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Cover of N°3 Mirroring

te editions

N°3 Mirroring

te magazine

€40.00

Much in our life at this moment is often marked by an absence of clarity. Many have experienced a malaise and come to know its persistence. We seem to have become used to stasis and theoretical discussions, lingering in silence and hoping from time to time for something extraordinary to happen. Yet it might also have been a blessing; an opportunity to free ourselves from overarching narratives, to direct our attention to the individual, the local, and to subjects that have long been part of our own lives—a more agile, intuitive mindset.

The third issue of te magazine took shape in this context, and chose to confront experiences of “plight”—plight of the persecuted, of the artists, of the forgotten, and of those living with colonial legacies. How might we, as individuals, transmute plights in order to learn to live in this world? If each piece in this issue can be said to propose a mode of healing, the aim is not only about specific pathologies, but rather to recommend adjustments and defenses in moments of crisis. While writing on the plights of others, the authors also look inward for the roots of questions that they have long harbored about their own experiences. As introduced by Jacques Lacan, the theory of “the mirror stage” refers to children's initial awareness of their own existence. As adults, we continue to grapple with the process of self-discovery and understanding, at times feeling trapped deeply in the “mirror.”

This issue’s theme, Mirroring represents a continuous exploration of the self. On the one hand, these pieces document the processes of setbacks, negating, questioning and reconciling; on the other, delineate the self through the other, a process discernible in several jointly-authored pieces in this issue, where a special connection and sense of fellowship formed through dialogue, correspondence, and collaborative research. In Siddhartha, Hermann Hesse described how the protagonist's worldview was shaped through seeking and struggle, and we hear in it an echo of the inspiration behind this issue of te: “But now, his liberated eyes stayed on this side, he saw and became aware of the visible, sought to be at home in this world, did not search for the true essence, did not aim at a world beyond.” (Siddhartha by H. Hesse, translated by Hilda Rosner, Bantam Books,1971)

Contributors:  Guadalupe Maravilla, Lucía Hinojosa Gaxiola, Kader Attia, Gantala Press, Peng Jen-Yu, An Mengzhu, Chang Yuchen, Chris Zhongtian Yuan, Chu Yun, Chen Zhe, Lieko Shiga

Published in 2024 ┊ 188 pages ┊ Language: English

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Cover of Three moments of a script that never was written but might have happened

te editions

Three moments of a script that never was written but might have happened

Hu Wei

This publication departs from three video works by the artist Hu Wei, exploring the possibilities of devising new scripts within the manifold connections between materials for creative works, images, and texts.

The first part of the publication transcribes and recompiles the narrations in his videos into three sets of juxtaposed scripts. Each of these textual fragments showcases an “anatomical section of an era” from disparate geopolitical contexts: a family letter from Sabah, a set of Rashomonian testimony, and an anecdote about the anonymous.

The second part is a notebook-like atlas that unfolds following the clues of three keywords: “Fabrication,” “Anonymity,” and “Boundary.” Within this section, different types of images and texts, including factual materials, embodied research and survey records, as well as fabricated documents, interlace with each other. They serve as an interrogation, extension, reconstruction, and reassemblage of three muted histories or events.

Cover of Amanda

Maria Editions

Amanda

Olga Micińska

The artist book Amanda is greatly inspired by “Tradeswomen” quarterly magazine for women in blue-collar work, published in the 1980’s and 1990’s in the United States. Amanda is similarly thought as a periodical dealing with the subjects of technology and industry from a feminist (not solely female) angle. The first issue contains fiction stories of an emancipatory character, citing trade associations, oil industry in Iran and ghosts of the printer feeders.

The publication is made in the framework of The Building Institute, an experimental organisation aiming to strengthen the position of femmes builders in the domain of technical construction work. Amanda brings together literary texts by Maria Toumazou, Samantha McCulloch, Sepideh Karami and Madeleine Morley, combining fiction stories with visual artwork. 

Olga Micińska is a visual artist currently living in Amsterdam. Graduated from the MA Art Praxis program at the Dutch Art Institute and holds an MFA in Sculpture from the Academy of Fine Arts in Warsaw. Also trained as a woodworker, collaborates with craft studios of various domains. Recently she has initiated The Building Institute.

The Building Institute (TBI) is an experimental platform aiming to emancipate the undermined knowledges dwelling in the craft domains, and to unpack diverse questions related to technology and the means of production. TBI combines art’s speculative competences with the grounded practice of manual labor, manifesting its objectives through educational activities, exhibitions, and publications.

Cover of Reseeding the library, gleaning readership

Afternoon Editions

Reseeding the library, gleaning readership

Jeroen Peeters

Afternoon Editions no. 1: an essay by Jeroen Peeters titled Reseeding the library, gleaning readership. In May 2017, Time has fallen asleep in the afternoon sunshine settled during three weeks in the Ravenstein Gallery in Brussels as part of the Kunstenfestivaldesarts. Invited as a writer in residence, Jeroen Peeters visited the library of living books on a daily basis and recorded his observations by hand in a notebook, which formed the basis for Afternoon Edition #1. Reseeding the library, gleaning readership is an essay on the seed library, on the dispersion of literature through wind, water and animals, on biodiversity and commoning at the heart of readership. On the cover a drawing by Wouter Krokaert of a Philodendron Xanadu. Published May 2018.

Cover of Moments Before The Wind

Varamo Press

Moments Before The Wind

Jozef Wouters

Moments Before the Wind is a heterogeneous collection of notes on scenography that offers a glimpse into the poetics and artistic practice of Jozef Wouters. These reflections on space, scenography, art making and institutional critique have developed over the years as they were written out loud in various contexts. Now settling on the page among built and unbuilt spaces, they’re an invitation to the reader to think along or against, and think up space for oneself. Edited by Jeroen Peeters; graphic design by Filiep Tacq.

Jozef Wouters is a scenographer and theatre maker based in Brussels, who develops work in collaboration with his Decoratelier. Decoratelier is also a workplace for set designers and artists, and provides room for cross-disciplinary ventures and social experiment.

Cover of Afghanistan

Archive Books

Afghanistan

Farid Rahimi, Luca Cerizza

Essays €21.00

Afghanistan is my father’s homeland. He was born in Kabul in 1945 and later moved first to France, then to Switzerland in the 1970s. In my mind, Afghanistan exists as a geography with blurred edges, something I feel the need to reconcile with. It’s a place I’ve only ever known through stories, a source of memories that, over time, have shifted and become distorted.

Contributors: Luca Cerizza, Farid Rahimi, Said Rahimi, Susanna Ravelli, Francesca Recchia, Zafar Sayan, and Dawood Tawana

Cover of Tangents

Tangents

Tangents

Isabelle Sully, Becket Flannery and 1 more

Tangents is an English-language online review platform focused on writing about the Dutch art scene-on what is happening both within the borders of the Netherlands and about Dutch-based artists presenting work beyond them. Born from a frustration with the prevalence of objectivity and imposing house styles in the majority of art writing commissioned by leading platforms, Tangents instead encourages contributors to approach criticism from within the specificities and focuses of their own writing practice. 

Tangents publishes a monthly review written by a writer from our stable of permanent contributors. This publication is the first printed compendium of recent writing, published on the occasion of Tangents' mentorship pro-gram, for which the founding editors each supported a young writer through development and to publication. The 2024/25 mentees were Mehmet Süzgün, Lou Vives and Dido W.