Sense & Sensibility

By way of archiving, digital translation and reproduction, Philip Poppek extracts from Magritte’s word paintings twenty-six letters; segmental symbols of a textual system form an alphabet of a, with a familiar apple punctuating a provisional end to the sequence. A poetic correspondence with the letter a speculates on the prehistory of this alphabet, as though searching for some indication as to how we may have come to where we are now, in this ‘post-factual moment’.

Maybe at some point we fell into the foxes’ den, only to re-surface in a landscape of ruins. This book poses a number of necessary questions, perhaps beginning with: ‘Which feminine noun trails after the title script ‘est pas une?

Pomme? Pipe? Histoire? Communauté?

Elemental Magic: Earth, Water, Fire, Air is a tactile handbook, woven from the elemental forces that shape our world and inner selves. In tarot, these four elements are foundational energies that give life to each suit—Earth grounds us in the material, Water carries our emotional depths, Fire fuels passion and will, and Air clarifies thought and perception. Rather than offering escape, ‘magic’ is an invitation to foster a practice of attention and attunement to the sacred mundane.

Designed by Cleo Tsw.

The act of translation as a pedagogical tool, a political act, and ultimately a gesture of care in these tense cultural times.

Virginie Bobin operates across research, curatorial and editorial practices, writing, pedagogy and translation, with a particular interest in performance, experimental forms of artistic research, the role of art, artists and art institutions in the public sphere, and formats that exceed that of the exhibition. Between 2009 and 2018, she has worked for various art centers and residency programs (Villa Vassilieff, Bétonsalon, Witte de With, Les Laboratoires d'Aubervilliers, Performa). She is a Doctor in Artistic Research (PhD-in-Practice, Academy of Fines Arts, Vienna, 2023), a professor in Art and Social Practices at ésadhar (Rouen, since 2024), and a co-founding member of the editorial and curatorial platform Qalqalah قلقلة. In addition to her contributions to various international journals, she has edited the collective publications Composing Differences (Les presses du réel, 2015), Republications (with Mathilde Villeneuve, Archive Books, 2015), and Bestiario de Lengüitas (with Mercedes Azpilicueta, k.verlag, 2024).

Stories about witches are by their nature stories about the most basic and profound of human experiences—healing, sex, violence, tragedies, aging, death, and encountering the mystery and magic of the unknown. It is no surprise, then, that witches loom large in our cultural imaginations. In academia, studies of witches rarely emerge from scholars who are themselves witches and/or embedded in communities of witchcraft practitioners. The Witch Studies Reader brings together a diverse group of scholars, practitioners, and scholar-practitioners who examine witchcraft from a critical decolonial feminist perspective that decenters Europe and departs from exoticizing and pathologizing writing on witchcraft in the global South. The authors show how witches are keepers of suppressed knowledges, builders of new futures, exemplars of praxis, and theorists in their own right. Throughout, they account for the vastly different national, political-economic, and cultural contexts in which “the witch” is currently being claimed and repudiated. Offering a pathbreaking transnational feminist examination of witches and witchcraft that upends white supremacist, colonial, patriarchal knowledge regimes, this volume brings into being the interdisciplinary field of feminist witch studies. 

Contributors: Maria Amir, Ruth Asiimwe, Bernadette Barton, Ethel Brooks, Shelina Brown, Ruth Charnock, Soma Chaudhuri, Carolyn Chernoff, Saira Chhibber, Simon Clay, Krystal Cleary, Adrianna L. Ernstberger, Tina Escaja, Laurie Essig, Marcelitte Failla, D Ferrett, Marion Goldman, Jaime Hartless, Margaretha Haughwout, Patricia Humura, Apoorvaa Joshi, Govind Kelkar, Oliver Kellhammer, Ayça Kurtoğlu, Helen Macdonald, Isabel Machado, Brandy Renee McCann, Dev Nathan, Mary Jo Neitz, Amy Nichols-Belo, Allison (or AP) Pierce, Emma Quilty, Anna Rogel, Karen Schaller, Jacquelyn Marie Shannon, Shashank Shekhar Sinha, Gabriella V. Smith, Nathan Snaza, Shannon Hughes Spence, Eric Steinhart, Morena Tartari, Nicole Trigg, Katie Von Wald, Tushabe wa Tushabe, Jane Ward

This publication comprises a series of interviews with contemporary artists, musicians, and writers who are in dialogue with Beirut and Cairo. While not purporting to be an overview of the art scenes in these cities, this book begins to draw a picture of how artists think about what it means to be active in the contexts of these cities. It offers insight into the circumstances that structured these artists’ stories, and the often accidental influences that have shaped how their practices have developed.

The Flesh is a collection of Yves B. Golden's poems, lyric essays and social criticism – and often these generic distinctions become blurred. Published by Ediciones La Escocesa (Barcelona, ES), TABLOID facilitated this book's production as editors and book designers. A selection of Golden's texts are also translated by Leto Ybarra, rendering the author's work into Spanish for the first time.

“Respectfully! The Flesh feels like a conjuring and a force of nature—unyieldingly raw, full of delectable sensitivity that shapes a world Yves B. Golden deliveries with formidable honesty—where her word is the journey, the body and the bond. Yves writes: ‘not one bird is declined entry into heaven’. The Flesh is succulent in the mouth of the mother— Yves is a steward of time machines, celestial bliss and untethered healing. The Flesh unties the tongue, waters the mouth and the garden. Within Yves’ 5th book she offers us a timeline in recognizing that all birds and angels alike can touch the sky. We are always, already, held and drenched in glory and deserving of love and safety. The Flesh is Black like obsidian. May our love bloom like the flesh in every lifetime.”
- keioui keijaun thomas

“Yves B Golden has given us a protection spell against tyranny; a Blue Guide for the conscious and the daydream; raw free jazz that knows the standards as well. Golden’s linguistically liberated fantasies can transmute into a body of politically imperturbable ethoses in the same sentence. This book offers information for an evolutionary sensitivity, for the next level of sense-making and particularity of the human being. Though the poet urges us to de-realize the flesh, to split our own heads open, we must also accommodate the flesh’s intangibles that interlock, conjoin, negate, and negotiate: such ‘outward and inward facing conundrums’ go on and on. Welcome this ‘bearer of turbulent news.’”
- Losarc Raal