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Cover of That's not my pigeon

edition.psd

That's not my pigeon

Beth Gordon

€15.00

The magazine edition.psd regroups research documents, autobiographical or poetic texts in order to create new narratives around plant and animal life forms. edition.psd de-categorises knowledge: botany, ethnography, history, history of art, philosophy and literature regularly intertwine throughout its pages. edition.psd attempts to develop the ethics of perception of particular situations, of moments, of what is going on.

The fourth issue focuses on pigeons and the imagnaries surrounding them, it is a collaboration with the artist and researcher Anastasia Simonin.

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Cover of Gaza or Palestin* or "West Bank" or (...)

Cutt Press

Gaza or Palestin* or "West Bank" or (...)

Anita Di Bianco

Zines €10.00

Anita Di Bianco’s ongoing project, Corrections and Clarifications, is a newspaper without headlines, a cyclical reverse-chronology of daily revisions, retractions, re-wordings, distinctions and apologies to print and online news, printed in numerous languages, locations, and formats since September 2001. An intermittent catalog of lapses in naming and classification, of tangled catchphrases, obstinate patterns of mis-speech and inflection, connotation and enumeration. The twentieth anniversary hardbound edition of the publication, entitled The Error is Regretted, was published in 2021 by The Green Box in Berlin.

This 2024 iteration, in a xeroxed edition of 100, collects corrections to news items back to 1981 — with its focus on the Eastern Mediterranean region, on patterns of mis-telling and misrepresentation through the persistent misuse of the passive voice, the omission of widely observable and verifiable facts and events, the euphemizing and toning down of deliberate actions, erasures through shifts in terminologies, through bold mistakes and tentative corrections.

Anita Di Bianco’s works in film, video, and print take up, modify and re-work existing and re-imagined patterns and characterization. Her work involves the imitative act, a taste for the possession and expulsion of narratives, the appropriation and accumulation of familiar texts and writing styles. Anita uses widely varying sources: from theatrical and historical texts to oft-quoted cinematic clips and thematic references. She lives in Frankfurt am Main.

Cover of Exo Revue: Si j’aurais su

Self-Published

Exo Revue: Si j’aurais su

Sam Bouffandeau,  Chloé Delchini and 2 more

Revue du Master de Textes et de Création Littéraire de la Cambre*

Avec les textes de: Sam Bouffandeau, Chloé Clemens, Chloé Delchini, Perrine Estienne, Robin Faymonville, Gabriel René Franjou, Justine Gensse, Adèle Goardet, Bastien Hauser, Giulia Lazzara, Cyprien Muth, Sephora Shebabo.

* Le Master en Textes et Création Littéraire de l’École Nationale Supérieure des Arts Visuels de La Cambre propose un programme de formation aux étudiants qui visent à faire des métiers du texte et de la création littéraire leur avenir professionnel. Il s’adresse principalement aux jeunes écrivains et, plus généralement, à l’étudiant qui souhaite professionnaliser sa démarche artistique en lien avec la pratique de l’écrit en la confrontant à d’autres écrivains, à des éditeurs et à des professionnels reconnus de la littérature, l’informer et l’enrichir de nouveaux savoirs et de nouvelles compétences. Considérant le travail du texte et ses différentes formes comme des expressions majeures de l’homme à travers l’histoire, et les littératures des différents continents comme un art à part entière dans le champ des pratiques artistiques contemporaines, ce Master s’inscrit dans une démarche ouverte de production, de réflexion et d’instruction de l’écrit dans un monde en devenir.

Cover of Barking Up the Wrong Tree

How To Become

Barking Up the Wrong Tree

Sophie T. Lvoff

Poetry €6.00

How To Become est une maison d'édition autogérée basée à Paris. Nous publions les textes d'auteuces engagés dans des pratiques féministes et peu diffusés par le réseau des grandes maisons d'édition françaises.

Créée en 2016, elle est composée d'artistes et écrivaires en majorité gouines, HTB publie de la litterature expérimentale née d'influences post-post- sapphiques ainsi qu'un choix de tradu d'auteuices non traduites en langue française. HTB s'articule autour d'ateliers d'écriture: How to Become a Lesbian, et d'une revue annuelle publiant les choses issues de l'atelier.

Cover of Engagement Arts Zine #1

Self-Published

Engagement Arts Zine #1

Engagement Arts

First edition of the Engagement Arts Zine.

Published May 2019

Cover of Fair Arts Almanac 2019

Self-Published

Fair Arts Almanac 2019

SOTA

Anthology €10.00

In 2019 SOTA finished the first Fair Arts Almanac. The content of the book was generated during a week long summer camp in 2018 with about 70 contributors. The result was a bundling of tips & tricks, statements & demands, visions & ideas, dates & data, testimonies & voices, addresses & announcements on fairness within the complex relationships between the artistic, political and economic sphere. The compilation of various contributions in this first edition was deliberately associative and open for debate, full of contradictions, loose ends and inconsistencies.