by Éliane Radigue

Sound American #26 – The OCCAM Issue
Éliane Radigue
Sound American - 15.00€ -

An issue dedicated to Éliane Radigue's ground-breaking compositional work, OCCAM Ocean as seen through the eyes of her chevaliers de Occam, the performers who, in collaboration with Radigue, have brought the sprawling musical eco-system to life.

Sound American releases for its twenty-sixth issue the OCCAM Issue, which focuses on the radical musical eco-system of French composer Éliane Radigue's OCCAM Ocean project. In a first for the publication, this issue is built solely around interviews with the performers that have collaborated with Radigue to produce this body of work over the last decade. Contributors include Charles Curtis, Carol Robinson, Rhodri Davies, Catherine Lamb, Julia Eckhardt, Silvia Tarozzi, Dafne Vicente-Sandoval, Laetitia Sonami, and Frédéric Blondy. All interviews were conducted by SA's editor, Nate Wooley, also a performer of Radigue's music. The issue features an opening invocation from Radigue herself, followed by writing on the history and practice of the OCCAM pieces, interviews, and a concluding essay by Wooley on his own experience performing OCCAM X. This special issue concludes with the last of a three-part series of “exquisite corpse” compositions, written especially for SA by inti figgis-vezueta in response to the preceding work of Moor Mother and Amirtha Kidambi. 

This issue also comes with a special one-of-a-kind pull-out poster detailing the entire OCCAM Ocean composition in all of its interconnected glory. Designed by Remake Designs, this is a unique graphic perspective on the human web of collaboration that Radigue has created.

Intermediary Spaces
Éliane Radigue and Julia Eckhardt
Umland / Q-02 - 20.00€ -

In the long interview that forms the body of this publication, Éliane Radigue talks about her work, her reflections and underlying research, as well as her historical context. The publication also contains a commented list of works and Radigue's programmatic text on The Mysterious Power of the Infinitesimal.

Éliane Radigue (born 1932 in Paris) is considered one of the most innovative and influential contemporary composers, from her early electronic music through to her acoustic work of the last fifteen years. Influenced by musique concrète and shaped by regular sojourns in the United States, where she discovered analogue synthesisers, her work unfolds an intensity which is at once subtle and monumental. Through her deep reflections on sound and listening, not only her music but also her working methods have come to shape a widely resonating set of new parameters for working with sound as musical material.

Julia Eckhardt is a musician and curator in the field of the sonic arts. She is a founding member and artistic director of Q-O2 workspace in Brussels, for which she conceptualized various thematic research projects. As a performer of composed and improvised music she has collaborated with numerous artists, and extensively with Eliane Radigue. She has performed internationally, and released a number of recordings. She has been lecturing about topics such as sound, gender and public space, and is (co-)author of The Second Sound, Conversation on Gender and Music, Grounds for Possible Music, and The Middle Matter, Sound as Interstice.

Second edition (2020).

cart (0)