Skip to main content
rile*books

Search books

Search books by title, author, publisher, keywords...

Cover of Fail Worse

Arcadia Missa

Fail Worse

Habib William Kherbek

€14.00

It was the year that autofiction was everywhere.

All the major authors were accused of writing autofiction. You, the reader, were reading autofiction, maybe even writing autofiction yourself. The little known author HWK also was working towards his own autofiction, cycling through London, drafting, redrafting, scrapping, and scraping by, spiraling through his own mind, a geography of ambient anxiety, and a rising sea of associations and dead ends. As the tides begin to overwhelm him, HWK finds lifelines in the various stories that float past.

Possible rescuers, including Ben Lerner, Maggie Nelson, Sheila Heti, Mario Levrero, Jay Sherman (best known by his professional title, The Critic), and the noted animated therapist Dr. Katz call out to our narrator from the shores of literary and cultural success, will he reach them before the waters close over his head? Will HWK, dear reader, reach you?

Fail Worse is the smartest novel I’ve read in a long time, at once a scathing and hilarious critique of the limitations and conventions of autofiction as well as a moving work of personal narrative. I want to give copies of this novel to every writer I know. – Madeleine Watts, author of The Inland Sea

A brilliantly audacious and thoroughly ridiculous book – skewers its subject with a grandeur and wit it scarcely deserves… a stained glass window thrown at a pebble. – Keiran Goddard, author of I See Buildings Fall Like Lightning

Published in 2024 132 pages

recommendations

Cover of Gravity Road: A Rollercoaster Reader

Arcadia Missa

Gravity Road: A Rollercoaster Reader

Jesse Darling, Heinrich Dietz and 2 more

Constructed in Pennsylvania in 1827, Gravity Road was a precursor to the modern roller coaster; a sloping stretch of railroad used to cart coal out of mines. With passenger rides on offer soon afterwards, the rapid descent became an attraction and the technology was appropriated for thrill rides in amusement parks.

Jesse Darling’s sculptures, drawings and installations address the fallibility, fungibility and mortality of living beings, systems of government, ideologies and technologies – nothing is too big to fail. For his exhibition at Kunstverein Freiburg in 2020, Darling created a sculpture of a dysfunctional roller coaster, broken down to a child-like scale, becoming an anti-monument to a modernity that celebrates progress, acceleration and mastery and produces violence.

Exploring the entangled history of labour, leisure, extraction and entertainment, Gravity Road: A Rollercoaster Reader was commissioned in response to Darling’s 2020 exhibition, bringing together new texts by artist and Darling-collaborator Joe Highton and writer Sabrina Tarasoff along with a correspondence between Darling and the Kunstverein’s director Heinrich Dietz.

FEATURING TEXTS BY:
Jesse Darling
Heinrich Dietz
Joe Highton
Sabrina Tarasoff

Cover of CONSTANT VIOLINS I & II

Arcadia Missa

CONSTANT VIOLINS I & II

Jordan/Martin Hell

CONSTANT VIOLINS is a hybrid book consisting of two parts, each comprised of two texts of sci-fi auto-fiction: ‘FӔTAL ATRACTUS’ & ‘COQUETTES’, ‘RATS LIVE ON NO EVIL STAR’ & ‘SOPH MOB’.  CONSTANT VIOLINS follows mutating characters & contexts that grapple & contort in half-step with the logics of a vast labyrinth of psycho para-social references, playing out across a tête-bêche (or head-to-tail) format book. The myriad ‘worlds’ occupied & embodied narratively riff on the act of world-making in itself. 

As an only child, I used to climb up onto my grandmother’s vanity & collapse the 3 way mirror over my head so I could bask in the calm of the many me’s preening inside its reflective continuum. Sometimes I would just lean against the looking glass above her bureau or pretend the wall was my simultaneous lover. No one wants to be alone. Under covers, I initiate the same sequences of experiments that virtually anyone does. 

We all imagine what our pillows witness annually would baffle sane onlookers. That’s why we practice kissing on our dorsal carpal arches, peaches in the dead of night, or remove condoms from bananas with our teeth. CONSTANT VIOLINS wants what any book wants; to become a formidable power couple with its author like a Pokemon & its precocious Trainer.

Jordan/Martin Hell (b. 1993, USA) is a Black trans(2s) writer, artist, & scholar who attended Städelschule (DE) & Cooper Union School of Art. He is currently a PhD candidate at Queen Mary’s University of London. Hell’s work is interdisciplinary & interlaced with his writing as the seedbed for his various explorations across painting, sculpture, pedagogy, music, dance, etc. In all of his work Hell is invested in the embedded associations which proliferate in the global collective subconscious & how that frames intimate (& often violent) realities in the lives of individuals whether historical, celebrity, or obscure. Closely linked with his work is a spiritualist psychoanalytic practice which spans hypnosis, theology, philosophy, Black fugitivity, & indigenous somatics.

Cover of Ultralife

Arcadia Missa

Ultralife

William Kherbek

Big data (n) is high-volume, high-velocity and/or high-variety information assets that demand cost-effective, innovative forms of information processing that enable enhanced insight, decision making, and process automation.

Cover of How to Sleep Faster 2

Arcadia Missa

How to Sleep Faster 2

Various

How to Sleep Faster 2 is the second of our biannually published journals that form the backbone of Arcadia Missa’ critical collaborative discourse on participation, post-digital visual-production and institutional subjectivity.This issue explores moments of collapse, shift and potential in a cultural moment framed by economic, political and societal disturbance.

Arcadia Missa Publication; eds Rozsa Farkas, Tom Clark et al.

Cover of How To Sleep Faster 9

Arcadia Missa

How To Sleep Faster 9

Various

Periodicals €10.00

The platform, free speech and contempt

Cover of Entropia Vol. 1 & 2

Abstract Supply

Entropia Vol. 1 & 2

Habib William Kherbek

Software €22.00

Entropia (vol. I & II) – written by William Kherbek and edited in collaboration with Jack Clarke – is a publication which seeks to recount and re-examine a decade of artistic curation, production, and critique between London, Berlin, and other urban art centres from 2010 to 2020.

Comprised of two volumes, this publication contains a compendium of over one hundred reviews and interviews with luminaries of contemporary art (Vol I), as well as a speculative attempt to create a newly generated algorithmic art(ificial) critic (Vol II). Together they serve to document, excoriate, and theorise an art world which is simultaneously hegemonic and precarious, complicit and constructive, driven by values, yet fed by extraction, all filtered through Kherbek’s precise, aphoristic, acerbic, lens.

The publications include contextual contributions from both Josie Thaddeus-Johns, writer for the New York Times, The Financial Times, Frieze; and Rozsa Farkas, director of London-based gallery Arcadia Missa.

Cover of Pathemata, Or, the Story of My Mouth

Wave Books

Pathemata, Or, the Story of My Mouth

Maggie Nelson

Essays €25.00

Pathemata, Or, The Story of My Mouth is an experiment in interiority written in the pandemic studio. Something of a companion piece to 2009's Bluets, Pathemata merges a pain diary chronicling a decade of jaw pain with dreams and dailies, eventually blurring the lines between embodied, unconscious, and everyday life.

In scrupulously distilled prose, Pathemata offers a tragicomic portrait of a particularly unnerving and isolating moment in recent history, as well as an abiding account of how it feels to inhabit a mortal body in struggle to connect with others. Formally inspired by Hervé Guibert's The Mausoleum of Lovers, and conceptually guided by Gilles Deleuze's notion of artist as symptomologist, Pathemata is yet another urgent innovation from Maggie Nelson in the art of life-writing.

Cover of The Argonauts

Graywolf Press

The Argonauts

Maggie Nelson

Memoir €17.00

Maggie Nelson's The Argonauts is a genre-bending memoir, a work of autotheory offering fresh, fierce, and timely thinking about desire, identity, and the limitations and possibilities of love and language. It binds an account of Nelson's relationship with her partner and a journey to and through a pregnancy to a rigorous exploration of sexuality, gender, and family. An insistence on radical individual freedom and the value of caretaking becomes the rallying cry for this thoughtful, unabashed, uncompromising book.