Profiles of all the women named Helen in Troy, NY, with poems and images, mixing the classical with the ordinary and delightful intelligence with irreverence.
'everybody died there’s nothing more to say my hair’s braided like a family i took off, it was fun, i loved it if you did something wrong, they punished you one helen is enough, trust me'
For Wallace Stevens, “Poetry is the scholar’s art.” Susan Howe—taking the poet-scholar-critics Charles Olson, H.D., and William Carlos Williams (among others) as her guides—embodies that art in her 1985 My Emily Dickinson (winner of the Before Columbus Foundation Book Award). Howe shows ways in which earlier scholarship had shortened Dickinson’s intellectual reach by ignoring the use to which she put her wide reading. Giving close attention to the well-known poem, “My Life had stood—a Loaded Gun,” Howe tracks Dickens, Browning, Emily Brontë, Shakespeare, and Spenser, as well as local Connecticut River Valley histories, Puritan sermons, captivity narratives, and the popular culture of the day. “Dickinson’s life was language and a lexicon her landscape. Forcing, abbreviating, pushing, padding, subtracting, riddling, interrogating, re-writing, she pulled text from text….”
Vale Ave -- Latin for "Farewell, Hail" -- is a hymn to Eros that unfolds as a gorgeous palimpsest of eternal recurrence and reincarnation, charting the course of two lovers who each seek the other across cultures, myths, and centuries. Vale Ave is alchemical -- "mystery and portent, yes, but at the same time," as H. D. writes, "there is Resurrection and the hope of Paradise."
In Frame Structures, Susan Howe brings together those of her earliest poems she wishes to remain in print, and in the forms in which she cares to have them last. Gathered here are versions of Hinge Picture (1974), Chanting at the Crystal Sea (1975), Cabbage Gardens (1979), and Secret History of the Dividing Line (1978) that differ in some respects from their original small-press editions. In a long preface, "Frame Structures", written especially for this volume, Howe suggests the autobiographical, familial, literary, and historical motifs that suffuse these early works. Taken together, the preface and poems reflect her rediscovered sense of her own beginnings as a poet, her movement from the visual arts into the iconography of the written word.
rile* is a bookshop and project space for publication and performance. rile* is into poetry, theory, choreography, artist writing and various other text based experiments. rile* organizes performances, meetings, launches, readings... rile* is the base word for silence in Láadan, a feminist constructed language developed by Suzette Haden Elgin in 1982. The language was included in her science fiction Native Tongue series. Láadan contains a number of words that are used to make unambiguous statements that include how one feels about what one is saying. According to Elgin, this is designed to counter language's limitations to those who are forced to respond I know I said that, but I meant this.
The bookshop is open from Friday to Sunday from 12:00 to 18:00, by appointment and during our events.
3 Rue Paul Devaux
1000 Brussels - BE
13 Rue du Chantier
1000 Brussels - BE
If you are interested to stock with us, get in touch, we are open for conversation and new friendships.
Hosted by Chloe Chignell & Sven Dehens
contact : firstname.lastname@example.org
Supported by VGC-
Site by Sven Dehens