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Cover of Artist Network Theory No.1/No.2

Artist Network Theory

Artist Network Theory No.1/No.2

Axelle Stiefel ed.

€13.00

Sanna Helena Berger, Costanza Candeloro, Yves Citton, Noémie Degen & Simon Jaton, Guillaume Maraud, Anna-Livia Marchionni, Deborah Müller, Benjamin Mengistu Navet, Madeleine Paré, Salome Schmuki, Fabrice Schneider, Alan N. Shapiro, Axelle Stiefel, Elisa Storelli, Eva Zornio.

Trilingual Edition 
FR/DE/EN

Editor Axelle Stiefel
Design Salome Schmuki

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Cover of Permanent Record

Nightboat Books

Permanent Record

Naima Yael Tokunow

Poetry €20.00

A visionary anthology that examines and reimagines the archive as a form of collective record-keeping, featuring work by Alexis Pauline Gumbs, Douglas Kearney, Brenda Shaughnessy, Mahogany L. Brown, and many new and emerging voices. 

Inspired by Naima Yael Tokunow's research into the Black American record (and its purposeful scarceness), Permanent Record asks, what do we gain when we engage with our flawed cultural systems of remembrance? How does questioning and creating a deep relationship to the archive, and in some cases, spinning thread from air where there is none, allow us to prefigure the world that we want? Including reflections on identity and language, diasporic and first generation lived experiences, and responses to the ways the record upholds harm and provides incomplete understandings, Permanent Record hopes to reframe what gets to be a part of collective remembrance, exploring "possibilities for speculating beyond recorded multiplicity."

Cover of Beginnings

Ex. Coda

Beginnings

Oliver Boulton, Manon Michèle

What do we start with when telling a story — What tensions activate it — What does it promise — What do we want from it — How do we deliver it — Must it have an end — What about a story which never began — Stories we wish were told — Stories which have always been there — Stories we don’t know how to start.

Beginnings is a collective attempt at questioning protocols and forms of narration, initiated by Manon Michèle. The publication gathers textual and visual works from twenty-nine artists, writers and collectives. With two covers, ninety-six pages, and no end, the publication remains in flux, with no definitive conclusions but the shape of an ongoing question: Where do we start and where might the act of arriving lead.

There’s bodies thrusted through motion, accelerations, collapses, into the folly of life, death, borders and language. There’s following intuition, rabbits, leaders, and the shape of clouds, switching from script to script to escape latched circles and compliance. There’s braiding together clashing dimensions and vital landmarks, processing ghosts to reclaim space, feeding them to trusted spirits. There’s foreseeing new shapes, and believing in what grows. There’s the poetry of saving what can be saved and the pull of letting go. There’s so much to begin with

Contributors
Alice dos Reis, Anaïs Fontanges, Anna Bierler, Auriane Preud’homme, Bravas Graphix, Calli Uzza Layton, Clara Pasteau, Cleo Tsw, D-E-A-L, Elina Birkehag, Eliott Déchamboux, Emilie Pitoiset, Heleen Mineur, Hyo Young Chu, Josefina Anjou, Juliette Lepineau, Kimberley Cosmilla, Manon Michèle, Maria Paris, Marie-Mam Sai Bellier, Mathis Perron, Mia Trabalon, Pablo Bardinet, Pays de Glossolalie, Philip Ullman, Raphaël Massart, Sanae Oujjit, Silvana Mc Nulty, Yunie Chae

Beginnings was edited and designed by Manon Michèle and Oliver Boulton, and published by Ex. Coda, 2025.

Cover of Entropia Vol. 1 & 2

Abstract Supply

Entropia Vol. 1 & 2

Habib William Kherbek

Essays €22.00

Entropia (vol. I & II) – written by William Kherbek and edited in collaboration with Jack Clarke – is a publication which seeks to recount and re-examine a decade of artistic curation, production, and critique between London, Berlin, and other urban art centres from 2010 to 2020.

Comprised of two volumes, this publication contains a compendium of over one hundred reviews and interviews with luminaries of contemporary art (Vol I), as well as a speculative attempt to create a newly generated algorithmic art(ificial) critic (Vol II). Together they serve to document, excoriate, and theorise an art world which is simultaneously hegemonic and precarious, complicit and constructive, driven by values, yet fed by extraction, all filtered through Kherbek’s precise, aphoristic, acerbic, lens.

The publications include contextual contributions from both Josie Thaddeus-Johns, writer for the New York Times, The Financial Times, Frieze; and Rozsa Farkas, director of London-based gallery Arcadia Missa.

Cover of this simulation sux

Domain

this simulation sux

Jr Ting Ding, DeForrest Brown Jr.

Essays €20.00

this simulation sux is a collection of speculative essays and personal observations commissioned by global cultural institutions and local counterculture zines between February 2020 and April 2021.

"During the moment of pause brought on by the initial lockdown, we chose to write as a form of self care and mediated therapy; writing, for us, is a way to process, orient, and grasp for a moment of clarity in the ever changing media and cultural landscape. In this informational era, in which our attention is in very high demand, the amount of content we are expected to consume is endless. Beset with political unrest, economic uncertainty, and waning emotional bandwidth, we have become datapoints in the vast and saturated marketplace presented to us as “society.”

[...]

Flânerie, the French term describing the act of walking and observing, became a part of our daily ritual; we lapped the outer edges of the island of Manhattan and exploring various neighborhoods during the peak of the pandemic. The images presented on this book’s jacket were captured on these walks, documenting the absurdities of everyday life in this fraying simulation. Personal, anecdotal narratives of an imagined reality are represented through the images, which are placed alongside our speculative observations derived from historical data.

We hope that these writings can provide others with prose and information that can be applied like an antidotal balm to treat our communal ailment of future shock."

—Ting Ding 丁汀 & DeForrest Brown, Jr. 

Cover of Until Due Time, Everything Is Else

Grazer Kunstverein

Until Due Time, Everything Is Else

Pan Daijing, Julie Peeters and 1 more

This publication coincides with the exhibition Until Due Time, Everything Is Else by Pan Daijing. It is the sixth entry in a series of compact volumes featuring visual contributions, correspondence, responses, and conversations accompanying the Grazer Kunstverein exhibition program.

The images within this book are exerpts from a video created by Pan Daijing. This publication is intended to act as a sixth screen, aligning with a five-channel video installation on display in Until Due Time, Everything Is Else at Grazer Kunstverein.

Editor: Tom Engels
Image: Pan Daijing
Graphic Design: Julie Peeters