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Cover of Literary Activism

Boiler House Press

Literary Activism

Amit Chaudhuri

€24.00

Literary Activism – activism that revisits and interrogates an idea of literature – emerges from a radically altered landscape for both publishing and academia, where market pressures are effecting changes – on language, on the measuring of value, on the concept of influence – we might struggle to recognise.

Taking in the roles of writer, critic, translator, academic and publisher, the essays in this volume follow no single line of enquiry. Rather, they offer the beginnings of an analysis of the literary world at a certain moment of globalization, while also questioning whether a literary world exists and, if it does, where its boundaries lie.

The collection moves in many directions – from Arun Kolatkar and his near-heroic refusal of both market place and reputation; to Derek Attridge, who argues for a form of affirmative criticism which positions the critic as a ‘lover of the text’; while, from Amsterdam, Dubravka Ugrešić reflects on life in a literary ‘out of nation zone’, adrift in a territory where intellectual protest has been stripped of ideological impetus and subsumed by the voraciousness of the market.

Taken together, these essays initiate a series of conversations about who reads what and why, about the practice of writing and criticism at this particular contemporary moment, and about the activities and institutions that shape an understanding of what literature is and what it can do.

Literary Activism, edited by Amit Chaudhuri, features writing from Derek Attridge, Tim Parks, Dubravka Ugrešić, Laetitia Zecchini, Peter D. Macdonald, Saikat Majumdar, Jamie McKendrick, and Swapan Chakravorty, with an afterword by Jon Cook.

Language: English

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Cover of of sirens, body & faultlines

Boiler House Press

of sirens, body & faultlines

Nat Raha

Poetry €16.00

of sirens, body & faultlines is a book of prophecy against this Brexit era, rising from a post-2008 London, where crisis and austerity meet the vanity projects of the super-rich. Committed to the immediacy of a present that is precarious and under surveillance, of sirens... attends to queer, transfeminist and people of colour counter-memories and histories. It seeks new expressions of desire and modes of breath, pushing against the gravities that would rather these lives and worlds disappear. 

While arguing with the radio may seem futile, syntax, punctuation, grammar and the page must still all be mobilised to help create new conditions of possibility – for collectivity, for poetry to speak. Raha’s exceptional, experimental, queer lyric mobilises all aspects of language to reveal contradictions of capitalism and defuse populist rhetoric. This is a writing of city life against the flows to capital; labouring bodies speaking back to the demands of work and the fictions of xenophobic politicians. It concerns herstory, transfeminism, collectivity; the everyday of South East London, transformation and decolonisation, through counter-memories, anti-memoir, and a trans poetics.

"Nat Raha has written some of the most exciting poetry of the last decade. Transfeminist, communist, revolutionary – with great quickness and nimble intensity, her syllables and survival codes dash through police-lines as high-level transmissions signalling absolute solidarity, insisting that other lives are still possible. Originally published as a series of home-made pamphlets that seemed to come as much from post-punk zine culture as from avant-garde poetics, it's good to see them gathered here in one place for the first time and as a body of evidence of a culture of struggle. These poems do not merely comment on that struggle, but emerge from within it. They are poems that break open a space in which to think through what has happened, who we have been, and what has been done to us. These are fearsome times. Raha writes poetry that acknowledges that fear and refuses to flinch in the face of it, which is in itself an act of the fiercest solidarity." – Sean Bonney

Cover of Wretched Strangers

Boiler House Press

Wretched Strangers

Ágnes Lehóczky, JT Welsch

Fiction €18.00

In response to surges of violent British nationalism and political paranoia around borders, and to related social and ethical crises, JT Welsch and Ágnes Lehóczky have assembled an anthology to mark the vital contribution of non-UK-born writers to this country’s poetry culture. Wretched Strangers brings together innovative writing from around the globe, celebrating the irreducible diversity such work brings to ‘British’ poetry. While documenting the challenges faced by writers from elsewhere, these pieces offer hopeful re-conceptions of ‘shared foreignness’ as Lila Matsumoto describes it, and the ‘peculiar state of exiled human,’ in Fawzi Karim’s words.

The book is published by Boiler House Press to commemorate the anniversary of the June 2016 EU Referendum and in solidarity through struggles ongoing and to come. Proceeds will be donated to charities fighting for the rights of refugees.

Alireza Abiz • Astrid Alben • Tim Atkins • Andre Bagoo • Veronica Barnsley • Khairani Barokka • Leire Barrera-Medrano • Katherine E. Bash • Áine Belton • Caroline Bergvall • Sujata Bhatt • Rachel Blau DuPlessis • Fióna Bolger • Ben Borek • Andrea Brady • Serena Braida • Wilson Bueno • James Byrne • Kimberly Campanello • J.R. Carpenter • Mary Jean Chan • che • Matthew Cheeseman • Iris Colomb • Giovanna Coppola • Anne Laure Coxam • Sara Crangle • Emily Critchley • Ailbhe Darcy • Nia Davies • Tim Dooley • Benjamin Dorey • Angelina D’Roza • Katherine Ebury • Dan Eltringham • Ruth Fainlight • Kit Fan • León Felipe • Alicia Fernández • Veronica Fibisan • Steven J Fowler • Livia Franchini • Ulli Freer • Anastasia Freygang • Kit Fryatt • Monika Genova • Geoff Gilbert • Peter Gizzi • Chris Gutkind • Cory Hanafin • Edmund Hardy • David Herd • Jeff Hilson • Áilbhe Hines • Alex Houen • Anthony Howell • Nasser Hussain • Zainab Ismail • Maria Jastrzębska • Lisa Jeschke • Evan Jones • Loma Sylvana Jones • Maria Kardel • Fawzi Karim • Kapka Kassabova • Özgecan Kesici • Mimi Khalvati • Robert Kiely • Michael Kindellan • Igor Klikovac • Ágnes Lehóczky • Éireann Lorsung • Patrick Loughnane • John McAuliffe • Aodán McCardle • Niall McDevitt • Luke McMullan • Christodoulos Makris • Ethel Maqeda • Lila Matsumoto • Luna Montenegro • Stephen Mooney • Ghazal Mosadeq • Erín Moure • Vivek Narayanan • Cristina Navazo-Eguía Newton • Alice Notley • Terry O’Connor • Wanda O’Connor • Gizem Okulu • Claire Orchard • Daniele Pantano • Astra Papachristodoulou • Fani Papageorgiou • Richard Parker • Sandeep Parmar • Albert Pellicer • Pascale Petit • Adam Piette • Jèssica Pujol Duran • Alonso Quesada • Ariadne Radi Cor • Nat RahaNisha Ramayya • Peter Robinson • William Rowe • Lisa Samuels • Jaya Savige • Ana Seferovic • Sophie Seita • Seni Seneviratne • Timea Sipos • Zoë Skoulding • Irene Solà • Samuel Solomon • Agnieszka Studzinska • James Sutherland-Smith • George Szirtes • Rebecca Tamás • Harriet Tarlo • Shirin Teifouri • Virna Teixeira • David Toms • Sara Torres • Kinga Toth • Claire Trévien • David Troupes • Arto Vaun • Juha Virtanen • J. T. Welsch • David Wheatley • Elżbieta Wójcik-Leese • Jennifer Wong • Isaac Xubín • Jane Yeh

Cover of The Stone House

Hajar Press

The Stone House

Yara Hawari

Fiction €21.00

A vivid, haunting tale of intergenerational trauma and survival under Israeli occupation. 

A New Arab Book of the Year 2021.

The year is 1968. The recent Arab defeat in the Naksa has led to the loss of all of historic Palestine. In the midst of violent political upheaval, Mahmoud, a young Palestinian boy living in the Galilee, embarks on a school trip to visit the West Bank for the first time.

For Mahmoud, his mother and his grandmother, the journey sets off a flood of memories, tracing moments that bond three generations together. How do these personal experiences become collective history? Why do some feel guilty for surviving war? Is it strange to long for a time never lived?

In this groundbreaking novella, Yara Hawari harnesses the enduring power of memory in defiance of the constrictions on Palestinian life. Against a system bent on the erasure of their people, the family’s perseverance is unbroken in the decades-long struggle for their stone house.

Yara Hawari is a Palestinian writer and political commentator. She completed her PhD in Middle East Politics at the University of Exeter, where her research focused on oral history and Indigenous Studies. She currently works as a senior analyst at Al-Shabaka, a Palestinian think tank. The Stone House is her first book.

Cover of Ferrara Deux (Faits Divers)

Self-Published

Ferrara Deux (Faits Divers)

Ivan Cheng

Fiction €19.00

faits divers are the various reports in a news bulletin, miscellaneous human interest stories, theorised by Roland Barthes as ‘total’ and ‘immanent’ information.

ferrara deux (faits divers) scrolls around the discovered corpse of a talented street musician named Landau, mangled and sealed into vacuum bags in the walk-in of a modern Italian-American restaurant. Street performance is content for an attention economy, playing on authenticities and profiting from recognition.

In this debut novel, artist Ivan Cheng reconfigures recent performance texts into an approximation of a murder mystery.

Cover of Massive Massive Oil Slick

Ma Bibliotheque

Massive Massive Oil Slick

Sean Ashton

Fiction €17.00

Expect anger. Expect joy, joy interspersed with anger, anger with joy, anger and joy in equal proportions, till joy is eclipsed by anger, or anger by joy. Expect decline. Expect steady and sudden decline, in fortune and wellbeing, a decline in wellbeing in places as far afield as Corby and Inverness, London, Manchester, and Yorkshire. 

Massive Massive Oil Slick is a monologue written in sentences that begin with the verbs expect, suppose, and avoid, delivered in a seminar room of an unnamed institution. The audience is invited to participate in imagined scenarios: predicaments, thought-experiments, moral quandaries. Themes range from profound to mundane, serious to absurd: homelessness, drug trials, social exclusion, traffic, Brazil nuts, carveries, contact with extra-terrestrial life. The result is a prophecy, and the reader the central character through whom multiple futures are posited, dismissed, and revived. 

Cover of The Jacques Lacan Foundation

Moist Books

The Jacques Lacan Foundation

Susan Finlay

Fiction €16.00

It’s fall (or autumn) 2018. The Trump administration wants to fortify the United States-Mexico border, Robert ‘Beto’ O'Rourke is running for Senate, and British grifter Nicki Smith has just secured a “low-paid glamour job” at the University of Texas’ Jacques Lacan Foundation. In between sleeping with the air-conditioning repair guy (or man) and watching Kate Moss make-up commercials (or advertisements) Nicki completes the first ever American-English translation of Lacan’s newly discovered and highly controversial notebook – without knowing any French.

An Anglo-American comedy of manners about identity and class The Jacques Lacan Foundation reveals—and revels in—the numerous pretensions that surround academia and authorship, and the institutions that foster them.

Cover of My Life and My Life in the Nineties

Wesleyan

My Life and My Life in the Nineties

Lyn Hejinian

Fiction €17.00

New edition of one of the founding works of Language writing. 

Lyn Hejinian is among the most prominent of contemporary American poets. Her poem My Life has garnered accolades and fans inside and outside academia. First published in 1980, and revised in 1987 and 2002, My Life is now firmly established in the postmodern canon. This Wesleyan edition includes the 45-part prose poem sequence along with a closely related ten-part work titled My Life in the Nineties. An experimental intervention into the autobiographical genre, My Life explores the many ways in which language — — the things people say and the ways they say them — shapes not only their identity, but also the very world around them.