Over there: a queer anthology of joy

Candles and Water is a queer pillow book: a document of wreckage, haunting, and survival. 

This collection is made of fictions and diaries, dreams and lists, lies and ghost stories. Its fragments and filaments are lonely, joyous, enraged, sickly, and lost; and when they crystallize around a single voice, it is by way of healing from grief and recovery from addiction.

Timothy Thornton is a writer and musician. His work was in Volume 2 of the new Penguin Modern Poets series, and he has published eleven books of poetry with small presses. He organised two series of reading and performance nights in Brighton: 'evenly and perversely' and 'WHAT YOU NEED'. He has composed and performed scores for productions at Battersea Arts Centre and The Yard Theatre.

'Candles and Water risks everything, daring to explore powerful vulnerabilities, yearning, and unabashed hope. Elusiveness and the whisperings of shadows inhabit these pages, always illuminated and burnished by the voice of a poet'. — Thomas Glave, author of Among The Bloodpeople

'Timothy Thornton's Candles and Water is a rare and transformational book, haunting, beautiful and watchful. Writing that follows its brush like Sei Shōnagon.' — David Hayden, author of Darker with the Lights On

'These radical, scattered shards of life and sensation. . . come to a whole, coalescing like bioluminescence. . . witty, dark, profound, devastating. One long séance with a fellow human soul.' — Philip Hoare, author of RISINGTIDEFALLINGSTAR

The North Road Songbook collects together eight sequences of poems, most of which were composed between 2019 and 2024. The title sequence is a set of lyrics written around North Road in Brighton, originally a mediaeval field boundary, now a chaotic thoroughfare filled with ghosts, sirens and songs.

Verity Spott is a poet, teacher and care worker from Brighton, England, whose books include Hopelessness (the 87press), Poems of Sappho (in translation) and Prayers Manifestos Bravery (Pilot Press). Verity’s poetry has appeared in The New York Times and has been translated into French, German and Greek. 

Paperback
252pp
ISBN: 9781739364977

First published in 2018, Prayers Manifestos Bravery is a collection of Verity Spott’s “Trans* Manifestos”. Written from 2011 and originally published on her blog, the book’s content ranges from concrete poetry to long-form dispatches, confessions and manifestos touching on questions of identity, gender, justice and society. 

“This is a collection of attempted manifestos whose composition began in 2011. It does not pretend to be completed and any life it has is in its capacity for change, movement and instability. These manifestos are described as such because at the time of their composition they felt like attempts of preservation; of life and of the capacity to struggle against life. They are all improvisations. They have not been heavily edited, and they are untidy. We're unsure what we are." — preface by the author

Verity Spott is a poet, teacher and care worker from Brighton, England. She is the author of the books Gideon, Click Away Close Door Say, We Will Bury You, The Mutiny Aboard the RV Felicity, Prayers Manifestos Bravery, Poems of Sappho (in translation), Hopelessness, Coronelles Set 1 and 70 Sonnets. Verity's poetry has appeared in The New York Times and has been translated into French, German and Greek. 

Featuring Zoe Leonard, Eileen Myles, Jimmy DeSana, Princess Julia, Olivia Laing, Simon Costin, Timothy Thornton, Mary Manning and many more. Published 2020.

Responses to Untitled (eye with comet) (c.1985) by Paul Thek is the sixth and final anthology in a series that gathered responses to works of art made during a period of the ongoing AIDS Crisis, from the identification of the virus in 1981 to the introduction of life-saving drugs in 1996.  

In this sixth iteration, responses were sought to the painting Untitled (eye with comet) by Paul Thek. The work was found in his storage after his death from AIDS in 1988. 

List of contributors in order of appearance:

E.R. De Siqueira
Ben Estes
João Motta Guedes
Lucy Swan
Jon Rainford
Louis Shankar
Amy Evans Bauer
Hattie Morrison
Sammy Paloma
AN Grace
James Horton
Nick Wood
Sophie Paul
Jae Vail
Elizabeth Zvonar
Lars Meijer
Clay AD
Michel Kessler
Pablo Miguel Martínez
Emma Harris
Dylan McNulty-Holmes
Kitya Mark
Katherine Franco
Ainslie Templeton
Alistair McCartney
John Brooks
Jesse Howarth
jimmy cooper
Felix Pilgrim
Nicholas Chittenden Morgan
Murphy O’Neir
Rachel Cattle
Isabel Nolan
Susan Finlay
Ted Simonds
Brooke Palmieri
Kate Morgan
Ashleigh A. Allen
Diogo Gama
JP Seabright
Hugo Hagger
Amanda Kraley
Brendan Cook
Matt Bailey
Charlotte Flint
Rodney Schreiner
Lucy Price
Morgan Melhuish
Jordan Weitzman
Jaakko Pallasvuo
Alex Fiorentino
Harald Smart
Marguerite Carson
loll jung
Richard Porter
Nicholas Kalinoski
Hedi El Kholti
Edmund Francis English
Ted Bonin

Solitary Pleasure is a new collection of poetry, journal entries, letters and ephemera by the American poet John Wieners, edited by Richard Porter with an introduction by Nat Raha.

John Wieners (1934-2002) was a poet, a Black Mountain College alumnus and an antiwar, gay rights & mental health activist. 

‘John Wieners has been described as both ‘the greatest poet of emotion’ (by Robert Creeley) and ‘the poet laureate of gay liberation’ (within the Gay Liberation press). Solitary Pleasure delivers us this poet raw with mid-century queer feelings. Here, we encounter a writer preoccupied with the power and magic of poetics to profoundly render love, loss and survival in the face of destruction.’
— Nat Raha, from the introduction

'Solitary Pleasure is a selected collection of Wieners’ poems, appended with letters and journal entries. An introduction, written by contemporary poet Nat Raha, makes a powerful case for reading Wieners’ work as art born from “the heart of struggle”. The poems themselves are offhand and diaristic. Sometimes, they deploy childlike rhymes that purposely steer close to nonsense, successfully generating a sense of wonder (“If I had a canoe / I’d fill it with you / Then what would you do”). The Wieners of Solitary Pleasure is a poet eager to vocalise queer desire. “The beauty of men never disappears,” he writes, later portraying desire as something that must be “choked” out of him. Occupying nearly a third of Solitary Pleasure are his “Asylum Poems”, which Wieners wrote in 1969 – the summer of the Stonewall riots – while in a psychiatric institution. These poems spotlight the connection between art and affliction, but challenge us to consider creative expression as a very real mode of survival and salvation, and not merely, as current wellness discourses suggest, a potential curative or preventive to mental ill-health.'
— Ralf Webb for The Guardian

Poetry as both a form and genre has many possibilities to exist within; however, poetry too often is burdened by the imperative to have an argument and a set of imagery and meanings that are preconceived and placed within the poem. In this way, poetry gets conflated with writing a thesis or project, and the poet simply the presenter of perfectly argued language. When poets attempt to bridge the gap between genres and write within the contemporary essay form, they are tasked to construct perfect arguments there as well and avoid the associative and aesthetic logic that makes poems important. The term essay itself was coined by Michel de Montaigne in the 1500s — it comes from the French word essai, which means to test or experiment with what one knows as a learning tool, and is in partial opposition to the terms we use to discuss the essay now

ESSAYS calls on thinkers and writers to move beyond this linear thinking into the realm of what an essay by someone like Montaigne might do. His essays do as they say they will—they test out ideas, they are unafraid to get messy in their execution, they are brave enough to go forward into the uncharted waters. In them, it’s completely beside the point to get back to where they started, let alone where they’d say they would go. They are simply beside the point. It’s true.

ESSAYS, edited by Dorothea Lasky, is a book of essays on the essay, which enact and query these directives. The volume collects essays by poets Ariel Goldberg, Ken Chen, Wayne Koestenbaum, Tracie Morris, Anaïs Duplan, Raquel Salas Rivera, Brandon Shimoda, Cecilia Vicuña, Fred Moten, and Mónica de la Torre.

In this bold new work of cultural criticism, Ann Cvetkovich develops a queer approach to trauma. She argues for the importance of recognizing—and archiving—accounts of trauma that belong as much to the ordinary and everyday as to the domain of catastrophe. An Archive of Feelings contends that the field of trauma studies, limited by too strict a division between the public and the private, has overlooked the experiences of women and queers. Rejecting the pathologizing understandings of trauma that permeate medical and clinical discourses on the subject, Cvetkovich develops instead a sex-positive approach missing even from most feminist work on trauma. She challenges the field to engage more fully with sexual trauma and the wide range of feelings in its vicinity, including those associated with butch-femme sex and aids activism and caretaking.  

An Archive of Feelings brings together oral histories from lesbian activists involved in act up/New York; readings of literature by Dorothy Allison, Leslie Feinberg, Cherríe Moraga, and Shani Mootoo; videos by Jean Carlomusto and Pratibha Parmar; and performances by Lisa Kron, Carmelita Tropicana, and the bands Le Tigre and Tribe 8. Cvetkovich reveals how activism, performance, and literature give rise to public cultures that work through trauma and transform the conditions producing it. By looking closely at connections between sexuality, trauma, and the creation of lesbian public cultures, Cvetkovich makes those experiences that have been pushed to the peripheries of trauma culture the defining principles of a new construction of sexual trauma—one in which trauma catalyzes the creation of cultural archives and political communities.