An Encyclopedia of Radical Helping

Hey culture worker! Are you feeling alone and afraid while the world burns? It’s Too Late. Do It Anyway! is two books in one, created for cultural workers who want to get off the racial capitalist high-speed-train-to-nowhere and start structuring revolution through collective care.

It’s Too Late. Do It Anyway! offers two routes into a fractal support network designed to shed absurd, useless forms of artworld prestige in favor of collectively producing a world organized to support caregivers.  It’s Too Late tells the true story of an exhibition about care that exposed the difference between making symbolic gestures and actually doing something. Do It Anyway! serves as a manual for The Hologram, a prism-shaped collective care protocol conceptualized by artist Cassie Thornton, inspired by the Social Solidarity Clinic of Thessaloniki in Greece, and now practiced by people all over the world.

In It’s Too Late. Do It Anyway! multiple voices weave The Hologram into the present, the past, and the future all at once, ultimately putting the story and the tools it describes into each reader’s life-wizened hands. This is not really a book;  it’s a pathway out of the tough spot we are all in right now. Anyone can make use of it, even you.

French cuisine, classic though it is, still holds delicious surprises. From quick bites for busy days to sumptuous main courses for those who enjoy spending more time in the kitchen, the focus throughout is on dishes that are simple and fun to prepare, and results that are mouthwatering to contemplate and, of course, to eat. A unique work of literary and culinary joie de vivre, part food memoir, part recipe book, French Cooking for One is Michèle Roberts' first cookbook, and a quirky take on Édouard de Pomiane's ten-minute cooking classic. Once a food writer for the New Statesman, Roberts was born in 1949 and raised in a bilingual French-English household, learning to cook from her French grandparents in Normandy. Her love of food and cookery has always shone through in her novels and short stories.

What would have happened had Thelma and Louise not driven off the cliff but stayed on the road? In Carla Harryman and Lyn Hejinian’s picaresque novella, friendship lives on to follow eros through a polymorphic landscape where their fearless, inquisitive “we” encounters “hunger in two places at once.

The Wide Road is a collaborative investigation of the female body, friendship, writing, community, activism, travel and the nature and possibility of human thinking.

Carla Harryman and Lyn Hejinian, two of the most honored innovators of language, began writing The Wide Road in 1991. Over the following twenty-years, the co-writing occurred in turn by letters, by walking, in cabins, together and apart, and finally together again. The reader of this original and major work will find that it is no longer possible to distinguish who wrote what. Instead, one finds a joyful new feminist voice breaking out new possibilities for the future of writing.

The event of the making-writing of this book is now matched by the event of the making-book object of the book, for which the artist Nancy Blum drew two botanical panels, the fruit and the flower of the strawberry tree. HR Hegnauer, in discussion with editor, Rachel Levitsky and the authors, came up with two designs, and in celebration of the book’s multiple origins, Belladonna* Collaborative printed both!

In Lovebug, Daisy Lafarge explores metaphors of love and disease as she seeks to understand human vulnerability and our intimacy with microbial life.

Turning to microbiology, mysticism, and psychoanalysis – as well as the raw materials of love and life – Lafarge navigates the uncomfortable intimacy between the human body and the many bacteria, viruses, and parasites to which it is host.

Lovebug is a book about the poetics of infection, and about how we can learn to live with multispecies ambivalence. How might we forge non-phobic relationships to our ‘little beasts’? How might we rewild our imaginations? In weaving the personal with the pathological, Lovebug complicates the idea of coherent selfhood, revealing life as a site of radical vulnerability and an ongoing negotiation with limit.

"The pathogen arrives anyway and takes a seat at the table. Conditioned to welcome damage, I am curious about this uninvited guest. You must sit down, says Love, and taste my meat".

A Map of Absence presents the finest poetry and prose by Palestinian writers over the last seventy years. Featuring writers in the diaspora and those living under occupation, these striking entries pay testament to one of the most pivotal events in modern history – the 1948 Nakba.

This unique, landmark anthology includes translated excerpts of works by major authors such as Mahmoud Darwish, Ghassan Kanafani and Fadwa Tuqan alongside those of emerging writers, published here in English for the first time. Depicting the varied aspects of Palestinian life both before and after 1948, their writings highlight the ongoing resonances of the Nakba.

An intimate companion for all lovers of world literature, A Map of Absence reveals the depth and breadth of Palestinian writing.

Why do we yearn to be seen when we are already far too visible? How do we want to be perceived, and how are we exposed? Could we ever really see for ourselves?

In memoir, vignettes, poetry and essays, Suhaiymah Manzoor-Khan records her observations from the stands at the dizzying circus of being seen and unseen. She surveys the criminalising stadium of civic life, the open-air arenas of family, friendship and grief, the performative pageantry of the public eye and the unclad secrets of the self in solitude, paying attention to what’s on show and what goes undetected.

Perhaps the strangest, most exciting possibilities are opened when we surrender to another kind of sight. Submitting to the gaze of the Unseen and the All-Seeing, Manzoor-Khan invites us to close our eyes and discover what it would mean to look with our souls instead.

Suhaiymah Manzoor-Khan is a poet and writer whose work disrupts assumptions about history, race, violence and knowledge. She is the author of Tangled in Terror and the poetry collection Postcolonial Banter; a co-author of A FLY Girl’s Guide to University; and a contributor to the anthologies Cut from the Same Cloth? and I Refuse to Condemn. She is based in Leeds and is currently writing for theatre.