. It distributes power and the perception of power in society, defining, categorizing, dividing and controlling.

WILL YOU MARRY ME? is a public lecture and an artist’s book by Sara Leghissa and Marzia Dalfini, investigating a specific portion of the spectrum of illegality, namely the relationship between illegal acts and public space. It explores how we can act disobedience before everyone’s eyes, suggesting possible forms of complicity and public resistance.

All the content was collected by the artist during meetings and conversations that took place in Prato, Milan, Ramallah, Marseille, Madrid, Nyon and Lausanne and with this book-tool their words become manifestos that the reader is invited to detach and relocate into the public space.

Designed by Marzia Dalfini. Published by NERO with the support of L’Altra.

Format: 42 x 29,7 cm
Pages: 28
Language: IT / EN
Year: 2021

FAQ is an accordion-fold art publication edited by Maurizio Cattelan and Myriam Ben Salah and commissioned by Le Dictateur. Coinciding with the 10th anniversary edition of Le Dictateur, the first volume will expand into a yearly series.

FAQ stands for Frequently Asked Questions, referencing an attempt to synthesize a recurrent flow, a tenor, an ideal visual representation of a given and very subjective “now”. 
Born out of an accute image eating disorder, FAQ reflects the mental assimilation of a relentless roving within physical and virtual art spaces: from galleries to tumblr accounts, museums, or artists studios; it can be seen as a portable exhibition, a show on paper, a project of restitution, a hybrid object that you can leaf and scroll through. Far from being a rational enterprise because of its lack of rules, hierarchy, order—or concept for that matter—it is expressly and brazenly as personal and biased as possible and reflects the obsessive mannerism of its authors.

Works by Korakrit Arunanondchai, Thomas Bayrle, Neil Beloufa, Judith Bernstein, David Douard, Carroll Dunham, Dan Finsel, Llyn Foulkes, Kathy Grannan, Camille Henrot, Charles Irvin, Elad Lassry, Jon Rafman, Steven Shaerer, Emily Mae Smith, Peter Sutherland, Slavs and Tatars, Andra Ursuta, Aleksandra Waliszewska, Charlie White, Jakub Julian Ziolkowski...

Sasha Phyars-Burgess’ first monograph, Untitled. Spanning three bodies of work, this 200-plus page monograph includes poems by Ser Alida and Aurora Masum-Javed, a conversation between Sasha Phyars-Burgess, Juliana Huxtable and Carolyn Lazard, and essay by Bill Gaskins. Designed by Studio Lin.

As recipient of the second annual Capricious Photo Award, Sasha is a vital, emerging voice in contemporary photography, engaging the charged line between documentary and fine art. Her work ranges from affecting studies on diaspora, family and place to revolving social phenomenons in which energy, beauty and power meet.

The second annual jury panel was helmed by Capricious Founder and Publisher Sophie Mörner and Associate Publisher Anika Sabin alongside Lauren Cornell, Katherine Hubbard, JOFF, Matt Keegan, Guadalupe Rosales, Ka-Man Tse, and Lyndsy Welgos.

Big data (n) is high-volume, high-velocity and/or high-variety information assets that demand cost-effective, innovative forms of information processing that enable enhanced insight, decision making, and process automation.

The straplines of a number of advertisements drawn from magazines of the 1950s are turned into drawings, as though a particularly vain and narcissistic woman speaks (as of course she does), She is ‘en pleine forme’ of her beauty. (2016).

Elemental Magic: Earth, Water, Fire, Air is a tactile handbook, woven from the elemental forces that shape our world and inner selves. In tarot, these four elements are foundational energies that give life to each suit—Earth grounds us in the material, Water carries our emotional depths, Fire fuels passion and will, and Air clarifies thought and perception. Rather than offering escape, ‘magic’ is an invitation to foster a practice of attention and attunement to the sacred mundane.

Designed by Cleo Tsw.