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Cover of The Organ is the World's Greatest Synthesizer (vinyl LP)

Staalplaat

The Organ is the World's Greatest Synthesizer (vinyl LP)

Charlemagne Palestine

€25.00

Recorded live at Amsterdam's Oude Kerk during the 2024 Sonic Acts Festival, The Organ is the World's Greatest Synthesizer finds Charlemagne Palestine returning to the Staalplaat catalog after many years. Taking its title and cover from a drawing made by Palestine during the performance, the work expands his singular mythology of sound and spirit. Opening with resonating bells and falsetto overtones before surrendering to the vast sonic tides of the church organ, the 40-minute piece unfolds as an ecstatic continuum—tones intertwining, frequencies colliding, and space itself becoming an instrument. A testament to the living dialogue between artist, instrument, and place, this is Palestine at his most immersive and transcendent.

For over six decades, Charlemagne Palestine has been a pioneering composer, performer, and multimedia artist, celebrated for his ecstatic sonic explorations and ritualistic, metaphysical performances. Emerging from the cross-disciplinary New York art scene of the 1960s and '70s, he helped shape a heretical edge of minimalism alongside figures like Conrad, Riley, Niblock, and Glass. Trained as a Jewish cantor and later as the carillonneur at St. Thomas Church, Palestine cultivated a deep fascination with resonance and overtone—an obsession that evolved through his use of percussion, early synthesizers, and monumental piano works, influencing artists from John Cale to Nick Cave.

Published in 2026 ┊ Language: English

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Cover of Someone Who Isn't Me

Rose Books

Someone Who Isn't Me

Geoff Rickly

Fiction €22.00

Geoff Rickly’s debut novel Someone Who Isn’t Me is a feverish journey through the psyche of someone who no longer recognizes himself. 

When Geoff hears that a drug called ibogaine might be able to save him from his heroin addiction, he goes to a clinic in Mexico to confront the darkest and most destructive versions of himself. In this modern reimagining of the Divine Comedy, survival lurks in the darkest corners of Geoff’s brain, asking, will he make it? Can anyone?

Cover of The Secret History Of Kate Bush (And The Strange Art Of Pop)

Antenne Books

The Secret History Of Kate Bush (And The Strange Art Of Pop)

Fred Vermorel

The Secret History of Kate Bush, first published in 1982 as Kate was on the verge of superstardom, is a daring and unorthodox dive into the world of music, fame, and cultural obsession. Written by Fred Vermorel—a close associate of Malcolm McLaren and Vivienne Westwood, and renowned for his subversive "anti-biographies"—the book shatters the boundaries of traditional celebrity profiles. Told from the perspective of a die-hard fan, it unveils the mystique of one of pop’s most elusive icons while exposing the capitalist machinery driving the entertainment industry. Part biography, part cultural critique, and entirely provocative, this is not just a book about Kate Bush but a rebellious manifesto against the commodification of art.

Republished in 2022 by Le Gospel in France, this special edition goes even deeper with unpublished treasures from Vermorel’s personal archive. Featuring an exclusive interview with Kate’s father, Dr. Robert Bush, a razor-sharp foreword by novelist and musician Tony O’Neill (Digging the Vein), and Vermorel’s own afterword reflecting on his explosive work four decades later, this is a must-read for anyone fascinated by Kate Bush, the art of fandom, and the raw power of creative rebellion. Fred Vermorel is a pioneer of the in-depth study of celebrity and fan cultures, best known for his controversial "anti-biographies" of pop icons including the Sex Pistols, Kate Bush, Vivienne Westwood, and Kate Moss.

Cover of Ponk!

Nightboat Books

Ponk!

Marcus Clayton

Fiction €20.00

A punk rock anti-memoir told through the eyes of a biracial Afrolatino punk academic. 

¡PÓNK! follows Moose, an alienated academic and lead guitarist for Pipebomb!, as he navigates through spaces in and out of South East Los Angeles: punk clubs, college classrooms, family gatherings, street protests, and euphoric backyard shows.Oscillating between autofiction, memoir, and lyric, Clayton blurs genres while articulating the layered effects of racism, trauma, immigration, policing, Black hair, performance, and toxic academic language to uncover how one truly becomes an "ally." Borrowing from the spatial lyricism of Claudia Rankine, the genre-bending storytelling of Alexander Chee, and the racial musings of James Baldwin, ¡PÓNK!'s narrative takes back punk rock and finds safe space in the mosh pit.

Cover of Clipping 2: Sum, Parts

Nieuwe Instituut

Clipping 2: Sum, Parts

Federica Notari, Cleo Tsw

Clipping 2: Sum, Parts brings together transcripts, commissioned texts, studies, and personal reflections that explore how transformation is central to building archives that remain alive through time. Clipping, in sonic terms, signals distortion—moments when excess pushes beyond clarity and opens new spaces of possibility.

The issue features contributions by Monique Todd, Andrea Zarza Canova, Cleo Tsw, Zahra Malkani, meLê yamomo, Melisa Cenik, Golnoosh Heshmati, Voice as Landscape (Alec Mateo and Lorenzo García-Andrade Llamas), Atiyyah Khan, Ibelisse Guardia Ferragutti, Femke Dekker, and Alice Twemlow. It is edited by Federica Notari and Cleo Tsw, designed by Catherine Hu and Cleo Tsw, and printed and bound by No Kiss.

Cover of YouYou Group – A li'nuage

newpolyphonies

YouYou Group – A li'nuage

Justine Maxelon, Will Holder

Handmade artist's book combining drawings, photographs, and archival materials. This publication reflects on the YouYou Group's ten-year journey and its evolving relationship with space. It marks a transitional moment from the group's long-term engagement with public space toward a growing understanding of spatiality and collective presence.

YouYou Group is a Belgian choir that specializes in what is known in Arabic as zaghareed. This trilling cry is used by women at weddings and festive occasions, but also at funerals. Youyou is the French name for zaghareed. Depending on the regional origin, it is also called kululu, tsahalulim, or irrintzi. It is a long, shrill tone that is modulated (by the throat, glottis, or rapid tongue movements) and can be heard from far away. Brussels artist Myriam Van Imschoot was one of the founders of this singing group.